AI music video for this track link: https://www.youtube.com/watch?v=0NIhAtf0WMU

To all those who live, and all those who have gone. This is a song that means more to me than any other that I have written. This song took me 2 years to write and I began writing it at the start of 2022. For a while I had a block with this song, until something moved me to pick it up again in the second half of last year. I spent so much time on this song, because I knew what the message was to be from the start, and I knew I wanted to do it right. Upwards of 400 different channels, a 34gb project with over 42 different languages within this song from friends, acquaintances, and perfect strangers (also computer robots) all saying the same words. I am not religious, I do not believe in any God/s. I believe that collectively we are the commanders of our own destiny on this planet. I do not believe in any divine plans. That being said I am spiritual, I believe in the power of prayer and good intention. This song is exactly that. It is a prayer, for there to be what the 42+ different languages in the song are asking for. For there to be “no more war”. These are the words these languages utter in this song. Beyond all the politics and complexity of all our different views, I think it is simple to see, that for the most part if we knew it would be safe to forgive our enemy and let go of the need to go to war against them, I think most of us can agree that we would prefer peace. We do not want war. The chain of cause and effect, the system that surrounds us exerts this invisible force over us to force us to do horrible things against eachother, just as Tolstoy said in his book “War and Peace”, after which this song was named. 
  
  In this day and age, I find it increasingly impossible to remain at peace with my community while discussing my political views. Once I was very vocal about many topics online, now it is far too much energy I have not had the ability to give into. I will talk with somebody in person or in public, but online there are to many divisive factors for me personally to tackle. Instead I put the energy of what I believe in into music. There is no other way. To write something different than what I've been feeling intensely, would be to lie. And I think honesty sounds much better. Although the words “no more war” very clearly highlight the message this song is sending out to the universe, there are no amounts of words that could better describe the intention I have for this song then the music itself. (also the crazy ass ai video I made to go with it. Thankyou ai overlords) 

I hope this song brings all beings closer to dancing together as one. 

This was a collaborative work from countless people from various cultures all over the earth. 

Special mention to the following
Bon Organisk aka Morkorganisk: For her incredible singing voice that features in the final build and main climax of the song. (One of the most insane hidden talents I’ve ever come across, her artwork is amazing too) Thankyou !

Janine Raguda: For her artwork that is the album art of the song and inspired the algorithms that created the AI video. This piece “every step you take” really resonated with the story of the track. You can find out more about her art at Janine.Vallery.Hoffman. Thankyou ! 

All the beautiful people who were willing to share their native language within this song through the words “No More War”, there are so many to mention and some people were strangers who I may never see again, but wherever you all are thank you so much from the bottom of my heart

War and Peace

Spirit Project - Dance the Undead Dance (Original Mix). Still working on this but hope you like it x.

Dance the undead Dance (Original Mix)

DANI B2b SONSHINE at Pussy Riot vol.2 

Check out SONSHINE:
https://on.soundcloud.com/Ioip6wjU8uvuDOUGFP

PUSSY RIOT| SONSHINE B2B DANI

Lxtrix - Electrify

My mix for the Tribe Of Frog 25 years Birthday DJ Competition 2025


Trackliste:

1: Earthworm & Shred'er - Psychoactive Mint
2: Gino - Ingrained Instincts, Fungus Funk, 
3: Kabayun, Dsompa, Drip Drop - E Allora 
4: Southwild & Whiptongue - Electric Species 
5: Nukleall and Alter Vu - Magic Mushrooms 
6: Dust & Chris Rich - Chrust 
7: Virtual Light, Act One - Technicolor Dream Goat (Argonik & Kabayun RMX)
8: Bobblehead & Janux - Tipsy Gypsy
9: GU - After Laughter 25
10: ZIGOOR & ALTER VU - Flip Flop
11: Oksha - Knower Doer

Enjoy everyone 🌟🔥

Tribe of frog mix DJ Competition 2025 - FreakyMindControl- Psytrance

Been a while since I dropped a mix — had to come back with my favorite sound: pure Berlin Techno energy. Let it take you there.

SERLX FM: 002 BERLIN TECHNO MIX

You are listening a preview of the Hatikwa remix of "Glitch Control" by Woobler & Dalaguna, part of the third full-length album "Path of Life" by Hatikwa.

Available on Xonica Records:
Bandcamp: https://bit.ly/3JM67rE 
Spotify: https://bit.ly/4oPSpTA 
Youtube: https://bit.ly/3LOD2wf 
Apple Music: https://apple.co/4hJ960q 
Beatport: https://bit.ly/44F63BV
... and more!

Hey Hey, Thomas (Hatikwa) here.

