Disquiet Junto projects

just had a spam message.. he 'heard some hq skills' 

i'm sold! nope.. *block*

psst

Spotlight

More on this 190th Disquiet Junto project (“Set two out-of-sync loops atop each other, and then add sonic glue”) at:

http://disquiet.com/2015/08/20/disquiet0190-missedconnections/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Image associated with this project by Theilr, and used thanks to a Creative Commons license:

https://flic.kr/p/saiGo

Disquiet Junto Project 0190: Missed Connections

wanted to see how muchh of my music is on here.. 35 hours! awesome 

sevenism.bandcamp

big bag of music

a lot of the tracks from soon to be defunct group 

migrated here https://hearthis.at/group/45158/new-weird-ambient/

group now hear

new weird ambient

s p o t l i g h t

xclnt remixes, reworks and inclusions of me by fellow disquiet junto artists. @bojanix's "one hot day" appears also on his release "constraints" (http://etalabel.bandcamp.com/album/constraints), which features his junto work.

http://soundcloud.com/BASSLINGsss, http://soundcloud.com/bojanix, https://soundcloud.com/steveburnett, http://soundcloud.com/justin-buckley, http://soundcloud.com/dowsabel, http://soundcloud.com/happypuppy2, http://soundcloud.com/kamikuma, http://soundcloud.com/kyletm, http://soundcloud.com/letterfounder, http://soundcloud.com/naotko, http://soundcloud.com/sevenism, https://soundcloud.com/tuonela

:^D 

more details on the disquiet junto:
http://soundcloud.com/groups/disquiet-junto

remix.reflector

Made from https://soundcloud.com/thereflectors/for-whom-the-ice-tolls , an especially enchanting sonic treat created for the latest incarnation of the great 'ice cube' disquiet assignment by https://soundcloud.com/thereflectors

Ice bell reflections

https://hearthis.at/sevenism/spring-palindromes-dark-winter-snippets-disquiet0177-netlabelportrait/

spring palindromes
waves metaphorical
move forward/setback
ice crystal rainbow
.

-30 second intros played from web and recorded in audacity
-1st 2 samples repeated then reversed
-3rd sample played in middle and reversed
-project stretched and smoothed with paulstretch to fit 4 mins
-volumes messed around with

Step 1: Create a new piece of music by using nothing but the following segments of the following songs:

Use the first 30 seconds from “Part 1″ off Scott Lawlor’s World of Ice and Snow:

http://www.darkwinter.com/dw095.html

Use the first 30 seconds from “Underground Shelter” off Nadador Nocturno’s Harsh Winters in the Distance:

http://www.darkwinter.com/dw096.html

Use the first 30 seconds from “DSM III – The Cristalline Entity” off Ovdk vs Seetyca’s Allegorik Symptom Before the Cataclysm:

http://darkwinter.com/dw097.html

Step 2: Upload your track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

hear

Spring Palindromes (Dark Winter snippets) (disquiet0177-netlabelportrait)

I was playing around with Cecilia5 which is awesome for real-time processing, clicked random sound which came up with a vocoder preset and it had already emphasized the bells and got rid of most of the background sounds! I fiddled about with it coz there was a little distortion and to make it sound a little more weird but then all i needed to do was a bit of gentle levelling and fading out in audacity. This is the first couple of minutes.
----------------------------------------------------------------
Disquiet Junto Project 0178: Berlin Bells
Emphasize the bells in an urban field recording.

Step 1: Download the audio file at this URL. It is a field recording of urban Berlin by Michael Raphael (aka Sepulchra):

https://goo.gl/C3kJNA

Step 2: Rework the source audio in a manner that reinforces the melodic component of the bells. Beyond that sole instruction, the choices are up to you.

Step 3: Upload your track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

longer

Bells {rndm vocode} 001 (disquiet0178-sepulchrabells)

*shortened for space. full track here: https://hearthis.at/sevenism/chinook-showroom-ambientechoes-disquiet0179-techniquetalk/*

The main thing I've learned recently is how to cede control to an instrument, like how inuits (and other cultures) say: the sculpture is already there. i just need to tease it out. So there's more of a collaboration, feedback loop, between performer and instrument.

