Stepwise

jalapipeno filipipeno .


basically you're stepping in my museum of life, from the saddest to the happiest, sounds that ive created or just accompanied me as i went along, growing, breathing, living. enjoy.

The struggle against the Laxa race, the main threat to the Tenya race, continues. Tenya3169 left the Land of Tenya to visit the human world and gather support for the Tenya’s fight. While moving among humans, he took it as a duty to introduce Tenya culture and their struggle. Humans showed their affection towards him. To assist him, Tenya339, Tenya6, and Tenya19 also visited the human world and were honored with the Pantpas Seal. He realized there was much to learn from humans and shared his experiences with the "Graloom Tree," the guide of the Tenya. He continues searching for the power and love needed to save the Land of Tenya from the evil LordLaxa and his Laxian army.

I love electronic music. I listen to underground, indie artists. There are so many diamonds in the rough. I just want to share them with the world.

𖤍 here for you to remember You✹
𓃣 contact: sublunarxo (discord)✹
♄⋆fka: stumpy✹

homies:
https://soundcloud.com/echodronemusic
https://soundcloud.com/dianpty
https://soundcloud.com/fvresh
https://soundcloud.com/local_supplier

Jakim (Mateusz Szymański, born April 24, 1991), Polish independent musician related to demoscene and gamedev communities.

Based in Orem Utah area hmu if you want to produce/link

xenharmonic bass music

Sevish (aka Sean Archibald) is an electronic musician from London, UK. His music is fast and atmospheric. The style mainly gravitates around drum & bass and other electronic dance music varieties, although even ambient and chilled works have been released under this moniker. Sevish sidesteps pop structures and familiar "EDM" tropes, instead trying to capture the essence of something flowing and meandering. It's the perfect music for blocking mind-altering radiation.

Since his album Golden Hour, Sevish's technique has included a dark art known as microtonality/xenharmonics. For short, we can call this xen. Simply put, the xen aesthetic tries to achieve new musical ideas by making things more or less in-tune than normal music. For something that is so easy to describe, you would think that every musician was doing it. Sadly, the technicalities of (ab)using musical tunings to create xen music are too much for most musicians to muster at this point in time. Perhaps 3D printing will change that in the future, allowing new instruments with crazy tunings to be developed quickly and cheaply. Until then, it's the domain of a few tinkerers and madmen scattered across the globe. One of those being Sevish, who blends xen with his own brand of experimental dance music.

The xen movement is still small but growing rapidly. It has a lively facebook group, its own wiki (deeply incomprehensible to all but the initiated), and about as many dedicated record labels as you could count on one hand.

In 2010, Sevish launched his own netlabel to get together the scattered artists composing xen music. Called split-notes, this label is known for its focus on xen-with-a-beat, and most of its releases are free to download with Creative Commons licensing. While the output of the label has slowed down due to other commitments, it's still alive with new releases showing up from time to time.

Sevish's music has been put out by the Dutch label Dubbhism Deluxe. In 2011, Sevish, Tony Dubshot and Jacky Ligon released an album called Subversio to online music shops and popular streaming services. This project lies somewhere between being a band album and being a compilation, as each of the 3 artists provided 3 solo tracks each. So it's more of a musical triptych than either of those things. Certainly a form of collaborative album that can (and will) be explored further. Each of the musicians on Subversio combine xen with beats and bass, but their individual styles contrast and compliment. Tony Dubshot excels at trippy electro dub with lots of analog processing. Jacky Ligon's style is often described as oceanic or panoramic, with fluid and rotating beats and deeply moving atmospheres and melodies. And Sevish's style... well, you already know by now.

In 2014 Sevish, Tony Dubshot and Jacky Ligon followed with 23, something of a mini-album in the same stylistic ballpark as 2011's Subversio. Numerology, conspiracy and ancient knowledge is something that the trio is attracted to, and 23 is inspired from that.

Abstract sample based manipulation, expressive sound collage, ambient and other meanderings.

Vladimir Karan iliti "kejkz", rođen u Beogradu, Srbija… (nekad beše Jugoslavija, i još štošta beše između) 13. aprila 1979 godine, a živeće još malo, taman toliko koliko bude trebalo, ni dan više. Još kao mali je zamrzeo svet muzike, pošto je više voleo da gleda crtaće, a ponajviše je ne voleo muziku u njima. Po njegovim rečima: 
    "Ona (muzika prim. prev.) mi je obično zatvarala vrata uživanju u delu samome, okrećući me efemernosti pojavnog i kratkotrajnim bljeskovima briljantnosti koji izbijaju iz skoro svake popularne numere."
Muziku je počeo češće slušati za vreme osnovne škole, tako što su mu se po neke stvari čak i sviđale. Ali nikada dovoljno da bi rekao da mu je muzika strast, nego onako, uzgred. kao. No, ovaj pogled se već krajem osnovne škole polako menja, pošto otkriva mod(ule)) muziku, muziku stvorenu uz pomoć običnih kućnih kompjutera i uz pomoć kratko snimljenih zvučnih sekvenci, takoznavnih semplova. Obožavao je da ih sluša i skuplja kupujući kod domaćih pirata diskove sa novim modovima. E onda je došao mp3 i sve je otišlo u tri p.... materine što se tiče slušanja muzike, no...

U svet stvaranja muzike ulazi dosta kasnije, tek negde u šesnaestoj godini, preko kompjutera, slušajući i stvarajući mod muziku preko sound trekera, programa vrlo jednostavnih, ali toliko zanimljivih za stvaranje zvuka upravo s toga. Trekerima se i danas koristi sa velikim zadovoljstvom, a tada mu je omiljeni bio FastTracker2. Sredinom devedesetih je pokušao (i uspeo) da uradi svoj prvi modul, i od tada se sve više okreće muzici,  sve manje vremena trošeći na svoju prethodnu pasiju iz rane mladosti, igranju kompjuterskih igara.
Voli da kombinacijom različitih žanrova muzike stvara šarenolike kolaže bogatog spektra, da spaja i prekraja sonično bogatstvo elektronske i akustične muzike na razne, nekada bizarne načine. Posebno ga interesuje sinteza zvuka, stvaranje muzike i zvukova uz pomoć sintisajzera i primena sintisajzera u muzici.
Pukom slučajnošću počeo je da se bavi snimanjem bendova negde oko 2003 godine, kada su mu poznanici predložili da im pomogne oko snimanja albuma, što ga je vrlo zainteresovalo, i u čemu se jedno vreme snalazio. Ali zbog nedostatka dovoljno kreativne kooperacije, ovaj ga je poduhvat nedugo zadržao, te od rada sa bendovima, snimanja i miksa odustaje u potpunosti, i opet se 2007. godine vraća svojoj muzici. 

Diskografija

 1. Parazit - Xip Aestetics (2012)
 2. Tragač - Šumovi Senki
 3. Parazit - Zvučni Rat

Bendovi

1. Domachy Stranzee
2. Subjektivni Sud
3. Porn Flakes