Time really does fly! Eight years have passed since I released a full-length album. A lot has happened in my life since 2017. The pandemic, for example, affected everyone in the music industry and disrupted all future plans. After this unfamiliar period, a new & hungry, but diverse psy-trance scene emerged. Not every promoter and artist was able to handle this change. I had great concerns, too. And at times, even fear. I even got to the point where I had to learn new production techniques to remain competitive. This caused my stress level to rise, and the time during and after the pandemic was not a good one for me musically. Nevertheless, some tracks were created during this time that were somewhat outside my comfort zone.

Beyond that, I fortunately decided to open my own label, Xonica Records, to new and unknown but creative artists who needed a foundation for their art. Many of these artists are also featured on the new album. At times, the input from the young artists was so significant for me that it impacted my own production.

Furthermore, I was massively influenced by the birth of my child at the beginning of 2021 and the associated obligation to be a good father. I honestly didn't produce a single note of music the entire year of 2021. Because being a father was simply more important at that moment. An incredibly emotional time, and one that's still ongoing, I can tell you that! We, as a small family, are now following the same path. Where this will lead in the future, we don't know. We only know that we want to overcome it together. I tried (...no, we did!) to generate these very emotional thoughts in the cover of "Path of Life".

Time passes inexorably! What hasn't changed since 2017, however, is that I've constantly evolved my music. "Path of Life" is technically an album, yes. But I see "Path of Life" more as a compilation of my various creative phases. Not a single track on "Path of Life" was produced to be included on an album. No, "Path of Life" wasn't even planned by me. At the beginning of this year, while cleaning up my hard drive, I realized that the past eight years have had both positive and negative effects on my own music. In short: "Path of Life" reveals the musical process of this time, characterized by the constant change of my own demands and external influences.

After much deliberation, I also decided not to change the respective tracks in order to make them appear better or more balanced on the album. Each track on "Path of Life" depicts a phase in my life over the past eight years. Sometimes it was beautiful and balanced, sometimes it was stressful and loud, and sometimes it was melancholic and quiet. You will also perceive all of these adjectives on "Path of Life".

Many thanks to everyone who has accompanied me in various ways up to this point.

Thomas 

Hatikwa @ Instagram: https://www.instagram.com/hatikwa_official/
Woobler @ Instagram: https://www.instagram.com/arkasha_woobler_music/
Dalaguna @ Instagram: https://www.instagram.com/dalaguna.music/
Xonica Records @ Bandcamp: https://xonicarecords.bandcamp.com

Path of Life

Glitch Control (Hatikwa Remix)

On Spotify

Woobler & Dalaguna - Glitch Control (Hatikwa Remix) (Preview)

You are listening a preview of "Signs of Dystopia" by Hatikwa & Lenfred, part of the third full-length album "Path of Life" by Hatikwa.

Available on Xonica Records:
Bandcamp: https://bit.ly/3JM67rE 
Spotify: https://bit.ly/4oPSpTA 
Youtube: https://bit.ly/3LOD2wf 
Apple Music: https://apple.co/4hJ960q 
Beatport: https://bit.ly/44F63BV
... and more!

Hey Hey, Thomas (Hatikwa) here.

Time really does fly! Eight years have passed since I released a full-length album. A lot has happened in my life since 2017. The pandemic, for example, affected everyone in the music industry and disrupted all future plans. After this unfamiliar period, a new & hungry, but diverse psy-trance scene emerged. Not every promoter and artist was able to handle this change. I had great concerns, too. And at times, even fear. I even got to the point where I had to learn new production techniques to remain competitive. This caused my stress level to rise, and the time during and after the pandemic was not a good one for me musically. Nevertheless, some tracks were created during this time that were somewhat outside my comfort zone.

Beyond that, I fortunately decided to open my own label, Xonica Records, to new and unknown but creative artists who needed a foundation for their art. Many of these artists are also featured on the new album. At times, the input from the young artists was so significant for me that it impacted my own production.

Furthermore, I was massively influenced by the birth of my child at the beginning of 2021 and the associated obligation to be a good father. I honestly didn't produce a single note of music the entire year of 2021. Because being a father was simply more important at that moment. An incredibly emotional time, and one that's still ongoing, I can tell you that! We, as a small family, are now following the same path. Where this will lead in the future, we don't know. We only know that we want to overcome it together. I tried (...no, we did!) to generate these very emotional thoughts in the cover of "Path of Life".

Time passes inexorably! What hasn't changed since 2017, however, is that I've constantly evolved my music. "Path of Life" is technically an album, yes. But I see "Path of Life" more as a compilation of my various creative phases. Not a single track on "Path of Life" was produced to be included on an album. No, "Path of Life" wasn't even planned by me. At the beginning of this year, while cleaning up my hard drive, I realized that the past eight years have had both positive and negative effects on my own music. In short: "Path of Life" reveals the musical process of this time, characterized by the constant change of my own demands and external influences.

