Ricardo Arias, Lluis Boyra, Roberto García

(1991) A Determinar 10m15s

Sin editar. Grabado en cocina real con ruido real interferencia real el error es real la vida es real

Cocina Cruda

La pieza se basa en tres tipos diferentes de estados por los que se atraviesa en la escucha, -contemplación, violencia, y canto-, en total hay 10 esquemas, que se intercalan los diferentes estados. Cada uno de los esquemas tiene como base un dibujo previo que antecede al sonido, y es de estos dibujos que nace el nombre de la pieza. Ha sido interpretada en Argentina y Ecuador.  

2022

Esquemas

Experimental music April 2024
Published by Musique moléculaire label August 2024

https://musiquemoleculaire.bandcamp.com/album/lautgedicht

Serenade on LAUTGEDICHT musique moléculaire

The Hunt (2022)

Stereo electroacoustic composition

Composed in ΕΡΗΜΕΕ Studios (Lab for Electroacoustic Music Research and Applications), Corfu, GR

Performers recorded: Noraoto [double bass] and Annita Mavriki [singing performance]

Featured in the 2023 edition of HELMCA.


Program Note: 

The Hunt is a work which was inspired by Oresteia, Aeschylus’ trilogy. This piece does not intend so much to narrate the events of the trilogy with precision as to explore the violent relationship between hunter and prey that exists throughout its duration. On the one hand, the destiny that haunts the house of Atreides and that leads to the violent murders of Agamemnon and Clytemnestra. On the other hand, the abominable act of matricide by Orestes and the relentless hunt by the Furies. And finally the hunt for justice and purification which Aeschylus very masterfully introduces in the last part of the trilogy.

2023

The Hunt - single

The Hunt

canto granulado

Todos los materiales utilizados para esta composición fueron grabados por Luis Fernando Medina y Diana Martínez en el marco del proyecto Konkreta De la Escuela de cine y televisión - Facultad de Artes de la Universidad Nacional de Colombia. Muchas gracias a ellos y al proyecto Konkreta por compartir el material.

Implosión

Cerberus

Indução

N'vi'ah is an Old Testament word meaning prophetess. 
A prophetess conveys one or more divine messages often in the form of inspired songs. And many times her words are cryptic, requiring interpretation or even translation. This work uses isolated phonemes as musical material. Intelligible words are not articulated, leaving to the listener the imagination of what their contents and meanings could be. N'vi'ah was commissioned by the Ibermúsicas Project, and composed at the Human Interaction Laboratory - Diego Portales University in Santiago de Chile. It is dedicated to Federico Schumacher.

N'vi'ah

Asfalto - Nahuel Litwin
The present acousmatic work was made with
sonic materials taken from the streets of
Buenos Aires. The sounds of engines,
machines and crowds where mixed to invent
a dreamlike and at times threatening
sound context. Here, the city seems at
times to twist and mutate in incredible
and unimaginable ways, as in a dream ...
or perhaps as in a nightmare.

Implosión

Sergio Román