STARVING IN HOLLYWOOD Exit Theme (2013). 

Credit music for sketch comedy webseries / written & performed by Rebecca Honett (vox, Grandpa's harmonica) & Chris Honett (12-string guitar, electric guitar, drum programming).

STARVING IN HOLLYWOOD is an acerbic, fast-paced, open-form variety show.
Subscribe at http://www.youtube.com/shamelessredhead

About STARVING IN HOLLYWOOD:
Written and directed by John Byford and Chris Honett.
Starring Lewis Brian, John Byford, Jeremy Lawson, Rebecca Honett and Motown Maurice.
And featuring the Starving in Hollywood Company.
Produced by Shameless Redhead.

http://www.imdb.com/title/tt2374442/
http://www.facebook.com/starvinginhollywood
http://www.twitter.com/ShameRedhead

Intrada Pagliaccio

The Drink (2011). A song waiting for a voice. Electric guitar, 12-string guitar, bass, & drum programming / written, performed, recorded, & mixed by Chris Honett.

The Drink

This is my idea for this beautiful melody by Hans Zimmer. First part is inspired in traditional rythms of Galician music, growing up to emotive memories. 

Destiny's love - Bleeding Fingers Competition

Score music for "Head-Side Up," written & directed by John Byford. 

Music composed by Chris Honett, performed & mixed by Chris (guitar) & Rebecca Honett (vox, harmonica, bass).

Rebecca: http://www.imdb.me/rebeccahonett
Chris: http://www.facebook.com/christopherjonhonett
Shameless Redhead: http://www.shamelessredhead.com/

Pavanne for a Lost Ocean

Trece

premezcla del track no. 10 para el Disco Veronica, La Cortesana del Infierno.

Sep 2016

2016

Vida o Muerte premix 1

Fight Babylon Riddim
prod33480
Music & lyrics by Léo Sourisse

Leo Banton - Fight Babylon System

Stream "Screaming Sun" on Spotify
https://open.spotify.com/album/29F7jL7Hmik9KUHe667enE

***Lyrics***
When all the people are busy rushing to meet with the maker 
They never question the oven before they question the baker. 
If you could bury the hatchet and wrap the package for good 
Would you roll onto your back and say what you never could 

Would you pick up a reason to kiss the neck of the bottle 
Like the untouchable woman who poked the pride that you swallowed 
Would you be juggling jealousy with the enemy too 
Like placebo on the ego try to shelter the truth 

Hold your tongue oh screaming sun I will wait all night for you to rise 
Hold your tongue oh screaming sun I will wait all night for you to rise 
Rise rise rise rise rise rise rise rise rise 

Picky the promise to break a sweat in the office 
To pick a pocket instead of dropping a thousand on college 
If you could fatten your wallet and pull a profit on ice 
Would you still be saying fate is just a roll of the dice 
Sorry the sucker who fell a slave to the pattern 
Of pinching plenty of pennies to put their heads on a platter 
If you determine your destiny by a recipe first 
You will take the world for granted and you’re bound to get hurt. 

Hold your tongue oh screaming sun I will wait all night for you to rise 
Hold your tongue oh screaming sun I will wait all night for you to rise 
Rise rise rise rise rise rise rise rise 
Rise rise rise rise rise rise rise rise rise rise rise rise rise rise rise rise
Hold your tongue oh screaming sun I will wait all night for you to rise 
Hold your tongue oh screaming sun I will wait all night for you to rise

Screaming Sun

Main theme from ''que me queres, amor'' short film (1998)

Matilde

Memory from the Broadway musical, Cats
Vocal by Nancy Burridge
"Memory", often incorrectly referred to as "Memories", is a show tune from the 1981 Andrew Lloyd Webber musical Cats sung by the character Grizabella, a one-time glamour cat who is now a shell of her former self. The song is a nostalgic remembrance of her glorious past and a declaration of her wishes to start a new life. Sung briefly in the first act and in full near the end of the show, "Memory" is the climax of the musical, and by far its most popular and well-known song.
From Wiki.

Memory

Sergio Pena holds a  classical guitar and composition degree, besides one in Film Scoring, Orchestration and Mixing awarded by Berklee College of Music. 

As a composer, he is an eclectic author whose main interest is film scoring. From jazz, pop and electronic to classical music, his output shows a knowledge of different styles that let him overcome all sort of challenging film projects. He has worked in feature films, shorts, documentaries and advertising for ten years. Skilled in a wide range of genres, his style is nevertheless well defined and distinct
