Hello, this is Schrotthagen and here you’ll find cinematic techno. In our everyday life, we are film composers. Here, we tell stories without pictures. 
Spread love <3

1st track“Blütezeit“ of the upcoming album out now!! 
We hope you like it 💘

mgmt: can@keyf-music.de
booking: stefan@nxtou.de

FOR WORLDWIDE BOOKINGS: booking@bassgefluester.com

Marko Meingast, better known as Mark Dekoda was born 1987 in Munich, Germany. He started to produce music late 2006 and switched up from underground trance progressive music to minimal-techno music in 2009. Mark is humble about his position as an artist in the crazy. He promotes taking time to make quality tracks as opposed to pushing out remix after remix like a lot of Mainstream Electric artists. His previous releases are speaking for themselves, hitting the Beatport minimal charts in a couple of time. Tracks like "Snow White" "Ghost" "Crackin" and "Cold Cuz" where included in the top 5 as well. His tracks are getting more and more dynamic from every release until now. It seems to be working well for him, same as in his live performances all around the world. So stay tuned and watch out.

Harnessing a distinct brand of artistry that knows no categorical bounds, the DJ, producer and record label head has cemented herself as one of the music industry’s most in-demand names at nothing short of breakneck speed. Her signature sonic approach masterfully blends genres with a visceral energy that commands attention, the ardent catalyst in her meteoric rise from Belgium’s underground to global phenomenon status.

No accurate depiction of electronic music culture would be complete without special mention of Deborah De Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade.
Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. However this was to become her making. “You shouldn’t let anybody tell you what you can or can’t become”, she expounded in a rare interview, referencing her early livelihood as a nightclub dancer. “It’s true, in recent years I have gained popularity, but I am very grateful for the long journey it’s taken”. More than anything else, Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.
Deborah spent the formative years of her musical career in Northern Italy, following a brief stint at fashion school in Modena. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records. Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album ‘Ten’. A huge milestone for the Italian producer, ‘Ten’ represented an important rite of passage and a body of work that she would cherish indefinitely.

In the trend-driven universe of electronic dance music, Gregor Tresher is the rare artist who transcends such cycles. His secret? A relentless focus on melody and timbre, timeless musical elements that other producers often undervalue. Just as a painting or a photograph appears to move if one stares at it long enough, close listening to the stratified grooves and melodies in Tresher's music reveals an organic universe of shifting sound.

Kunkel B is following