A wonderful percussion-base guitar carpet on which the scarce piano chords sit. Great groove and feel!

So smooth and soothing, great track, thank you.

Loving this Sergio! Great percussion as always, and you got me with your bass solo - wonderful! <3

Outstanding Jazz instrumental, great bass playing, nice percus and piano too !

it sounds like very natural, great soundscape

I SEE A PART-TIME SURRENDER GOING ON

A Romance Underground

All Things Are Impermanent

a sense of anticipation emerges

Thank you for listening!

soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

Surrender

Special thanks to Cecilia for her a cappella ...of which I modified the tone in order to fit perfectly with my arrangement and atmosphere

EQUALITY FOR ALL.  🎧

Saponaria - Fleursonseaux
All rights reserved - © Copyright

Saponaria

Conga and bass, Sergio Párraga.
Piano and drumms, Ireal pro.
Front page, Pepe Gámez.

Conversando

Cheating lovers in a motel.

Lyrics:
At the Motel down by the Liquor Store
"Do not disturb" sign hangs upon the door
Informing Housekeeping of the status of "Our Armour"
You arch your back in a way that I just can't ignore

You say I'm a simpleton
I just watch my pay per view
Your minds on him
And my heart feels so blue
Because I'm
Full-time bastard
I'm your part-time handsome man
Part-time, handsome man

Does your husband see your sad eyes?
And think their true?
I feel like a small part of you
Housekeeping comes once a day
But you like to cum 
So much more than that
You say

Baby, I'm a simpleton
I watch my pay per view
Then I know your hearts with him
I know my heart is blue
I'm a full time bastard
What are you?

I'm your part time handsome man...

Part -Time Handsome Man

Vocals https://soundcloud.com/couch-king-presents

Production https://soundcloud.com/rizlix


Here's a collab with the soundcloud legend https://soundcloud.com/couch-king-presents


You can hear his original work here;

https://soundcloud.com/couch-king-presents/i-like-to-sample-old-drums




Couch King Presents x RiZLiX - This One Goes

Recorded at Amplified Studios, Carlsbad CA July 2025
Drums - Marc Polit
Lead solo: Tristan Brooks

LYRIC
It took me half my life 
To finally gain insight
I only saw myself as others did
And I mostly stayed hid

I spent half my life
Upset and uptight
I learned it’s stupid to walk on eggshells
Every egg eventually breaks
And if that takes you half your life
That’s what it takes

Can't say exactly when
I knew what I didn’t then
A dawning realization
An opening of the mind
It only took me half my life for me to find

Time isn’t playing
It’s counting the days
If you don’t know what I’m saying
(Well) you won’t be young always
You sure won’t!

As the years accrue
In the remaining few
I won’t let regret confine me
I’ll amble slowly toward the light
Let the past all fade to black
I can’t go back
I love this last half of my life
So that’s all right


Half My Life

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, composition
J.J. Terrell– @j-j-terrell – organ and synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken — drums and percussion
Mistermark-- @user-432503709 -- Mark –- clavinet, VST saxophone solo, VST horns, effects, production editing
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering
Llanpsych -- @llanpsych -- Tez – Fender Telecaster HHS electric guitrar
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics

This song began back at the beginning of the summer, when Josh was messing around on his electric piano and found a structure to which to add his bass. As soon as he opened the project to the rest of Eclectic Collective, JJ jumped right in, adding his thrilling organ and ethereal background synth. Thus, Josh dropped his original e. piano part in favor of JJ's new parts. Ken was next up, adding the drums in reverse order from how he and Josh usually do it. Ken is very skilled at being able to add drums to a pre-existing bass line, which he displays in here. He also added the clever auxilary percussion you hear throughout. Mark was next to the trough, adding his funky clavinet, as well as his sax solo you hear lighting it up in there. He also added some well composed horns toward the end, not to be confused with JJ's synth. 
  Then it was time for the guitarists to do their thing. Stephen added the strong, melodic solos in the first two breaks with his guitar and wah pedal. After Tez added his thrilling solos at the end, Stephen went back in and added the funky rhythm guitar part. Tez also added the funky guitar riffs throughout the verses.
  All that was left was to get Carl in on the action, as he is the newest core member of Eclectic Collective. He wrote a poem and sung it in his signature, wild style for us.
  This is Eclectic Collective at its almost full strength, pulling six musicians from two different continents and four different countries together to create a song. We hope you enjoy listening to it as much as we enjoyed creating it.
   On a side note, this will be Eclectic Collective's last song for two weeks. As most of you know, we release a song every Thursday at midnight. Due to vacation and travel at the end of summer, we'll be skipping  next Friday, the 15th, but should be returning the following Friday, the 22nd. We may also put something out this coming Tuesday, the 12th, so please stay tuned. Can't thank enough those of you who tune in regularly and support us every week. 
Original lyrics by The Beautiful Dark:



The Get Down - The Eclectic Collective

We all love the A-list singles, but... I, at least, also like the songs that fill the album. This one may be one of them, but I made it with a lot of love. And I even dared to sing a little differently, finding a voice I didn't know I had, for the second voice.

Why should I hold this with me

CROSSROAD.

======================


November 2024.

This is a more electronic composition with a small piano touch at the end.

I try to capture in music the decisions we must constantly make in life to follow our path. I've made some wrong decisions in my life... who hasn't? But at least I can say that I made them on my own and they weren't induced, even the wrong ones. That allows me to overcome, for the time being, any regret or frustration they may cause. I believe most are irreversible because they can cause unforeseen damage, even to other people, if you backtrack and choose another path.

Happy summer, everyone.



Cover art by Vilkasss (Pixabay)

Hardware. iPad 
DAW Music Studio 2
Mix…. Yes…yes… my car 🚘

24 Tracks MS2 and Old Forum Xewton
1 Track XPad
2 Tracks flowtones
2 Tracks Sunrizer
1 Track FM player


Next….First eclipse on mars.

Crossroad

Written by James Geer

Over here the customs seem so strange 
Over here my words gets disarranged 
Over here I’m bothered all the day
Over here I want to get away

I’ve been missing
I’ve been missing
Home

Over here the accents are so deep
Over here the hills are way too steep
Over here the forests overgrown 
Over here I’m virtually alone

I’ve been missing
I’ve been missing
Home

Over here

Ginger Me

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

I love creative music.  Music helps us to have good times, so necessary in the day to day. I hope my music fulfills that end.
  

(Don't follow me here, best on my main page ;)

Conversando

Sergio Párraga

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