NH114: Where do you come from? / Borders on Earth fall away / As we fly upwards

wanted to see how muchh of my music is on here.. 35 hours! awesome 

sevenism.bandcamp

big bag of music

Naviar Haiku challenge 101 - 150

when i was 12 or 13 my music teacher at school was horrible: mean and impatient - she'd grab kids fingers and press them hard into the 'right' keys when we made mistakes. there was no relationship between my burgeoning love of music and what i had to contend with at school. i never learnt to read music, and looking at this image reminds me of sitting in front of a keyboard thinking 'what the fuck?'

so i sat in front of my electric piano and just played what i felt. then i've hidden this playing in a number of ways - i've cloned the track and blurred it with paulstretch, reverb, echo a few times.

and i used amazing midi to convert the recording to midi to add some random variance and then created 3 separate soundscapes with different fx in live 8

♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬

Disquiet Junto Project 0205: Superposition
Interpret boxed-up music-education materials as a graphic-notation score.

This week’s project falls broadly into the category of “graphic notation.” It uses a found assemblage as its starting point.

Step 1: Look at this image associated with this project, and imagine it as a score in the tradition of graphic notation:

http://disquiet.com/wp-content/uploads/2015/12/20151203-560×560.jpg

Step 2: Record a piece of music based on that score in Step 1.

More on this 205th weekly Disquiet Junto project (“Interpret boxed-up music-education materials as a graphic-notation score”) at:

http://disquiet.com/2015/12/03/disquiet0205-superposition/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

                   

occluded; hidden (disquiet0205)

thanks for all the listens! please follow me @sevenism.. reposts and comments are always welcomed

a load of remixes i've done, nominally mixed

1. boc/nevermen - mr mistake [ambientstrumental] @nevermenmusic
2. ? - ? obstructed mix
3. afx - avril 14th [rndm velocity] @user18081971
4. jedrzej borowski- 3 switches x3 @jborowski
5. technohead - accelerator 1 [deceleratedecholocated]
6. cdek - res 13 2 (sev/ered) @c-dek
7. MyklH - Transmitting from space (sev visual echoes) @MyklH
8. loess - f4 {gravity echoes}
9. adam intilia - burning into time (blurring into time) @adamintilia
10. hideyuki - teian (minor edit) @kuromiya-hideyuki
11. westy reflector / benn demole - c-swellowed @thereflectors @benn-demole

thanks to the original artists for the wonderful music

sevenism -- ambient re//mix/one

http://naviarlab.tumblr.com/post/140747491353/naviarhaiku114-where-do-you-come-from

"Make music inspired by a haiku poem in seven days."

doing a series of recursions converting wav to midi to wav and so on, seeing if they converge. this is a chopped and squeezed version of one of them. one that reminded me of looking up at the fast ISS speck from my old balcony.

reiterations

Where Do You Come From ? (Naviarhaiku114)

Where do you come from ?
Borders of Earth fall away
As we fly upwards.

This is a 7-times time-stretched version of https://soundcloud.com/ahornberg/activating

Download

Naviarhaiku - Where Do You Come From?

My entry for NaviarHaiku 114 - http://naviarlab.tumblr.com/

"Where do you come from? / Borders on Earth fall away / as we fly upwards" - poem by David Pulsford

This is a modular piece that uses multiple LFOs and envelopes both as modulation sources and as a method of triggering events (using a comparator) - meaning that the outcome is derived from simple rules but exhibits complex behaviour - much like the universe. And us. 

From Whence We Came (Naviarhaiku114 -where do you come from?)

See http://bassling.blogspot.com/2016/03/naviarhaiku114-where-do-you-come-from.html for track discussion.

Remove Borders [Naviarhaiku114 - Where do you come from ?]

This track was created for the Naviar Haiku group.
142 week haiku
naviarlab.tumblr.com/

2016-09-22

One note of the shakuhachi (Naviar Haiku 142)

one note of the shakuhachi / resounds endlessly / piercing the winter clouds

all tonal sounds except the background pads and drums are created from a broken shakuhachi sample-CD, sampled in real time. 

sampled, mixed and mastered by www.stachy.dj

Naviarhaiku 142

stachy.dj

hofuku sochi 報復措置 - one note of the shakuhachi (or two?) [Naviarhaiku#142]

went literal: one held shakuhachi note, resonating at C1 - C6

.............. .      .             .

The haiku of the week was written by Sôen Nakagawa, a key figure in the transmission of Zen Buddhism from Japan to the Western world.

The shakuhachi is a Japanese end-blown flute that was originally introduced from China into Japan in the 8th century. If you’re curious to hear how it sounds, check out this video: https://www.youtube.com/watch?v=f7s-wXZWT5o

Seven days to make music in response to the assigned haiku poem. To participate, visit http://www.naviarrecords.com/about/naviar-haiku

DEADLINE: 28th September

Poem by Sôen Nakagawa

Picture by Anne James

shakuhachi d  r   i    f     t (naviarhaiku142)

Written as companion to the following Haiku by Sôen Nakagawa:

One note of the Shakuhachi
resounds endlessly
piercing the winder clouds



For more information and to participate: http://www.naviarrecords.com/about/naviar-haiku/

Piercing Clouds

Piercing Clouds [NaviarHaiku142]

guitar lost in echo. glacial warmth. a soundtrack to the tenderness of wolves by stef penney

ροгή

Clear lake ripple

https://www.twine.fm/sevenism/crei90/saline-echelon

guitar lost in echo. glacial warmth. a soundtrack to the tenderness of wolves by stef penney

full

Saline echelon

https://www.twine.fm/sevenism/creia0/tardy-finney

guitar lost in echo. glacial warmth. a soundtrack to the tenderness of wolves by stef penney

Where Do You Come From ? (Naviarhaiku114)

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