Here, I used acidrack pressed the random button to get a synth tone, then pressed random again because i didnt like the first one. i fed this tone through a load of echo and delay in podfarm. i used excel to generate random notes, then improvised based on these constraints. 

The long rhythmic echoes suggested long gaps between the notes but sometimes these echoes were lower in the mix so i'd play quicker, at the same time i was cognizant of what had already happened and how close it felt to the end.

The track title was found by 'conducting' my swype keyboard on my phone to produce two words. Art was found by searching google images for these words and manipulating an image i liked
;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
Disquiet Junto Project 0179: Tech(nique) Talk
Show off (and explain) one thing you’ve learned recently about an instrument/tool.

Step 1: Think of one thing in the recent past you’ve “figured out” related to how you use an instrument or another piece of technology to make music.

Step 2: Record a short piece of music that employs that technique.

Step 3: After uploading the piece, explain in the accompany text (and/or in the captions to the SoundCloud file) what the thing is you’ve figured out, so others can benefit from what you’ve learned. Explain how you’ve employed it in the track.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

More on this 179th Disquiet Junto project — “Show off (and explain) one thing you’ve learned recently about an instrument/tool” — at:

http://disquiet.com/2015/06/04/disquiet0179-techniquetalk/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

full track

Chinook Showroom {ambientechoes} [disquiet0179-techniquetalk] (shortened)

I represented each of the six dolls as an instrument -  the bass doll, then opening up we hear my voice, then mountain dulcimer, then kalimba, 12 string guitar and glockenspiel. Then I reversed it as the doll is put back together and we just hear the bass to close.

The bass starts off with more fx then I remove more and more fx from the instruments as it opens up.

I tried to restage the image with my instruments!

---------------
Disquiet Junto Project 0180: Matryoshka Music
Use the Russian nesting dolls as a model for a musical composition.

Step 1: Consider the Russian nesting doll called the matryoshka, in which hollowed-out wooden figurines are designed to be stored inside each other, excepting the smallest doll, which is solid.

Step 2: Compose a short piece of music that somehow takes as its basis the doll’s structure. (For a further constraint, imagine a matryoshka consisting of 6 dolls.)

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, June 11, 2015, with a deadline of 11:59pm wherever you are on Monday, June 15, 2015.

Length: The length of your finished work is up to you, but between two minutes and four minutes is probably best in this context.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

More on this 180th Disquiet Junto project — “Use the Russian nesting dolls as a model for a musical composition” — at:

disquiet.com/2015/06/11/disquie…0-matryoshkamusic/

More on the Disquiet Junto at:

disquiet.com/junto/

Join the Disquiet Junto at:

soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

disquiet.com/forums/

Matryoska (disquiet0180-matryoshkamusic)

*shortened to make space. longer versn here https://hearthis.at/sevenism/matryoska-demo-kpple-concpt-remix/*

the first recording of vocals for my matryoska track i couldnt fit with the other instruments. i loved the concept of this track: https://soundcloud.com/jmmy-kpple/untitled-matryoshkoid-disquiet0180-matryoshkamusic and used it here.. although for the first minute i was stretching it rather than compressing it but fuck it i love mistakes, and anyway it degrades the sample further which i wanted because it wouldve taken too long to record 50 odd iterations at decreased mp3 quality.

this was too creepy for my girfriend 'why have you got to make frightening music?'

matryoska demo (kpple concpt remix) (shortened)

I've been away from the Junto for a while - but it was time to get back in.... being a guitar player myself, I found two guitar based tracks:
Dave Dorgan Guitar Loops [disquiet0189-tonelayer]
disquiet Six-String Buddha [disquiet0189-tonelayer]
Cut out the loops - outa sync and bitonal, just the way I love it... added a bit of Reaktor Fussion Reflection and a field recording I made this summer - contact mic's in an anthill - as the "sonic glue" and that's about it... I had fun - as always.