After much deliberation, I also decided not to change the respective tracks in order to make them appear better or more balanced on the album. Each track on "Path of Life" depicts a phase in my life over the past eight years. Sometimes it was beautiful and balanced, sometimes it was stressful and loud, and sometimes it was melancholic and quiet. You will also perceive all of these adjectives on "Path of Life".

Many thanks to everyone who has accompanied me in various ways up to this point.

Thomas 

Hatikwa @ Instagram: https://www.instagram.com/hatikwa_official/
Lenfred @ Instagram: https://www.instagram.com/lenfred_music/
Xonica Records @ Bandcamp: https://xonicarecords.bandcamp.com

Signs of Dystopia

Hatikwa & Lenfred - Signs of Dystopia (Preview)

You are listening a preview of the 2025 remake of "Unicorn Machine" by Hatikwa, part of the third full-length album "Path of Life" by Hatikwa.

Available on Xonica Records:
Bandcamp: https://bit.ly/3JM67rE 
Spotify: https://bit.ly/4oPSpTA 
Youtube: https://bit.ly/3LOD2wf   
Apple Music: https://apple.co/4hJ960q 
Beatport: https://bit.ly/44F63BV
... and more!

Hey Hey, Thomas (Hatikwa) here.

Time really does fly! Eight years have passed since I released a full-length album. A lot has happened in my life since 2017. The pandemic, for example, affected everyone in the music industry and disrupted all future plans. After this unfamiliar period, a new & hungry, but diverse psy-trance scene emerged. Not every promoter and artist was able to handle this change. I had great concerns, too. And at times, even fear. I even got to the point where I had to learn new production techniques to remain competitive. This caused my stress level to rise, and the time during and after the pandemic was not a good one for me musically. Nevertheless, some tracks were created during this time that were somewhat outside my comfort zone.

Beyond that, I fortunately decided to open my own label, Xonica Records, to new and unknown but creative artists who needed a foundation for their art. Many of these artists are also featured on the new album. At times, the input from the young artists was so significant for me that it impacted my own production.

Furthermore, I was massively influenced by the birth of my child at the beginning of 2021 and the associated obligation to be a good father. I honestly didn't produce a single note of music the entire year of 2021. Because being a father was simply more important at that moment. An incredibly emotional time, and one that's still ongoing, I can tell you that! We, as a small family, are now following the same path. Where this will lead in the future, we don't know. We only know that we want to overcome it together. I tried (...no, we did!) to generate these very emotional thoughts in the cover of "Path of Life".

Time passes inexorably! What hasn't changed since 2017, however, is that I've constantly evolved my music. "Path of Life" is technically an album, yes. But I see "Path of Life" more as a compilation of my various creative phases. Not a single track on "Path of Life" was produced to be included on an album. No, "Path of Life" wasn't even planned by me. At the beginning of this year, while cleaning up my hard drive, I realized that the past eight years have had both positive and negative effects on my own music. In short: "Path of Life" reveals the musical process of this time, characterized by the constant change of my own demands and external influences.

After much deliberation, I also decided not to change the respective tracks in order to make them appear better or more balanced on the album. Each track on "Path of Life" depicts a phase in my life over the past eight years. Sometimes it was beautiful and balanced, sometimes it was stressful and loud, and sometimes it was melancholic and quiet. You will also perceive all of these adjectives on "Path of Life".

Many thanks to everyone who has accompanied me in various ways up to this point.

Thomas 

Hatikwa @ Instagram: https://www.instagram.com/hatikwa_official/
Xonica Records @ Bandcamp: https://xonicarecords.bandcamp.com

Unicorn Machine (2025 Remake)

Hatikwa - Unicorn Machine (2025 Remake) (Preview)

You are listening a preview of "Binary Contrast" by Hatikwa, part of the third full-length album "Path of Life" by Hatikwa.

Available on Xonica Records:
Bandcamp: https://bit.ly/3JM67rE 
Spotify: https://bit.ly/4oPSpTA 
Youtube: https://bit.ly/3LOD2wf 
Apple Music: https://apple.co/4hJ960q 
Beatport: https://bit.ly/44F63BV
... and more!

Hey Hey, Thomas (Hatikwa) here.

Time really does fly! Eight years have passed since I released a full-length album. A lot has happened in my life since 2017. The pandemic, for example, affected everyone in the music industry and disrupted all future plans. After this unfamiliar period, a new & hungry, but diverse psy-trance scene emerged. Not every promoter and artist was able to handle this change. I had great concerns, too. And at times, even fear. I even got to the point where I had to learn new production techniques to remain competitive. This caused my stress level to rise, and the time during and after the pandemic was not a good one for me musically. Nevertheless, some tracks were created during this time that were somewhat outside my comfort zone.

