Criado em 2004, o Personare é o resultado do trabalho de profissionais especializados nos mais diferentes temas, mas com a mesma motivação: incentivar pessoas a aproveitarem melhor suas vidas.

O portal traz conteúdo, serviços e ferramentas sobre os mais diversos temas como astrologia, meditação, numerologia, yoga, tarot, alimentação, florais, entre outros. Nosso objetivo é levar autoconhecimento, harmonia e bem-viver para sua vida. Conheça: www.personare.com.br

Siga → → WSOUNDS |Sertanejo
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In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

SURICATO é:

Rodrigo Suricato - voz, violão, guitarra, ukulele, weissenborn, banjo, lap steel, mala bumbo, letras e composições

Criolo; MC, singer, songwriter, released his album “Nó na Orelha” (Knot in the Ear) in May 2011. Produced by Daniel Ganjaman, known for his work with artists such as Nação Zumbi and the late Sabotage, and Marcelo Cabral, a pre-eminent musician of the new generation in Brazil, all tracks were composed and written by Criolo.

“Nó na Orelha” was initially available in Brazil as a free download and only commercially released on CD and vinyl in June 2012, when it also gained its first international exposure via the London-based label, Sterns Music.

Since the release of the album it has received over a dozen awards, both inside and outside of Brazil and Criolo has performed at over 200 shows within Brazil alone. In 2012 he toured internationally and visited 11 countries where his concerts were attended by crowds of all ages. These included the Roskilde Festival in Denmark and the Summer Stage Festival in New York’s Central Park.

The success of “Nó na Orelha” has led Criolo to share the stage with Caetano Veloso, Seu Jorge and the fado singer Ana Moura. In London he collaborated with the Ethio-Jazz icon Mulatu Astatke. Homage has been paid by Chico Buarque, and Criolo was interviewed by Spike Lee for the documentary “Go, Brazil, Go”. During one of the performances of “Nó na Orelha” in Rio de Janeiro, Ney Matogrosso took the stage to duet on the song “Freguês da Meia-Noite”, written by Criolo and to be recorded by Ney for his next album.

In 2013, his whole show “Nó na Orelha – Live at Circo Voador” was filmed in Rio de Janeiro and released as a ‘pay-as-you-like’ download. The DVD and CD “Criolo and Emicida – Live”, directed by Andrucha Waddington, Paula Lavigne and Ricardo Della Rosa, was also released in 2013.

In October 2013, the single “Duas de Cinco” was released digitally and on 12 inch vinyl in Brazil. It contains two new tracks, again produced by Daniel Ganjaman and Marcelo Cabral. A video featuring the lyrics of the first track “Duas de Cinco” has been produced by the project’s art director, Ricardo Fernandes, and is available on YouTube.

It’s classic rap over a sampled beat, with dense verses that feature a bold critique of contemporary Brazil. The chorus, taken from the song “Califórnia Azul” by Rodrigo Campos, a Brazilian artist of the same generation as Criolo, was the starting point for both lyrics and beats.

With the addition of Thomas Rohrer on the rabeca, the traditional violin from the north of Brazil, the B-side of the single, “Coccix-ência”, was recorded live in the El Rocha Studio by the superb musicians that have been Criolo’s backing band for the past two years. These two new songs, together with material from his 2006 release “Ainda Há Tempo” are now part of the repertoire of Criolo’s live shows.

On stage, Criolo performs alongside the producers Daniel Ganjaman (keyboards and electronic programming), who is also the musical director of the show, and Marcelo Cabral (acoustic and electric bass). The musicians Guilherme Held (guitar), Maurício Badé (percussion), Sérgio Machado (drums) and ‘loyal servant’ DJ Dan Dan (vocals and turntables) complete the line-up. - See more at: http://criolo.net

Criado em 2010 por Yanick Melo, o projeto STEREO BAGO TEAM apresenta em um som independente, com liberdade de expressão e diversidade musical, percorrendo desde o rock, dub, reggae, hip hop até o maracatu, com grande mensagem poética e autobiográfica de seu idealizador. 
Nascido em uma família de artistas, Yanick Melo vivencia a música desde muito cedo. A necessidade de montar sua própria banda veio junto com a ambição de lutar por um mundo melhor através da música. Na concepção do projeto, ele contou com a parceria de um amigo que compartilhava dos mesmos ideais, o percussionista e protestador Luciano Rocha.
Criados no litoral sul de São Paulo, na cidade de Praia Grande, logo sentiram a necessidade de invadir a capital paulista e espalhar sua mensagem musical. Realidade das ruas, ideologia, religião e política social estão entre os temas abordados nas letras, que têm como intuito incentivar jovens a acreditar em seus sonhos, refletir e lutar por seus direitos.
O primeiro álbum do projeto “STEREO BAGO TEAM”, intitulado Aí Tem (2013), conta com duas grandes participações: em um dub rock, o rapper Rappin Hood divide a faixa-título do álbum “Aí Tem”, que tem a política do Brasil como pano de fundo. Na faixa “Biotipo”, a participação especial fica por conta de Zeider Pires, líder da banda Planta e Raíz, cantando sobre o lado bom e o ruim da amizade. 
Vale a pena conferir.

Que a paz de Jah esteja presente nesse lugar! Salve!


Em lançamento da nova turnê a nave aterrissa em Castelo no Espírito Santo, em um evento espetacular, trazendo O Rappa pela primeira vez na cidade e ainda Banda Casaca, Bandeia e Dj Mell Marcarini.
30 DE ABRIL - VÉSPERA DE FERIADO - CENTRO DE EVENTOS CASTELÃO - 21H
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