Disquiet Junto Project 0190: Missed Connections
Set two disjointed loops atop each other, and then add sonic glue.

Last week’s project involved using loops to accrue layers. This week’s project involves layering loops. You needn’t have participated in last week’s project to participate in this week’s.

These are the steps:

Step 1: Choose two tracks from last week’s Disquiet Junto project. Be sure to use tracks that include a license that allows for non-commercial reworking. If you’re not sure, either choose a different track, or inquire with the musician. the project is here:

https://soundcloud.com/disquiet/sets/disquiet0189-tonelayer

Step 2: From each of those two tracks, select one loop-able segment. Be sure the segments are of different lengths.

Step 3: Create a long string of each of the two loops from Step 2 by repeating them over and over. That is: make one long string of AAAAA… and make one long string of BBBBB…, where A and B are the two loops. (That is: Do not go ABABAB.)

Step 4: Layer the two tracks resulting from Step 3 for a single track of about one to two minutes in length.

Step 5: Add one element of your own to the result of Step 4 that serves to combine the two disparate loops into one composition.

Step 6: Record a document of these layered loops lasting approximately one to two minutes in length (longer is certainly fine).

Step 7: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 8: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the afternoon, California time, on Thursday, August 20, 2015, with a deadline of 11:59pm wherever you are on Monday, August 24, 2015.

Length: The length of your finished work should be approximately one to two minutes in length (longer is certainly fine).

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0190-missedconnections” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information, and link to (and identify) the two SoundCloud pages for the source audio you selected:

More on this 190th Disquiet Junto project (“Set two out-of-sync loops atop each other, and then add sonic glue”) at:

http://disquiet.com/2015/08/20/disquiet0190-missedconnections/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/


Ants circling“disquiet0190-missedconnections”

this weeks project provided a massive dilemna for me, there were so many amazing sounds and astounding tales last week that I had really hard time trying to choose.

I ended up with the first 20 seconds of 337is'  "National Tennis Centre, Melbourne, Australia, 1989"  and the whole of (I'm sorry I know I was supposed to use only part of) Hideyuki Kuromiya's
"Incidental G"  both beautiful in their own right, looped them, and added the last ingredient (as prescribed by my physician or doctorb Marc) to glue them together, a couple of samples from the movie Serpico (it's a slow burn but well worth the watch). Thanks  to 337is and Hideyuki for you lovely sounds and sorry to all the other people I didn't use, whose sounds were equally as lovely.

I did nothing to any of the tracks except for a little delay on the very last Serpico sample and a fade out on 337is part.


More on this 190th Disquiet Junto project (“Set two out-of-sync loops atop each other, and then add sonic glue”) at:

http://disquiet.com/2015/08/20/disquiet0190-missedconnections/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Image courtesy of my dinner, salad of fresh herbs, fennel, rocket, chilli, sweet potato from my garden and chick peas from a tin, i'm gonna have a real good shit tomorrow.



Real Good Shit (disquiet0190-missedconnections)

Two loops used for this piece were:
Dave Dorgan - https://soundcloud.com/davedorgan/guitar-loops-disquiet0189
aScytheThroughNettles - https://soundcloud.com/ascythethroughnettles/germanium-ceiling-disquiet-junto-project-0189-tone-layer

Both of these tracks use guitar - an instrument I have never so much as picked up before so it's nice to work with this kind of sonic palette. Looping the first ten seconds or so of Dave's piece and ending with the last fifteen seconds of aScythe's piece, I underpinned it all with a bit of low howling and some echoed thumping - trying to give the impression of something underground reaching up for air...not sure I succeeded but I like it. Thanks to the two artists for allowing their pieces to be used!