Beyond that, I fortunately decided to open my own label, Xonica Records, to new and unknown but creative artists who needed a foundation for their art. Many of these artists are also featured on the new album. At times, the input from the young artists was so significant for me that it impacted my own production.

Furthermore, I was massively influenced by the birth of my child at the beginning of 2021 and the associated obligation to be a good father. I honestly didn't produce a single note of music the entire year of 2021. Because being a father was simply more important at that moment. An incredibly emotional time, and one that's still ongoing, I can tell you that! We, as a small family, are now following the same path. Where this will lead in the future, we don't know. We only know that we want to overcome it together. I tried (...no, we did!) to generate these very emotional thoughts in the cover of "Path of Life".

Time passes inexorably! What hasn't changed since 2017, however, is that I've constantly evolved my music. "Path of Life" is technically an album, yes. But I see "Path of Life" more as a compilation of my various creative phases. Not a single track on "Path of Life" was produced to be included on an album. No, "Path of Life" wasn't even planned by me. At the beginning of this year, while cleaning up my hard drive, I realized that the past eight years have had both positive and negative effects on my own music. In short: "Path of Life" reveals the musical process of this time, characterized by the constant change of my own demands and external influences.

After much deliberation, I also decided not to change the respective tracks in order to make them appear better or more balanced on the album. Each track on "Path of Life" depicts a phase in my life over the past eight years. Sometimes it was beautiful and balanced, sometimes it was stressful and loud, and sometimes it was melancholic and quiet. You will also perceive all of these adjectives on "Path of Life".

Many thanks to everyone who has accompanied me in various ways up to this point.

Thomas 

Hatikwa @ Instagram: https://www.instagram.com/hatikwa_official/
Xonica Records @ Bandcamp: https://xonicarecords.bandcamp.com

Binary Contrast

Hatikwa - Binary Contrast (Preview)

You are listening "Source of Existence" by Hatikwa & Mi5o, part of the third full-length album "Path of Life" by Hatikwa.

Available on Xonica Records:
Bandcamp: https://bit.ly/3JM67rE 
Spotify: https://bit.ly/4oPSpTA 
Youtube: https://bit.ly/3LOD2wf
Apple Music: https://apple.co/4hJ960q 
Beatport: https://bit.ly/44F63BV
... and more!

Hey Hey, Thomas (Hatikwa) here.

Time really does fly! Eight years have passed since I released a full-length album. A lot has happened in my life since 2017. The pandemic, for example, affected everyone in the music industry and disrupted all future plans. After this unfamiliar period, a new & hungry, but diverse psy-trance scene emerged. Not every promoter and artist was able to handle this change. I had great concerns, too. And at times, even fear. I even got to the point where I had to learn new production techniques to remain competitive. This caused my stress level to rise, and the time during and after the pandemic was not a good one for me musically. Nevertheless, some tracks were created during this time that were somewhat outside my comfort zone.

Beyond that, I fortunately decided to open my own label, Xonica Records, to new and unknown but creative artists who needed a foundation for their art. Many of these artists are also featured on the new album. At times, the input from the young artists was so significant for me that it impacted my own production.

Furthermore, I was massively influenced by the birth of my child at the beginning of 2021 and the associated obligation to be a good father. I honestly didn't produce a single note of music the entire year of 2021. Because being a father was simply more important at that moment. An incredibly emotional time, and one that's still ongoing, I can tell you that! We, as a small family, are now following the same path. Where this will lead in the future, we don't know. We only know that we want to overcome it together. I tried (...no, we did!) to generate these very emotional thoughts in the cover of "Path of Life".

Time passes inexorably! What hasn't changed since 2017, however, is that I've constantly evolved my music. "Path of Life" is technically an album, yes. But I see "Path of Life" more as a compilation of my various creative phases. Not a single track on "Path of Life" was produced to be included on an album. No, "Path of Life" wasn't even planned by me. At the beginning of this year, while cleaning up my hard drive, I realized that the past eight years have had both positive and negative effects on my own music. In short: "Path of Life" reveals the musical process of this time, characterized by the constant change of my own demands and external influences.

After much deliberation, I also decided not to change the respective tracks in order to make them appear better or more balanced on the album. Each track on "Path of Life" depicts a phase in my life over the past eight years. Sometimes it was beautiful and balanced, sometimes it was stressful and loud, and sometimes it was melancholic and quiet. You will also perceive all of these adjectives on "Path of Life".

Many thanks to everyone who has accompanied me in various ways up to this point.

Thomas 

Hatikwa @ Instagram: https://www.instagram.com/hatikwa_official/
Mi5o @ Instagram: https://www.instagram.com/mi5o___official/
Xonica Records @ Bandcamp: https://xonicarecords.bandcamp.com