this song sucks dont listen to it skip to the next one pls

RAP GAME BARACK RAP GAME OBAMA SPITTIN OUT THESE LINES LIKE A RAP GAME DALAI LAMA!!!!!!

For worldwide bookings please write to: booking[at]mrconfuse[dot]com

www.mrconfuse.com

Mr. Confuse is a traveller between the styles. Collecting 14 tracks on his album Mr. Confuse takes us on an excursion from HipHop to Afro, Electro and Latin back to Funk. „Feel The Fire“ comes as an organic statement for the analogue link between HipHop and Funk as well as an authentic and up-to-date plea for the original brass arrangements in the Funk and Jazz music of the 70s.

As part of the producer team Breakout, Mr. Confuse was a household name in the Funk and HipHop community already in 2006. His idea to reinterpret Afrika Bambaataa’s „Planet Rock“ as a Funk tune and in a Jazz-Breaks version gained Breakout massive international attention.

Mr. Confuse decided to produce „Feel The Fire“ in a kind of style which is typical for HipHop:  “I work sampler based. You look for parts of drum loops and other pieces in a record and build new music from it.” This concept is as exciting as it is hard work: „I will return to my Sampler with what the musicians played and often do a completely new cut. You may say that I use a musician as a sample library.“ Consequently recording „Feel The Fire“ took quite some time. In the end the complete album consists now of about 10000 samples. To finish an album like that it is a matter of sweat and tears ...“. 

On „Feel The Fire“ you hear some of Hannover’s best musicians – Marc-Amadeus Figge, Martin “Margot” Gontarski (Spice), Lars Heindorf (Sugarhat), trombonist Matthias Brennecke and Hammond organ C3 player Hakan Türközü. Percussion comes courtesy of Lionel Berton from Paris, the vocalists are Emma Pujadas a.k.a. Lady Emz from Barcelona and Jazz singer Inna Vysotska.

So it comes as no surprise that Mr. Confuse can very clearly define his references and inspiration: „I draw my influences from HipHop and I want to work on something I can identify with. What I tried is to transfer the idea, better say the musical basis of HipHop, from the 90s back to today. So it was just natural for me that I tried to keep my sound dirty like it was in the 60s and 70s. My main idea by doing songs like “Planet Rock” or “Lookout Weekend” was to put the 80s back into 70s or 60s by using technology of the 90s – got it!?”

The Groove Merchant

Big dawg shit remix freestyle ft. FrG squad (el nino bagz,chris COLO, and 8fifty

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my attempt at combining trap and groovy, funk inspired house. My original plan was to have the biggest contrast possible between two genres in a single track using the same instrumentation... Hope you guys enjoy ♥☺

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My goal with “No Love” was to take elements of 90’s Hip Hop and R&B and place them within the context of my “Future Ghetto” style. I chose to sample TLC because “No Scrubs” is a true staple of 90’s R&B culture, and I wanted to see how vocal elements from the classic could convey a different vibe when paired with deeper instrumentation. I think the marriage between UK House style basses, trap percussion and TLC’s vocals offers an incredibly unique, novel and emotional take on R&B -  I hope my fans dig this one!

artwork by Cygne Cooper - cygne.cooper [at] gmail [dot] com

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No Love ft. TLC

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-.¸.-¯- I LOVE U! ✵ THANK U FOR LISTENING! -¯-.¸.-

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