More on this 190th Disquiet Junto project (“Set two out-of-sync loops atop each other, and then add sonic glue”) at:
http://disquiet.com/2015/08/20/disquiet0190-missedconnections/

More on the Disquiet Junto at:
http://disquiet.com/junto/

Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:
http://disquiet.com/forums/

Image associated with this project by Theilr, and used thanks to a Creative Commons license:
https://flic.kr/p/saiGo

Subterranean Germane Guitar Ceiling  Disquiet 0190 Missed Connection

In a nice synchronicity i'd already halfway completed the project before it was announced: i'd done an extended version of https://soundcloud.com/thereflectors/c-swells where i'd looped the track a few times (and added a bit of echo n blur in the middle) so that i could listen to it a bit longer

had it playing while i went through last week's tracks and it mixed well with https://soundcloud.com/benn-demole/swallowed-disquiet0189-tonelayer i liked the added bass and incidental sounds, so took a loop at the end of that and had that faded in and out throughout

for the glue i had the mix playing in the next room while i played along on my old technics electric piano and recorded through the mic on my mp3 player.. the idea was that some syncopation would blur the phasing a bit. unfortunately the recorder picked up the sound of me hitting the keys really loudly, and i didnt feel like redoing it so just had it lower in the mix but the clatter kind of helps a bit

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Disquiet Junto Project 0190: Missed Connections
Set two disjointed loops atop each other, and then add sonic glue.

Last week’s project involved using loops to accrue layers. This week’s project involves layering loops. You needn’t have participated in last week’s project to participate in this week’s.

These are the steps:

Step 1: Choose two tracks from last week’s Disquiet Junto project. Be sure to use tracks that include a license that allows for non-commercial reworking. If you’re not sure, either choose a different track, or inquire with the musician. the project is here:

https://soundcloud.com/disquiet/sets/disquiet0189-tonelayer

Step 2: From each of those two tracks, select one loop-able segment. Be sure the segments are of different lengths.

Step 3: Create a long string of each of the two loops from Step 2 by repeating them over and over. That is: make one long string of AAAAA… and make one long string of BBBBB…, where A and B are the two loops. (That is: Do not go ABABAB.)

Step 4: Layer the two tracks resulting from Step 3 for a single track of about one to two minutes in length.

Step 5: Add one element of your own to the result of Step 4 that serves to combine the two disparate loops into one composition.

Step 6: Record a document of these layered loops lasting approximately one to two minutes in length (longer is certainly fine).

More on this 190th Disquiet Junto project (“Set two out-of-sync loops atop each other, and then add sonic glue”) at:

http://disquiet.com/2015/08/20/disquiet0190-missedconnections/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Westy Reflector / Benn DeMole - C Swellowed (disquiet0190)

Disquiet Junto Project 0190: Missed Connections

Noncompliance [disquiet0190-missedconnections]

I hadn’t listened to any of last week’s Junto works, so I chose two tracks quickly without listening to any, based solely on what I already knew of the work of their creators:

https://soundcloud.com/thereflectors/c-swells?in=disquiet/sets/disquiet0189-tonelayer

and

https://soundcloud.com/analoc/0815-disquiet-junto-189-fripps?in=disquiet/sets/disquiet0189-tonelayer 

I looped an excerpt of about 18 seconds from the first (runs from 1:15 to 2:45) and one of about 1.5 seconds from the second (runs from 0:07 to 2:10)  Both of these are fairly primitive, with annoying clicks which I tried to disguise. (I was working in a hurry).

I mixed both original complete tracks together and fed the result into ambient v.0.3  This runs from beginning to end.

I also processed the mixed track in an Audacity plugin called Convoluter. This was used twice, once forward and once in reverse. It provides the blips and bloops, beginning at 0:17 and ending at 2:37)

Not sure if both loop layers were supposed to run throughout  (they don’t) and I added two layers in step 5 instead of one, so I haven’t obeyed the instructions to the letter – hence the tongue-in-cheek title.


----------------------------------------------


*Disquiet Junto Project 0190: Missed Connections*  Set two disjointed loops atop each other, and then add sonic glue.
 
 Last week’s project involved using loops to accrue layers. This week’s project involves layering loops. You needn’t have participated in last week’s project to participate in this week’s.
 
