Tracks by user q e b r u s

༜°༜ ᓭᘳᓆ⊆⊂⊚⊃⊇ᓏᘰᓯ༜°༜

In A World Of Noise We See Symmetry

Hey there! Concrete Collage is proud to present P H ▽ T I S M S by Tusk Mite.
More at: https://bit.ly/CC037TM

//pre-order bonus: Tusk Mite Glitch Cookbook vol.1 - sample pack///
The album itself will be available for free after it's released, but the pre-order comes with a link to an exclusive sample pack crafted by Tusk Mite. The sound library comes with over 120 sounds with everything from glitchy one-hits and breaks to spectral glides, viscous basses, pixelated shimmers, mulchy textures, alien pads, fractalized drills and so on. This is a limited time offer lasting until Dec 15th. 


All tracks written and produced by Erik Kiviharju
Artwork by Erik Kiviharju
Mastering by Julien "Stazma" Guillot at the Electric Voyage Studio

Pre-Order

CC037 - P H ▽ T I S M S by Tusk Mite - Promomix

Battle for Chipland

Warp Technique

Collab with Nost (https://soundcloud.com/n-o-s-t)
from VA - MODULE COMBAT 2 (MMR021)
Compiled By BionicForm
Mastered By Inner Coma
Artwork By Dadoc
Modulate Music Productions 2025
buy : https://modulatemusic1.bandcamp.com/album/module-combat-2


Curiowave & Nost - Luminous Void (210bpm)

Out Now!

https://synthamesk.bandcamp.com/album/into-the-fire

Into the Fire

From "Strangers in Paradise" Ep
Out 11th November 2016
PRSPCT RVLT

Ruby My Dear - Kismet

Harmony Hacker

Ask Yourself

The Dreaming Tree

Ruby My Dear 
"Remains Of Shapes To Come"
Ad Noiseam 
adn157 - June 2012 
http://www.adnoiseam.net/adn157 

Tracklisting:
1. Maiden
2. Rubber Head
3. Karoshi
4. Uken
5. Hawa
6. Syuma
7. Dinah
8. Rhythm-a-ning
9. Pannonica
10. Monk's Dream
11. Chazz
12. Knit For Snow
13. L.O.M. (Loutre Oblique Méridionale) 

Mastered by Angelos Larios at 4Be.
Artwork by Manon Bourgeade.

Karoshi - Out on Ad Noiseam (from the "Remains Of Shapes To Come" album)

xenharmonic bass music

Sevish (aka Sean Archibald) is an electronic musician from London, UK. His music is fast and atmospheric. The style mainly gravitates around drum & bass and other electronic dance music varieties, although even ambient and chilled works have been released under this moniker. Sevish sidesteps pop structures and familiar "EDM" tropes, instead trying to capture the essence of something flowing and meandering. It's the perfect music for blocking mind-altering radiation.

Since his album Golden Hour, Sevish's technique has included a dark art known as microtonality/xenharmonics. For short, we can call this xen. Simply put, the xen aesthetic tries to achieve new musical ideas by making things more or less in-tune than normal music. For something that is so easy to describe, you would think that every musician was doing it. Sadly, the technicalities of (ab)using musical tunings to create xen music are too much for most musicians to muster at this point in time. Perhaps 3D printing will change that in the future, allowing new instruments with crazy tunings to be developed quickly and cheaply. Until then, it's the domain of a few tinkerers and madmen scattered across the globe. One of those being Sevish, who blends xen with his own brand of experimental dance music.

The xen movement is still small but growing rapidly. It has a lively facebook group, its own wiki (deeply incomprehensible to all but the initiated), and about as many dedicated record labels as you could count on one hand.

In 2010, Sevish launched his own netlabel to get together the scattered artists composing xen music. Called split-notes, this label is known for its focus on xen-with-a-beat, and most of its releases are free to download with Creative Commons licensing. While the output of the label has slowed down due to other commitments, it's still alive with new releases showing up from time to time.

Sevish's music has been put out by the Dutch label Dubbhism Deluxe. In 2011, Sevish, Tony Dubshot and Jacky Ligon released an album called Subversio to online music shops and popular streaming services. This project lies somewhere between being a band album and being a compilation, as each of the 3 artists provided 3 solo tracks each. So it's more of a musical triptych than either of those things. Certainly a form of collaborative album that can (and will) be explored further. Each of the musicians on Subversio combine xen with beats and bass, but their individual styles contrast and compliment. Tony Dubshot excels at trippy electro dub with lots of analog processing. Jacky Ligon's style is often described as oceanic or panoramic, with fluid and rotating beats and deeply moving atmospheres and melodies. And Sevish's style... well, you already know by now.

In 2014 Sevish, Tony Dubshot and Jacky Ligon followed with 23, something of a mini-album in the same stylistic ballpark as 2011's Subversio. Numerology, conspiracy and ancient knowledge is something that the trio is attracted to, and 23 is inspired from that.