the 2022 Burning Mountain Anthem officialy showed 🤘🏽

OneNoise & Riwi - Storm

Toujours un Plaisir de jouer à Aurillac, cette troisième nuit est marqué par le changement de lieu, cette fois-ci arrivé.es au parking devant la Turbo Love à 1h30 avec les copains que je remercie beaucoup pour leur dévouement. 
After qui commencent vers 3h du matin et durera jusq'au petit matin. 

Voici donc le résultat musical de cette fameuse troisième nuit à Aurillac, Marquée par l'arrivée inattendue de Joseph avec sa trompette avec qui la musique improvisée de l'instant présent a existé le temps de quelques heures, exprimant ainsi la rencontre de deux musiciens, deux personnes, autour d'un public qui n'avait pas payé sa place et n'avait pas prévu d'être là, sans plan et sans ordinateur.

-----------------EN 

Always a pleasure to play in Aurillac, this third night is marked by the change of location, this time arriving at the parking lot in front of Turbo Love at 1:30 a.m. with friends whom I thank very much for their dedication. 
After which start around 3 a.m. and will last until early morning. 

Here is the musical result of this famous third night in Aurillac, marked by the unexpected arrival of Joseph with his trumpet with whom the improvised music of the present moment existed for a few hours, thus expressing the meeting of two musicians, two people, around an audience who had not paid for their place and had not planned to be there, without a plan and without a computer.

----------AR 
من دواعي سروري دائمًا اللعب في Aurillac، حيث تتميز هذه الليلة الثالثة بتغيير الموقع، حيث وصلت هذه المرة إلى موقف السيارات أمام Turbo Love في الساعة 1:30 صباحًا مع الأصدقاء الذين أشكرهم كثيرًا على تفانيهم. 
تبدأ بعد ذلك حوالي الساعة 3 صباحًا وتستمر حتى الصباح الباكر. 

إليكم النتيجة الموسيقية لهذه الليلة الثالثة الشهيرة في أوريلاك، والتي تميزت بالوصول غير المتوقع لجوزيف مع بوقه الذي تواجدت معه الموسيقى المرتجلة للحظة الحالية لبضع ساعات، مما يعبر عن لقاء موسيقيين، شخصين، حول جمهور لم يدفع ثمن مكانه ولم يخطط للتواجد هناك، بدون خطة وبدون جهاز كمبيوتر.

Acid Experience 4.2 - تجربة حمضية (Feat. Jardin Secret 🎺)

Available here: https://lnk.to/AITCHERCLARK

https://soundcloud.com/aitcher-clark

Aitcher Clark steps out from his work as one half of LOFN (Veyl, 2021) with a first solo long-player that draws a sharp line between the club and the cinema. 

The 7-track LP moves with intent across ambient space, industrial techno frameworks, and restrained neo-classical harmony. It favors patience over peaks, detail over spectacle, and a narrative arc that rewards a start-to-finish listen.

The campaign begins September 19th with the lead single “Improperly Planned Experience”, an industrial-leaning cut driven by a relentless drum pattern and an eerie, immersive atmosphere. Stark and physical, it sets the tone for the album with its focus on tension, texture, and shadow rather than melody. On the same day, Clark will debut a new live and visual show at Lunchmeat Festival in Prague in collaboration with visual artist OXOO, translating the record into an immersive set where sound design and reactive visuals lock to the micro-gestures that run through the album. The performance is built around custom stems, live resampling, and dynamic lighting cues that mirror the music’s push and pull.

Across the LP, Clark threads field-recorded texture with precision drum programming and layered harmonies, avoiding predictable drops in favor of pressure that accumulates over time. The palette is cool and tactile: detuned pads, clipped low-end, and percussive details at the edge of audibility. Moments of clarity, strings, voice-like synths, negative space, arrive as structural markers rather than ornaments.

For Veyl, the album sits comfortably within a catalog that values forward motion and atmosphere, while opening a more composition-driven lane. For listeners who followed LOFN’s 2021 release, this solo debut widens the frame: less collaborative call-and-response, more solitary architecture, with the same focus on tension and timbre. The live show with OXOO extends that idea beyond the record, using visual rhythm and color to render the music’s internal logic in real time.

Aitcher Clark - 'Silliness' (clips) | VEYL047

https://soundcloud.com/jaquarius303

TB-303, feedbacks and modular synths: those are the words that speak volumes about Jaquarius.

Driven by a thirst of experimentation, Jaquarius keeps pushing the limits of his own sound universe in a pure, endless, creative liberty. Coming from a primitive, ecstatic energy drawn from the rave culture, his homeland, his music brings a contrast to the retro-futuristic aura of it, which is connected to sci-fi movies and his acousmatic history.

His live performances as his productions invite us to wander in an electronic universe where synths are space and drum machines are time, we’re exposed to a kaleidoscope of sounds in constant fizzing that awakens all our senses.

