Delusive Tongue Shifts -Situation Based Compositions

Milkwood June 2021 Playlist

20210617

chill out /ambient

Lance Current

Dubbed-out ambient from North West England.

Read more: https://ra.co/podcast/772

@space-afrika

Resident Advisor podcast

RA.772 Space Afrika

http://smarturl.it/Anchor-iTunes

Don't you always say I need some sun,
Need some daylight, set the high-beams on,
Driving out,
Driving out,
Going to California
Gonna see the teacher,
The charismatic leader.

Three days Northeast/Southwest,
Where the time and space is,
Starving body, starving soul, starving head,
Pay no mind, the road erases.

gonna sit, sit, sit...

Driving out, 
Driving out,
Stay awake in these cornfields,
Stay awake in these cornfields,

Moonlight,
Heaps coals,
Of fire on my head, 
Stay awake for days,
And move things with our minds.

Inner monologue says I need a crutch,
To keep from tripping on the crooked cross,
Where the continent divides.
Whoever painted this double line,
Left the piss-mark of the true pioneer's son.

Gonna see the teacher,
The charismatic leader,
Stay awake in these cornfields,
Stay awake in these cornfields,

Moonlight,
Heaps coals,
Of fire on my head.



Need Some Sun

Leipzig based TIBSLC (The International Billionaire's Secret Love Child) sculpts hazily ambiguous but meticulously detailed sounds hypersensitive to nanoscopic movements and fleeting midnight feels. Blending subtle environmental recordings with processed digital noise and feedback, the eight parts of ‘Delusive Tongue Shifts - Situation Based Compositions’ find themselves in good company on sferic’s roster of intuitive ambient explorers, but TIBSLC’s work is distinguished by an arcing narrative quality that emerges across its yawning spaces, each viewed by perspectives ranging from lofty, birds-eye to more intimate and voyeuristic.

Limited Edition 2LP housed in hi-gloss sleeve & digital - OUT NOW

@tibslc

TIBSLC - Delusive Tongue Shifts - Situation Based Compositions (sferic009)[Preview]

From electronic free jazz and IDM ballads over ambient & hypnotic techno, to influences from traditional music, French DJ @laurabcr has been steadily making her mark in contemporary electronic music, and has been a major contributor to the scene thanks to her label On Board Music and her monthly Rinse show.
Catch Laura BCR every 1st Monday of the month, from 00h to 02h [CET] on rinse.fr

Rinse France Podcast

Download

Laura BCR invite Iori - 07 Juin 2021

For the newest Animix, Thailand based DJ & producer @sunjuhargun has put together a beautiful downtempo trance exploration. Sunju co-curates @siamesetwinsrecords , an amazing label which focuses on trance-y, psychedelic sounds from Asian based artists. 

Sunju has a multitude of impressive releases under his name, as well as aliases Mogambo and Khun Fluff, and a plethora of beautiful mixes - which always seem to find the perfect balance between emotional and driving. Sunju has been a household name across the region for over a decade, playing spaced out music in forests, warehouses, and castles.

I'm so happy to have Sunju as part of the Animix series - please enjoy! <3

Lots of love 

Downloads Enabled

Animix Thirty Six: Sunju Hargun

premiere of "I Am Emotional (Inland Dub)" by Elad Magdasi, Radical Softness & Gertruda
taken from the compilation "Front Left VA 02", released soon on Front Left Records 

Compilation Details:
https://novafuture.blog/2021/06/11/various-front-left-va-02-front-left-records/

------------------------------------------------------------------------------------------------------------

Artist: Elad Magdasi, Radical Softness & Gertruda | @eladmagdasi, @radicalsoftness
Remixer: Inland | @counterchange-inland
Label:  Front Left Records |  @frontleftrecords

Info & Buy

Elad Magdasi, Radical Softness & Gertruda - I Am Emotional (Inland Dub) [FLRDGTL02 | Premiere]

https://radiopunctum.cz/
_
Read at Inverted Audio: https://inverted-audio.com/listen-back-to-inverted-audio-x-radio-punctum-with-harmless-youth/

