Classical

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"𝐖𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐬𝐮𝐦𝐩𝐭𝐮𝐨𝐮𝐬 𝐣𝐨𝐮𝐫𝐧𝐞𝐲, 𝐓𝐡𝐞 𝐌𝐨𝐭𝐢𝐨𝐧 𝐎𝐫𝐜𝐡𝐞𝐬𝐭𝐫𝐚 𝐡𝐚𝐯𝐞 𝐬𝐨𝐮𝐧𝐝𝐭𝐫𝐚𝐜𝐤𝐞𝐝 𝐚 𝐟𝐢𝐥𝐦 𝐲𝐞𝐭 𝐭𝐨 𝐛𝐞 𝐦𝐚𝐝𝐞, 𝐚 𝐟𝐢𝐥𝐦 𝐭𝐡𝐚𝐭 𝐩𝐥𝐚𝐲𝐬 𝐢𝐧 𝐲𝐨𝐮𝐫 𝐡𝐞𝐚𝐝 𝐚𝐧𝐝 𝐢𝐬 𝐚 𝐝𝐢𝐟𝐟𝐞𝐫𝐞𝐧𝐭 𝐟𝐢𝐥𝐦 𝐞𝐯𝐞𝐫𝐲 𝐥𝐢𝐬𝐭𝐞𝐧. 𝐌𝐮𝐬𝐢𝐜 𝐚𝐬 𝐡𝐞𝐚𝐥𝐢𝐧𝐠. 𝐀 𝐣𝐨𝐮𝐫𝐧𝐞𝐲 𝐭𝐡𝐚𝐭 𝐬𝐡𝐨𝐮𝐥𝐝 𝐛𝐞 𝐚 𝐩𝐫𝐞𝐬𝐜𝐫𝐢𝐩𝐭𝐢𝐨𝐧."
-𝐉𝐨𝐧 𝐌𝐨𝐫𝐞 (𝐂𝐨𝐥𝐝𝐜𝐮𝐭/𝐍𝐢𝐧𝐣𝐚 𝐓𝐮𝐧𝐞)

Bathurst is pleased to announce the debut album 'All One' by The Motion Orchestra. 

The group formed in 2017 in Hamburg as a studio project and outlet for lead writer and bandleader - David Hanke (Keno, Renegades Of Jazz) to explore his Neo-Classical and Jazz sensibilities in a new setting. 

Comprising of the US-based Andy Sells on Drums, with Germans Alexander Bednasch on Double-Bass, Mark Matthes on Violins, and David Hanke on electronics and production, as well as a one-off guest appearance from other long term Hanke collaborators - Tristan de Liege on clarinet (for the track 'Maylight'), David Nesselhauf on electronics (for the track 'All One') and Ingo Möll on additional Bass (for the track 'Everything We Are').

Strangely, when considering the intimacy of the album the group has never actually fully met in person, with live recordings taking place over 4 years across studios in Seattle, Los Angeles and Hamburg. With Hanke and Matthes contributing the majority of the writing and arranging, the wonderful musicianship of the group as a whole is obvious to hear in the record, which expertly showcases the performers rare understanding of musical space and compositional balance, yet still allowing for flashes of individual brilliance. 

As the first tracks were arranged it became clear that The Motion Orchestra occupy a musical space that sits aside from their obvious stylistic influences, instead bearing a compositional style that deftly fuses the orchestral and electronic worlds more akin to that of modern cinematic composition than most commercial releases. Matthes' lush string arrangements are a beauty to behold, layered elegantly upon the muscular and oftentimes swinging rhythm section low end, all the while Hanke's cerebral sound design and production elements interplay with all throughout, providing an eclectic array of wonderful foils and musical partners to the palette.

With only a small clutch of singles and tracks being released so far they have already turned the heads of Huey Morgan on BBC 6Music and Bandcamp Weekly, as well as closing in on 500,000 streams on Spotify. Exploring themes as time and space, transience, life and death – their music is delightfully relevant, timeless and contemplative in comparison to much of today's disposable music culture. 

''All One' is a collection inspired by the notion that everything comes from the same source, the same starting point. And throughout its play time it builds out this concept from the reserved, poignant strings and ambience beginnings of opener 'From Dust', through to the delicate pitter-patter rhythm and memorable melodies of 'Threadspin', before picking up in tempo and dynamics ahead of the epic penultimate track - Sonorous' and its piano chord harmonics, tasteful bass notes, and swirling jazz drum patterns. Indeed by the last notes of title track 'All One' there is a real sense of having mentally journeyed some distance to arrive exactly where you are for the listener. It's a truly atmospheric audio experience that is constantly engaging and inspiring both feelings and thought throughout.