From his beginning as a DJ in free parties at the age of 15 to the live performances of today delivered with as much intensity as accuracy, Jaquarius didn’t just follow simple artistic urges. Indeed, after 4 years of electroacoustic studies at the Conservatory of Paris, and thanks to the progressive acquisition of various synths and machines, he remains in constant evolution by always trying to free himself from all kind of technical barrier and test new methods of creation, reflecting his music.

Shaping his acid music outside of beaten tracks in an almost organic symbiosis with his machines, Jaquarius keep dropping as intense as unpredictable releases on Acid Avengers, Lunar Distance, Hypnotik, Zodiak Commune, Kromatones, Ceaseless, Microclimat, Mindcolormusic, No Pizza Rave, Statik Travel or even Narcosis Label, labels whose strong identity match his distinctive authenticity.

--- ---
Web: https://www.jaquarius.fr/
Bandcamp: https://jaquarius303.bandcamp.com/
Facebook: https://www.facebook.com/jaquarius303
Instagram: https://www.instagram.com/jaquarius303/
Discogs: https://www.discogs.com/es/artist/2282864-Jaquarius-2
Vinyl Shop: https://www.toolboxrecords.com/fr/search/jaquarius
--- ---

Tracklist:

01 / Autechre - Eutow [WARP]
02 / Quinoline Yellow - Miniature Cockroach [UCHELFA]
03 / Datawave - Night Vision [SELF-RELEASED]
04 / Jensen Interceptor & Assembler Code - Neuromancer [TRUST]
05 / The Exaltics & Helena Hauff - Creatura [SOLAR ONE MUSIC]
06 / Tupilaq – Kvalster [AUDIO POLLUTION]
07 / Anthony Rother - Sex With The Machines [PSI49NET]
08 / DeFeKT - Dimension Glider [AC]
09 / Jacques Lejeune – Parages [INA-GRM]
10 / Darren J Horgan - Voltage Controlled [SELF-RELEASED]
11 / The Martian - 808° (Surface Temperature Mix) [RED PLANET]
12 / AAAA - Future Shelters [ACID TEST]
13 / Deemphasis - Harmonic Synchronization [UKONX]
14 / MMT-8 - Never Been To Bristol [CULTIVATED ELECTRONICS]
15 / Faceless Mind - Faceless Mind [FUNDAMENTAL]
16 / Lithium Flux - Afj01 [MINDCOLORMUSIC]
17 / Mero & Jaquarius - Acid Contact [CHEZ.KITO.KAT]
18 / MNLTH - Ages Sound [WÉMÈ]
19 / Jaquarius - Funka Fize [TRIPALIUM CORP]
20 / Automatic Tasty - Field in the morning [LUNAR DISKO]
21 / Moy - Omega Directive [ANALOGICAL FORCE]
22 / James Shinra - Daydreamm [ANALOGICAL FORCE]
23 / Aux88 - Electro Slaves [TRANSIENT FORCE]
24 / F.U.S.E. - Into The Space [WARP]

Mutoscope Podcast #015 - Jaquarius

Moog Conspiracy - Zuppl
VA: Manufacturers of Modern Dancefloor Weaponry [Tribal Pulse]
Release Date: Friday 31 October 2025

Boom Merchant’s record label, Tribal Pulse, presents a dynamic techno compilation featuring tracks by Calum Connell, Fractious, Fragile X, Hockins, Homma Honganji, Iluna, Moog Conspiracy, Obsidian Wave, and Boom Merchant.

''Manufacturers of Modern Dancefloor Weaponry'' is a 10-track compilation featuring genres ranging from deep, raw and hypnotic, to breakbeats. We premiere track no.5 from the compilation, a minimalistic acid techno banger by the German artist Romain Favre aka Moog Conspiracy...

@moogc
@tribal-pulse

Zuppl

Premiere: Moog Conspiracy - Zuppl

For my DJs:
140 BPM
Intro key: D major
Outro key: F#↓inframin9 (good luck, buddy)

For the xen heads:
43 equal divisions of the octave (43edo or 43ed2), also called 43-tone equal temperament (43tet), was chosen here because it's the smallest equal temperament with a halfway decent approximation of 1:2:3:4:5:6:7:8:9:10:11:12:13:14:15:16:17:18:19. After this experience I would definitely use it again. Turn on subtitles to see the chords!
https://sevish.com/scaleworkshop/?n=43ed2%20A440&l=1B17_2B17_3B17_4B17_5B17_6B17_7B17_8B17_9B17_aB17_bB17_cB17_dB17_eB17_fB17_gB17_hB17_iB17_jB17_kB17_lB17_mB17_nB17_oB17_pB17_qB17_rB17_sB17_tB17_uB17_vB17_wB17_xB17_yB17_zB17_10B17_11B17_12B17_13B17_14B17_15B17_16B17_17B17&version=2.5.7

Gear list:
Beatmonger2
TAL Bassline 101
TAL Sampler
Vital
Dexed
kPlate140
TAL Dub X
Bitwig Studio
EndeavourOS Linux / KDE Plasma / PipeWire / X11

Mystify

We are pleased to announce the release of a new Artificial Intelligence vinyl reference.