 These are the steps:
 
 Step 1: Choose two tracks from last week’s Disquiet Junto project. Be sure to use tracks that include a license that allows for non-commercial reworking. If you’re not sure, either choose a different track, or inquire with the musician. the project is here:
 
 https://soundcloud.com/disquiet/sets/disquiet0189-tonelayer
 
 Step 2: From each of those two tracks, select one loop-able segment. Be sure the segments are of different lengths.
 
 Step 3: Create a long string of each of the two loops from Step 2 by repeating them over and over. That is: make one long string of AAAAA… and make one long string of BBBBB…, where A and B are the two loops. (That is: Do not go ABABAB.)
 
 Step 4: Layer the two tracks resulting from Step 3 for a single track of about one to two minutes in length.
 
 Step 5: Add one element of your own to the result of Step 4 that serves to combine the two disparate loops into one composition.
 
 Step 6: Record a document of these layered loops lasting approximately one to two minutes in length (longer is certainly fine).

More on this 190th Disquiet Junto project (“Set two out-of-sync loops atop each other, and then add sonic glue”) at:
 
 http://disquiet.com/2015/08/20/disquiet0190-missedconnections/


Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/    




Noncompliance [disquiet0190-missedconnections]

I started from the excellent tracks of #olafwie (https://soundcloud.com/olafwie/cascade-disquiet0189-tonelayer) and #thereflectors (https://soundcloud.com/thereflectors/c-swells) and extracted a 6 bars loop and a 10 bars loop. 

I used gradually louder Whoosh sounds to distract the listener attention from the ending of each loop, and then just had to end with a final Whoosh  at bar 60 where the loops stop to remain around 2 minutes. 

More on this 190th Disquiet Junto project (“Set two out-of-sync loops atop each other, and then add sonic glue”) at:

http://disquiet.com/2015/08/20/disquiet0190-missedconnections/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Image associated with this project by Theilr, and used thanks to a Creative Commons license:

https://flic.kr/p/saiGo


CoaT - Whooshed Connections (disquiet0190-missedconnections)

I used Westy Reflector's "c swells [disquiet0189-tonelayer]" and Zedkah's "Swells [disquiet 0189:tone layer]" as they sounded best of the 0189 tone layer tracks when combined and compressed as I planned. Imported both into Audacity, copied both one-minute files out until I had a track exceeding 36 hours in length. I then used Audacity to change the tempo by one hundred thousand percent, as shown in the screenshot - creating a track just over two minutes long compressed from over 36 hours. 
(Both of the original source material sound great when played at normal speeds, and I commend them both to listeners' attention.)

Swellsandswells [disquiet0190 - missedconnections]

Recorded in March 2015, mixed in October 2015

Waves 1986

when i was 12 or 13 my music teacher at school was horrible: mean and impatient - she'd grab kids fingers and press them hard into the 'right' keys when we made mistakes. there was no relationship between my burgeoning love of music and what i had to contend with at school. i never learnt to read music, and looking at this image reminds me of sitting in front of a keyboard thinking 'what the fuck?'

so i sat in front of my electric piano and just played what i felt. then i've hidden this playing in a number of ways - i've cloned the track and blurred it with paulstretch, reverb, echo a few times.

and i used amazing midi to convert the recording to midi to add some random variance and then created 3 separate soundscapes with different fx in live 8

♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬

Disquiet Junto Project 0205: Superposition
Interpret boxed-up music-education materials as a graphic-notation score.

This week’s project falls broadly into the category of “graphic notation.” It uses a found assemblage as its starting point.

Step 1: Look at this image associated with this project, and imagine it as a score in the tradition of graphic notation:

http://disquiet.com/wp-content/uploads/2015/12/20151203-560×560.jpg

Step 2: Record a piece of music based on that score in Step 1.

