this beginning part is fucking cool...oh shit there's the beat

I was lucky enough to see her at Green Man this year where she was the special guest

also blogged in Ukraine http://wetchina.blogspot.com/2015/09/sexwitch-sexwitch.html

"FIRE" VIDEO OUT NOW ON YOUTUBE -----> https://www.youtube.com/watch?v=0Vd-aGTmTdY

seaweed chains, hold me down 
Tear my skin, claw my heart 
I can feel, I can feel, the water, fill my lungs

Emptiness vastness, everlasting darkness 
anchor me, to the sand, underneath

this body is mine no longer 
scales creep up all over (x2)

seaweed chains let me go, fins for wrists, cold blood 
I can feel, I can feel the air fill my gills

emptiness, vastness, everlasting darkness 
welcome me, to my home, underneath

this body is mine no longer 
scales creep up all over (x2)

Hope you like it, keep following us on the web!

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Ocean

After a four year wait, Stockholm three-piece <b>Museum of Bellas Artes</b> cut the ribbon on their eagerly anticipated debut LP, 'Pieces', out 11th November on Best Fit Recordings.

Full-bodied, baroque and seductively melodramatic, 'Pieces' trails the darker climes of luxe-pop, melting disco beats into church organ, sustained synth pads into chiming bells and pistols-at-dawn guitars into post-punk bass lines. 

Alice Luther's red velvet voice flails like a Grand Dame treading the Boards - the operatic electronica of opener 'Fantasia' paying its dues to Goldfrapp's Felt Mountain. 'Twine' scurries along in a balearic whirlwind and the haunting presence of 'Maze of Shells' lingers like a Victorian ghost. 

'Bear Cubs' and 'Swan Boats' flex their rhythmic muscles with guitar and never has a 'Relapse' sounded more enticing. It's all brought to a suitably theatrical conclusion with album clincher 'Glass'.

Childhood friends Joanna Herskovits, Leonard Öhman and Alice Luther assembled the band back in 2009 and released the neon-flecked debut EP 'Days Ahead' a year later. 

As they up the sonic histrionics and dim the lights, forget everything you thought you knew about Swedish pop and start over.

Museum of Bellas Artes’ debut album ‘Pieces’ will be released on 11th November, 2013 via Best Fit Recordings in digital and limited edition vinyl formats.

 
'Pieces' Tracklist:
1. Fantasia
2. Abyss
3. Twine
4. Maze of Shell
5. Swan Boats
6. Come What May
7. Bear Cubs (12" version)
8. Relapse
9. Glass


Pre-Order 'Pieces'
http://bestfitrecordings.com/shop/museum-of-bellas-artes-pieces/

Museum Of Bellas Artes - Twine

We’re extremely proud to present “Lost”, the third full-length venture from Anders Trentemøller.

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Is this the record you expected from Trentemøller? No.

But would it be a Trentemøller record if you got what you expected? I doubt it.

Lost

Trentemøller - Come Undone (feat. Kazu Makino of Blonde Redhead)

Taken from debut 4 tracks EP 'Soap Carv' released on Nov 25th 2013 on Tape Club Records.

Alligator music video: http://youtu.be/_gpWrgB7C5I

www.facebook.com/febueder
www.twitter.com/febueder
www.youtube.com/user/febuedersketch

Alligator

SOLDOUT - A DROP OF WATER

The new collaboration between Natasha Khan and Dan Carey with Toy. 
Pre-order the album out 29.9.15: 
iTunes - http://smarturl.it/SexwitchiTunes
Vinyl - http://smarturl.it/SexwitchLP

Ha Howa Ha Howa

WARPAINT "Ashes To Ashes" (taken from WE WERE SO TURNED ON: A TRIBUTE TO DAVID BOWIE; October 2010/ MANIMAL)


Paul Beahan/MANIMAL 2010

WARPAINT - "Ashes To Ashes"

Utopia is taken from the new album Future Politics, out January 20, 2017 on Domino.
Pre-order now: austramusic.com

Watch the official video for Utopia: smarturl.it/UtopiaVideo

Utopia (Jana Hunter Remix)

Download & stream "Me Swimming" ~ smarturl.it/MeSwimming
Pre-order "Elytral" (Released 01.09.17) ~ smarturl.it/Elytral

Written by Mary Epworth. 
Produced, engineered and mixed by Thom Monahan.
P & C 2017 Sunday Best Recordings under exclusive license to PIAS.
Published by Duchamp, Inc.

Me Swimming

2017 Self Portrait
UK+EU Solo Tour April - June 2017
Full band band shows on sale now
Sydney July 28 http://bit.ly/JLATDLSydneyJul28                          
Melbourne  http://bit.ly/JLATDLMelbAug4 
For all dates go to www.jackladderandthedreamlanders.com/#shows

drums, percussion – Laurence Pike
electric bass, piano, synth – Donny Benét
guitars, bass VI, solina, synth programming, vox – Jack Ladder
electric guitar – Kirin J Callinan
backing vocals – Sarah Belkner, Ness Quinn

Recorded by Tim Whitten at Oceanic Studios, Brookvale
Additional recording by Wade Kierghan at Rolodex, Sydney; 
Donny Benét at Donnyland Studios; 
Richard Belkner at Free Energy Device 
& Jack Ladder at Fern Creek Cabin

Mixed by Noah Georgeson
Mastered by April Golden @ Golden Mastering

Ha Howa Ha Howa

SEXWITCH

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