This special limited edition vinyl features an outstanding selection of braindance and techno anthems by Tensal under his alias Komatssu.

1. A1-Contempla Abismo 
2. A2-El Gran Impostor
3. A3-Xenomorfo
4. A4-Oxidade Amanite 
5. B1-Animalia 
6. B2-Dementia
7. B3-Luna De Las Flores
8. B4-Suaño 

Pre-order now!
Also available: Test-Pressing 1x12' Ltd. edition.

https://artificialintelligencercrds.bandcamp.com/album/ai008-tensal-vs-komatssu-pulchra-errata

Format:12" Special Deluxe Limited Edition.
LTD. EDITION 12" TRANSPARENT YELLOW 180 gr.

Artificial Intelligence™
©+Ⓟ Artificial Intelligence 2025. Copyright Control

Mastering by Carlos Koschitzky at Koschitzky Studios, Gijón.

Artworks & Design by Fortun Fortun, Madrid.

Distributed by Clone, Rotterdam.
www.clone.nl

[AI008] Tensal vs Komatssu - 'Pulchra Errata' [Vinyl Snippets]

examine-mix-127-w-femmefatale-94-2025-11-03

Video - https://youtu.be/bS_rY2fvEAM

Socials/links - linktr.ee/VoxSinistra

Patreon fan club-
www.patreon.com/voxsinistra

Subscribe to Mixcloud Select for upfront tracklists, offline listening & access to exclusive mixes - www.mixcloud.com/VoxSinistra/select/

Support - PayPal.me/StrictTempo Venmo @ StrictTempo Cash App $StrictTempo
StreamElements.com/voxsinistra/tip

New merch available via
voxsinistra.bigcartel.com/
stricttempo.bandcamp.com

Join in on Vox Sinistra's streams at www.twitch.tv/voxsinistra

Nightmare Before Halloween - Part 2 (Silent Moon)

Paradise

HbA-21: Various Artists - Refraction of Light Vol. II (Amniote Editions 2025)
@sleepexchange

ACh.e - Virus (Presented by Sleep Exchange)

xenharmonic bass music

Sevish (aka Sean Archibald) is an electronic musician from London, UK. His music is fast and atmospheric. The style mainly gravitates around drum & bass and other electronic dance music varieties, although even ambient and chilled works have been released under this moniker. Sevish sidesteps pop structures and familiar "EDM" tropes, instead trying to capture the essence of something flowing and meandering. It's the perfect music for blocking mind-altering radiation.

Since his album Golden Hour, Sevish's technique has included a dark art known as microtonality/xenharmonics. For short, we can call this xen. Simply put, the xen aesthetic tries to achieve new musical ideas by making things more or less in-tune than normal music. For something that is so easy to describe, you would think that every musician was doing it. Sadly, the technicalities of (ab)using musical tunings to create xen music are too much for most musicians to muster at this point in time. Perhaps 3D printing will change that in the future, allowing new instruments with crazy tunings to be developed quickly and cheaply. Until then, it's the domain of a few tinkerers and madmen scattered across the globe. One of those being Sevish, who blends xen with his own brand of experimental dance music.

The xen movement is still small but growing rapidly. It has a lively facebook group, its own wiki (deeply incomprehensible to all but the initiated), and about as many dedicated record labels as you could count on one hand.

In 2010, Sevish launched his own netlabel to get together the scattered artists composing xen music. Called split-notes, this label is known for its focus on xen-with-a-beat, and most of its releases are free to download with Creative Commons licensing. While the output of the label has slowed down due to other commitments, it's still alive with new releases showing up from time to time.

Sevish's music has been put out by the Dutch label Dubbhism Deluxe. In 2011, Sevish, Tony Dubshot and Jacky Ligon released an album called Subversio to online music shops and popular streaming services. This project lies somewhere between being a band album and being a compilation, as each of the 3 artists provided 3 solo tracks each. So it's more of a musical triptych than either of those things. Certainly a form of collaborative album that can (and will) be explored further. Each of the musicians on Subversio combine xen with beats and bass, but their individual styles contrast and compliment. Tony Dubshot excels at trippy electro dub with lots of analog processing. Jacky Ligon's style is often described as oceanic or panoramic, with fluid and rotating beats and deeply moving atmospheres and melodies. And Sevish's style... well, you already know by now.

In 2014 Sevish, Tony Dubshot and Jacky Ligon followed with 23, something of a mini-album in the same stylistic ballpark as 2011's Subversio. Numerology, conspiracy and ancient knowledge is something that the trio is attracted to, and 23 is inspired from that.