More on this 205th weekly Disquiet Junto project (“Interpret boxed-up music-education materials as a graphic-notation score”) at:

http://disquiet.com/2015/12/03/disquiet0205-superposition/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

                   

occluded; hidden (disquiet0205)

video https://www.youtube.com/watch?v=6BvOJkqXplU
..
all made from this sample soundcloud.com/ao_onesampledare/one-sample-dare-37-sample-file for ambient online one sample dare 37 www.ambientonline.org/forum/showthread.php?4119-One-Sample-Dare-37 

the inspiration for this is the vast under-surface ocean of enceladus

i wanted to do something between a track and a mixtape with four distinct-connected parts. processing in live 8, recorded in audacity

also expanded into an album here if you fancy a listen https://sevenism.bandcamp.com/album/enceladus

part one: enceladus
track 1:  sample played though fx chain- crystal bass > crystal reverb >  6 string ambience > guitar space > space echo
track 2: ambient part of track 1 paulstretched x10
track 3: another ambient part of track 1 paulstretched x10

part two:  underwater turbulence
track 4: sample played through same fx chain as track one + electronica 2 
track 5: sample played through chorus fuzz > hi frequency ambience > ping pong > rhythmic doubling > echo speak > pong texture

part three: plumes
track 6: sample played through electronica 2 > crystal bass > electronica 1 > 6 string ambience > hard ambience > space echo
track 7:  sample played though 6 string ambience > hard ambience > space echo > wide ambience > formant sweep  then paulstretched

part four: cassini
track 8: same chain as track 1 + robo voice beat repeat (gives that guitary sound)
track 5 repeated
track 9: track 1 paulstretched with a longer time resolution

enceladus

s u r f a c e mixtape

thanks for all the listens! please follow me @sevenism.. reposts and comments are always welcomed

a load of remixes i've done, nominally mixed

1. boc/nevermen - mr mistake [ambientstrumental] @nevermenmusic
2. ? - ? obstructed mix
3. afx - avril 14th [rndm velocity] @user18081971
4. jedrzej borowski- 3 switches x3 @jborowski
5. technohead - accelerator 1 [deceleratedecholocated]
6. cdek - res 13 2 (sev/ered) @c-dek
7. MyklH - Transmitting from space (sev visual echoes) @MyklH
8. loess - f4 {gravity echoes}
9. adam intilia - burning into time (blurring into time) @adamintilia
10. hideyuki - teian (minor edit) @kuromiya-hideyuki
11. westy reflector / benn demole - c-swellowed @thereflectors @benn-demole

thanks to the original artists for the wonderful music

sevenism -- ambient re//mix/one

was at the spa yesterday. they had an aqua meditation room where the ripples of drips were projected/amplified on the ceiling. my partner thought the ripples matched the new age music but i thought it was just the brain forcing an arbitrary pattern. i was thinking about this project about sound waves bouncing off each other like ripples; and this is the sound i wanted to get across (couldnt record unfortunately, couldnt sneak phone in ..no pockets in the complementary robes)

i played the guitar thru podfarm with heaps of echo and delay all unsynced, not playing to a particular tempo.. following and ignoring the echoes variously / resolutely un-new age
then i put the recording thru izotope ddly to get more delays at different speeds

}}}} }}}}}  }}}}}   }}} )  )     )               )                                     )

Disquiet Junto Project 0218: Sound Passage
The Assignment: Following the path of artist Kate Carr, explore sounds from a distance.

The artist and musician Kate Carr generously agreed to provide a prompt this week for the Junto.

Step 1: Consider the ways that sound changes as it travels across space, moving through specific human-built architectures and/or natural geographies. I live near Belfast’s major football stadium, and the roar that travels from the stadium, across the train tracks, up my street, and into my ears is a very different sound to the roar heard when standing in the stadium itself.

Step 2: Record a distant sound, and reflect on what frequencies have made it to your ears from the source, and which ones have bounced or decayed away.

Step 3: Compose a piece based on this recording, and your meditation on the ways its very journey to you has changed the sounds inherent in it.

Background: Kate Carr composes soundscapes based on field recording and non-conventional instrumentation to explore the relationship between people and place. Weaving together real and imaginary journeys , intensive explorations of sonic enclaves and the re-broadcast of sound in public places, her work is centred on both human and natural geographies. More on Kate Carr at gleamingsilverribbon.com.

