Here goes...deeper...into the frenzy....aaaaaaaahhh!!!

This album is killer! http://hhhhappy.com/no-its-not-a-magical-porno-sexwitchs-debut-is-a-magical-triumph/

also blogged in Ukraine http://wetchina.blogspot.com/2015/09/sexwitch-sexwitch.html

loving this; the progressive, latin jazz groove/percussion is really working with your great vocals

Somehow Corona ruins everything; but not this one, there are still glimpses of light and creativity, and as spring is slowly coming, this piece came to me.... and now to you. Please take care and stay safe!

Cover: @lamarmota

Download

Hibiskuss

Saroos: Tsalal Nights

this is pure ,came out from months of exploring deep oceans.
furious like alligatorz, mysterious like opal ,not Believe in any hero's 
,specially the false one's. This is art of evasion I'm synthing about.

Gatmiir is back with 4 enchanting ,melodious track's.
hope you enjoy this as much as I do

peace

Opal

Like A River

The new collaboration between Natasha Khan and Dan Carey with Toy. 
Pre-order the album out 29.9.15: 
iTunes - http://smarturl.it/SexwitchiTunes
Vinyl - http://smarturl.it/SexwitchLP

Helelyos

Platelet

the nautilus project - arctic islands [kabana dub]

The original feel-good roller from the 'Escape Aid' album with it's tickling percussion, heady pads and addictive bass lines. Mojo delivers a radio edit that seems to just keep on giving.

But then that's the beauty of L.O.V.E!

L.O.V.E Remix E.P

Mojo Filter ~ L.O.V.E (Radio Edit)

info text:::

There is a purpose behind ambient music: it is utility music. Brian Eno made that clear once and for all with ‘Music for Airports’ – the utilitarian nature of this music can already be found in the title. But way before that, in 1920, Erik Satie composed ‘Musique d’ameublement’ – furniture music. Satie created true background music as a reaction against the misuse of classical music as a carpet of sound. The purpose of his furniture music was also to bridge the awkward gaps in conversation in social situations. In turn, Eno’s airport music is meant to serve as background music while sounding interesting enough for listeners to become absorbed. If we go by Eno’s definition, the music on T.Raumschmiere’s new album is not ambient. Although – or in fact, because – each individual track on this album immediately and effortlessly generates atmospheres, it is impossible not to be drawn in. T.Raumschmiere sucks the listener into the perceptible endlessness of his pulsating sounds, even though the music does not actually expect anything from the listener. It is not demanding, it does not sound lofty or ethereal. It is in constant movement and evolution while sounding grounded at the same time. The tracks are not weightless; they have body.
A darkly beating pulse works like a machine through the surging pads of ‘Dampfer.’ Synths drone languidly on ‘Anker.’ T.Raumschmiere deftly manages to avoid succumbing to the kitsch that often arises from these kinds of sounds. ‘Grotznogg’ has an inner stillness within the rustling and scattered clattering and clanging. ‘Zwischenstopp’ provides the perfect soundtrack for a submarine ride, complete with depth sounder and an undercurrent of anxiety. The track ‘007’ is a post-industrial masterpiece – warm, heavy, and latently threatening. And the list goes on.
Clearly a new meaning of the term ambient is needed to describe the music on this album more accurately. It is music that never sounds deliberate yet at the same time is so compelling, which might have something to do with the fact that Shitkatapult label founder Marco Haas aka T.Raumschmiere is the one behind it. As T.Raumschmiere, Haas produces a sound with influences ranging from bass music and
punk rock to industrial; the names of his records speak best for themselves: Monstertruckdriver, Sick Like Me, I Tank U… everyone knows what the deal is here. It is only logical that his new album is just called ‘T.Raumschmiere.’ This record is certainly an excellent lubricant for dreams.
Haas is known for his take-no-prisoners approach to his live sets, which feature distorted beats, grueling basses, and steep descents. Now for the flipside, the negative image of the sound that made T.Raumschmiere famous, the sound that has allowed us to get closer to the understanding of this magic ambient music. The shadow of T.Raumschmiere does not come in with massive beats and basses, yet it
is so imposing and so dark that it seems within our grasp.
In addition to his duties as label manager, musician, and DJ, Haas has also worked as a producer for other artists such as Dieter Meier, Fraktus, Barbara Morgenstern, Das Bierbeben, and Ofrin over the past
few years. The new album by Shrubbn!!, his collaboration with Ulli Bomans, will be released on
Shitkatapult.

T.Raumschmiere

Sleeping Pills And Habits

Castello Dança: Sintoma is the re-reading of the album Sintoma of the Brazilian singer-songwriter Castello Branco.

Sintoma is an entry inside the Castello’s soul. Seeing the evolution and the path of how the mold of his path, coming from being raised in a different community, living in a monastery for most of his life, and how is resonates after being in contact with this Brazil of today. Complicated times that are in the need of a light and love.

From this "Ufolclore", is born delicate arrangements and meditative frequencies that vibrate an elegant path, bringing us, in the speech, the evolution classes of the “being’’.

Eleven composers were invited to remix all the tracks from ‘’Sintoma’’ : Thomash, Nu, Cosmic & Damião, Gerra G, Billy Caso, Barda, Spaniol, Holger Hecler, Tomás Tróia, Pigmalião, M.RUX.

@billy-caso
Master: @yosi-horikawa
Cover: Nestor Junior
Graphic Designer: Ju Sting

Castello Dança - Do Interior (BC Remix)

PURCHASE NOW - https://itunes.apple.com/us/album/sunsets-and-clocks-ep/id613789626

'Sunsets and Clocks' EP available 4/16 via Non Projects.

Premiere via XLR8R - http://www.xlr8r.com/mp3/2013/03/sunsets-and-clocks

Material originally penned for a recent tour of Japan with fellow LA artist Matthewdavid, Sunsets and Clocks is a brand new EP from Anenon.

Consider how personal an experience it is to wait. When caught in the space of time before a thing happens, we unconsciously reveal ourselves through our ticks - physical manifestations of where we let our thoughts drift in this non-space. While waiting, each foot tapped, itch scratched and phone checked reflects the places we allow ourselves to explore before we have to jump back into formal time and space to perform.
 
Anenon recorded Sunsets and Clocks in the weeks directly preceding a whirlwind tour of Japan, where expectations and preconceptions (both false and true), collided over and over again in anticipation of the trip to come. In this collection of songs, Brian Allen Simon shares that intimate space, where he was both highly conscious of the relentless march of time and simultaneously removing himself from it, delving into an inner space where the lack of time smeared memories, fantasies, and fears into one another.
 
From the title, we can start to understand his headspace during this period, where the abstract concerns and artistic preparations for an international tour to a new country constantly collided with the pragmatic, binary problems of itineraries, exchange rates, and language barriers. These conflicting drives mirror the sharp contrast of the way the smudged shades of a fading sun mark the end of the day at the same time that the precision crafted gears of a timepiece click into place. 

We hear this theme reflected in how these pieces are unified by their maximal approaches to contrasts in the perception of time and meter, voice and tone. Anenon plays with this contrast through the shadowy textures of rhythm in the live improvisation of "We Yearn" and the meticulously interlocking beats driving "Ghost Light" and the title track. Boldly eschewing the use of the Rhodes and piano of his previous releases, these songs instead rely on the tenor sax and synthesizer. This new pairing fully realizes the theme in the marriage of the ethereal vibrations of the lungs and haunting accuracy of the keys.
 
1. We Yearn
2. Ghost Light
3. Dreamer (for Mary Jane)
4. Sunsets and Clocks

Helelyos

SEXWITCH

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The Quiet One (official)

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