"The Fracture" is a sort of soundscape or sound experience created to describe the earthquake phenomena. 
The track was devevoped with digital sounds and a few natural sounds into a mutitrack editing.
This soundscape belongs to a editorial project called "Remote", a zine designed by me which two distant topics dialogue in an attempt to discover new visions, aspects not yet told. In this first issue earthquakes are are being associated with mental health and especially with shock and trauma. Sounds, glitches and noises are superimposed on each other to tell the chaos, the unpredictability and the drama of a shocking event such as the main shock during the earthquake but at the same time the personal experience of a trauma, of an unexpected shock.

Sounds and effects by Giuseppe D'Alia. Additional sounds, effects and mastering by Paolo Zappalà > @evolvingpatterns @sesapo www.conscioussound.it
You can get a copy of "Remote Zine" sending a message to my Instagram profile [at]pinodalia
Thanks :)

The Fracture

00010

Ancient Aztec And Mayan Traditional Music By Ricardo Lozano Featuring Jorge Ramos

Prod. BLACK LIONS x Squadron Beats
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"EMOTION" ~ Rod Wave Street Runner Tate McRae slower Yung Bleu You're Mines type beat instrumental

Ab22

“The breezes at dawn have secrets to tell you
Don't go back to sleep!
You must ask for what you really want.
Don't go back to sleep!
People are going back and forth 
across the doorsill where the two worlds touch,
The door is round and open
Don't go back to sleep!”

― Jalaluddin Rumi

This is me improvising an an ocarina, called a "puny tune," with a YouTube recording of Professor Masood Habibi on the daf.  My sister, Becky Sander-Cedarlof, bought this instrument for me as a birthday present.  This was performed at Jamballa Festival, in Portland, OR, with my daughter, Rachel Shelton, and her dance company, Kali Lila.

Ocarina Call to Meditation at Dawn

AOAM - Main Title

Because I Love You

New Tusco

playing with the rain in the background..

Ab22

Sesapo