More on this 218th weekly Disquiet Junto project (“Following the path of artist Kate Carr, explore sounds from a distance”) at:

http://disquiet.com/0218/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

candescent

liquid audio {{ripple fx}} (disquiet0218)

keep playing around with this https://sevenism.bandcamp.com/track/event-horizon

original track (https://soundcloud.com/sevenism/tachyon-storm) made from a single sample (soundcloud.com/davedorgan/after-the-rain-ao39-sourcewav) for osd39 .. this is improvised in the mangle .. fed back into live with more fx and another track pitched up in audacity

this track is a soundcloud exclusive! wowee!

d r i f t .  .  .

event horizon

নিাটriverine 
forthcoming on @32jnqwn
twitter.com/s_e_v

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vid https://www.youtube.com/watch?v=42GOYgDMkug&index=6&list=PLEmllIk802-Z0cVk5sttvtmCIp37ySZeZ

beach nostalgia: / grew up near brighton beach / landlocked now

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originally recorded for naviar haiku

In his eyes
Sunlight glistens
The universe reflected

Poem by maxstjohn http://www.maxstjohn.com

For more information visit http://www.naviarrecords.com/about/naviar-haiku

waves (in his eyes)

squarepusher + sevenism - midi sans frontieres (unity fade)

done an album of mixes here https://sevenism.bandcamp.com/album/midi-sans-fronti-res

this is a modified version of one them. i've listened to loads of the remixes - some great stuff out there - but somehow i havent listened to the original yet! (i like to start playing with samples before i listen to them)

DOWN˩OAⱭ

MIDI Sans Frontières

Concentration for 5 Flutes

Ensemble: Egor Rogozin, Irina Peshkova, Olga Slednikova, Alexandra Prousova, Ivan Moutouzkine

Concentration for 5 Flutes (Live)

Video version at https://www.youtube.com/watch?v=Cpdc5gA9V6k

This track started with the contents remaining on a looper pedal after a jamming session with a friend a few days ago. I added several recordings of shortwave noise, morse code transmissions, number stations, interval signals, and created some distorted "morse code transmissions" myself on Ableton Live. 

Each recording was processed as needed, and then laid out in session view, from which they were recorded with the help of a Launch Control XL control surface. After recording this session, visuals were created using VIZZable, and the video was put together using iMovie.

On number stations and looper pedals

A dreamy lush soundscape that grounds you and lifts you all at once. 

This Organic Matter

http://llllllll.co/t/foreground-effect-disquiet-junto-project-0241/4134/4

full track https://hearthis.at/sevenism/tendentious/

i used acidrack and pressed the same key over and over again.
i had a heap of fx in ableton - ddly>podfarm2>feed me back>six string ambience>loop slippery
lots of echo, distortion .. 6 string ambience mulches things up a bit.. loop slippery added that beat

perfect project for me - i'm always adding way too much fx 

hear it all

Tendentious xrpt (disquiet0241)

'Halocline', another track taken from Saline Celestial by Sevenism, available on limited edition cassette and digital. 
More info and links to buy: www.naviarrecords.com/discography/se…line-celestial

“Saline celestial” brings together intricate soundscapes, haunting atmospheric textures and calming field recordings in an expressive, emotive and spontaneously deep concept album: close your eyes, and let the journey begin.

Sevenism - Halocline (NR001)

guitar lost in echo. glacial warmth. a soundtrack to the tenderness of wolves by stef penney

ροгή

Clear lake ripple

https://www.twine.fm/sevenism/crei90/saline-echelon

guitar lost in echo. glacial warmth. a soundtrack to the tenderness of wolves by stef penney

full

Saline echelon

https://www.twine.fm/sevenism/creia0/tardy-finney

guitar lost in echo. glacial warmth. a soundtrack to the tenderness of wolves by stef penney

Westy Reflector / Benn DeMole - C Swellowed (disquiet0190)

̲ ̲ ̲ ̲ ̲ ̲ ̲ ̲ ̲s̲e̲v̲e̲n̲ı̲s̲m̲ ̲ ̲ ̲ ̲ ̲ ̲ ̲ ̲