from "A Universe Of Cherry Blossoms" LP.
Bandcamp: https://hinemos.bandcamp.com/album/a-universe-of-cherry-blossoms

Hopeful Journey

nord drill 1

This track is a remake of an unfinished song from 2015. 
from my album "When The Future Smiles".

Tipping Point

watch the yt video :3 youtu.be/ndLcogjNSj8
I used the op-xa Air drifter preset for pad and the Rise above preset for bass, thats where the track title comes from // for arp i used ju06a
2nd track of the "november" project

Air above

@hdls

https://eco-futurism-corp.bandcamp.com/album/solarmodern-eco-dreambreak

H3ADL3SS - access.point [from "ECO DREAMBREAK", 08/10]

Ludomaniac

from the new album *for everything*
support: https://drumcorps.bandcamp.com/album/for-everything

xxx

join us
who see
who let go
stopped asking

started mourning 
every morning
watering flowers
sharpen swords

you see opposites
we know linked
defense care justice 
the same thing

pure oblivion
in that space
no time
for those ways

no and never


Buy on Bandcamp

No and Never

ベラルーシのレーベル People Can Listen さんのコンピレーションアルバム
[PCLVA 019] Nineteenth Listen に 収録されています

Free Download
→ https://peoplecanlisten.bandcamp.com/album/pclva-019-nineteenth-listen

[PCLVA 019] Nineteenth Listen

Rootbound

video : https://youtu.be/C6Kf0VAb2Fs

How much I am changing
Need I be strict with you
Or is it someone else 
I speak with

I hope you'll find solace
Without me and quick
That you'll be looked by
The same Lord
I speak with

He'll breathe life
Into your wings
Because it is oh so simple
I need you and you're the one
I love speak with

Old World sparrows (video)

ORBITAL SWARM

Just messing around with the Bitwig demo and ZynAddSubFX late last night.

! JackySuperparticularMOS.scl
!
Jacky Ligon superparticular non-octave MOS
 7
!
 9/8
 27/22
 243/176
 729/484
 6561/3872
 19683/10648
 59049/29282

2nd experiment with Bitwig on Linux

xenharmonic bass music

Sevish (aka Sean Archibald) is an electronic musician from London, UK. His music is fast and atmospheric. The style mainly gravitates around drum & bass and other electronic dance music varieties, although even ambient and chilled works have been released under this moniker. Sevish sidesteps pop structures and familiar "EDM" tropes, instead trying to capture the essence of something flowing and meandering. It's the perfect music for blocking mind-altering radiation.

Since his album Golden Hour, Sevish's technique has included a dark art known as microtonality/xenharmonics. For short, we can call this xen. Simply put, the xen aesthetic tries to achieve new musical ideas by making things more or less in-tune than normal music. For something that is so easy to describe, you would think that every musician was doing it. Sadly, the technicalities of (ab)using musical tunings to create xen music are too much for most musicians to muster at this point in time. Perhaps 3D printing will change that in the future, allowing new instruments with crazy tunings to be developed quickly and cheaply. Until then, it's the domain of a few tinkerers and madmen scattered across the globe. One of those being Sevish, who blends xen with his own brand of experimental dance music.

The xen movement is still small but growing rapidly. It has a lively facebook group, its own wiki (deeply incomprehensible to all but the initiated), and about as many dedicated record labels as you could count on one hand.

In 2010, Sevish launched his own netlabel to get together the scattered artists composing xen music. Called split-notes, this label is known for its focus on xen-with-a-beat, and most of its releases are free to download with Creative Commons licensing. While the output of the label has slowed down due to other commitments, it's still alive with new releases showing up from time to time.

Sevish's music has been put out by the Dutch label Dubbhism Deluxe. In 2011, Sevish, Tony Dubshot and Jacky Ligon released an album called Subversio to online music shops and popular streaming services. This project lies somewhere between being a band album and being a compilation, as each of the 3 artists provided 3 solo tracks each. So it's more of a musical triptych than either of those things. Certainly a form of collaborative album that can (and will) be explored further. Each of the musicians on Subversio combine xen with beats and bass, but their individual styles contrast and compliment. Tony Dubshot excels at trippy electro dub with lots of analog processing. Jacky Ligon's style is often described as oceanic or panoramic, with fluid and rotating beats and deeply moving atmospheres and melodies. And Sevish's style... well, you already know by now.

In 2014 Sevish, Tony Dubshot and Jacky Ligon followed with 23, something of a mini-album in the same stylistic ballpark as 2011's Subversio. Numerology, conspiracy and ancient knowledge is something that the trio is attracted to, and 23 is inspired from that.