The Windsleeper

Debussy, Beethoven, Chopin, Tchaikovsky, Brahms, Ravel, Mozart, Rachmaninoff, Nazaykinskaya, Liszt, Bach, Bryukhno: Beautiful Piano

Turn the Volume Down and Sleep

Perfect music for resetting your life balance, stress levels and general wellbeing.

Piece written for solo piano by Claude Debussy in 1909-1910. The title "La fille aux cheveux de lin" translates roughly to "The girl with the flaxen hair"

Performed by Fiona Bechmann in October 2021

Debussy - The girl with the flaxen hair (La fille aux cheveux de lin)

•Jamie Duffy• -Goodnight piano tiktok- °slowed version°

Bryukhno, Debussy, Nazaykinskaya, Chopin, Beethoven, Tchaikovsky, Schubert, Rachmaninoff, Brahms, Chopin, Liszt: Romantic Piano Music

Sonnet in C Major

Bach, Beethoven, Brahms, Bryukhno, Debussy, Glinka, Hasselmans, Krylatov, Massenet, Mozart, Rachmaninoff, Saint-Saëns, Satie, Schubert, Tchaikovsky: Lullaby for Babies

The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in C Major, BWV 846

The Oreginal piano Sheet composed By :  Yiruma 
Music Arranged By : Amjad Moataz 
** No minus used 
Share if you like it :) .. Thank You

Kiss The Rain - Yiruma - Re-Covered By Amjad Moataz

Cello Suite No.1 in G major, BWV 1007: I. Prélude

Experimenting with Delay, EQ and reverb, ended up with a "spacey" version of Claire de Lune
Edited in Pro Tools

Claire de Lune (Debussy) Remix

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

Clair de Lune: Piano Music by Beethoven, Chopin, Brahms, Debussy, Scriabin, Rachmaninoff

Suite Bergamasque, L. 75: Clair de Lune

TikTok Songs on PIANO

ALL RIGHTS BELONG 2 @ZYUZO_XLLL ON TIKTOK 🤘

wow i cant believe my audio is popular enough to be raided by porn bots every day. fuck off, please

Howl's Moving Castle - Merry Go Round Of Life (TikTok piano cover, looped)

Leila - Vordhosbn

Links for FREE DOWNLOAD:

https://drive.google.com/file/d/1T21vCcYUG9q5VvkPC5MwO9UXX-n5sIzV/view?usp=sharing

https://www.dropbox.com/scl/fi/r2qq9xv9br8umfpemn8he/The-Longest-Johns-Wellerman-sea-shanty-Agressi-Piano-Cover-Tik-Tok-Song.mp3?rlkey=tfsyy5vezwsq5ktig4acfm2jo&dl=0

https://www.mediafire.com/file/2lx3aw7avpkp30w/The+Longest+Johns+-+Wellerman+sea+shanty+(Agressi+Piano+Cover)+Tik+Tok+Song.mp3/file

Lyrics

There once was a ship that put to sea
The name of the ship was the Billy of Tea
The winds blew up, her bow dipped down
O blow, my bully boys, blow

Soon may the Wellerman come
To bring us sugar and tea and rum
One day, when the tonguin' is done
We'll take our leave and go

She had not been two weeks from shore
When down on her a right whale bore
The captain called all hands and swore
He'd take that whale in tow

Soon may the Wellerman come
To bring us sugar and tea and rum
One day, when the tonguin' is done
We'll take our leave and go

Before the boat had hit the water
The whale's tail came up and caught her
All hands to the side, harpooned and fought her
When she dived down low

Soon may the Wellerman come
To bring us sugar and tea and rum
One day, when the tonguin' is done
We'll take our leave and go

No line was cut, no whale was freed
The Captain's mind was not of greed
And he belonged to the whaleman's creed
She took that ship in tow

Soon may the Wellerman come
To bring us sugar and tea and rum
One day, when the tonguin' is done
We'll take our leave and go

For forty days, or even more
The line went slack, then tight once more
All boats were lost, there were only four
But still that whale did go

Soon may the Wellerman come
To bring us sugar and tea and rum
One day, when the tonguin' is done
We'll take our leave and go

As far as I've heard, the fight's still on
The line's not cut and the whale's not gone
The Wellerman makes his regular call
To encourage the Captain, crew, and all

Soon may the Wellerman come
To bring us sugar and tea and rum
One day, when the tonguin' is done
We'll take our leave and go

Soon may the Wellerman come
To bring us sugar and tea and rum
One day, when the tonguin' is done
We'll take our leave and go

Sonnet in C Major

Sergey Bryukhno