Tracklist:
Lotus Wash - Spooky Action At A Distance (LBD Sounds)
Dark Arts - Fragments Of A Smile (Stroom.tv)
O$VMV$M - Mysterious Downfall Rhythm ft. Jiinx (self-released)
Tricky - Fall Please (Kahn Remix) (False Idols)
Will Flisk - Satie And The Crow ft. Sif Augustdottir (Forthcoming Harmless Youth)
Zillas on Acid - A Wonderful Time in a Terrible Club (Fantastic Twins Remix) (Inside Out Records)
Lil Ronin - Été 2017 (LIO Press)
Zaliva D - Sky Singing (SVBKVLT)
NVST - Police Star Pablo (Big Science Records)
Will Hofbauer & Sangre Voss - Pumice (Control Freak Recordings)
LNS & DJ Sotofett - El Dubbing (Forthcoming Tresor)
Flaty - Rotation—60 (Forthcoming ANWO)
Second Storey - FTF (System Revival)
PVAS - 3rd Concession (Forthcoming XPQ?)
DJ Nobu - Fade (Forthcoming BITTA)
Dubtro - Printed Metal (Goth-Trad Remix) (BACK TO CHILL)

Inverted Audio 05/21 by Freddie Hudson w/ Harmless Youth

Ascetic Limited is back with another digital release from an up and coming producer from Turkey. She's gained worldwide attention with recent dj sets for Monument and 6AM group and shows a promising start with her productions. We are excited to welcome Rhodium with You'll Lose EP.
The EP starts with Get Into the Moment, providing deep psychedelic soundscapes, supported by a driving groovy bassline that sets the mood for the EP.Next up is the title track, You'll Lose. Providing a higher energy, hypnotic techno cut that shows her full spectrum of skill with it's great combination of sounds and vocals. Next is the dance floor bomb, Sky, which is a powerful, bass heavy, yet deep techno cut again that will drive the audience to the dance floor. The first remix of You'll Lose is by Madrid based Irazu. Having released on Semantica, Kastil's label Stale, as well as In Silent Series, he brings his deep yet powerful style to this great remix of You'll Lose. Motionen's remix comes next with their deep, hypnotic style, surely to get you lost in the atmospheric soundscapes.Lastly is Altrd Being's version of You'll Lose, bringing a heavier approach to the EP with a massive kick drum while maintaining the hypnotic soundscapes from Rhodium's original cut, surely to get the dance floor moving.

ASCETIC00D: Rhodium - You'll Lose EP [PREVIEWS]

https://www.nts.live/shows/space-afrika/episodes/space-afrika-6th-october-2021

Space Afrika w/ èvia 051021

Silencing of the reefs forject in collaboration with TBA21 Academy. Recorded in Greenland, Belize, Dominican republic 2007, 2012 and 2013.

freeze to melt

thanks to the producers of these tracks.

Intrusion - Montego Bay
STL - Calculating Systems
G.R.I.T - TTX-E2
Model 500 - Starlight (Echospace Unrelease)
Deepchord & Mike Huckaby - All it Takes ( Mike Huckaby Synth Remix)
Soultek - Metro Park
Robert Hood - Torque One
Deepchord - Vantage Isle (DC II Mix)
Octal Industries Unn #1
Deepchord vantage Isle (Space Echodub)
CV313 - Infinit-1 (STL)

portals mix

zammutosound.com

Blog:
zammutosound.tumblr.com

sooner later gonna meet your maker 
oh yes sir, gonna meet her
oh yes sir, gonna meet her

what you do between now and then
gonna make it easy, gonna make it hard
gonna make it easy, gonna make it hard

everything you've seen, everyone you've met
some you can't remember, some you can't forget
some you can't remember, some you can't forget

forever days or forever nights
will it fade to black or will it fade to white
will it fade to black or will it fade to white

sooner later gonna be you time
maybe not today, but someday
maybe not tomorrow, but someday

you could look at it all your life
and never understand it, never understand
never understand it, never understand

sooner later gonna be your time

sooner later gonna be your time

sooner later gonna meet your maker 
oh yes sir, gonna meet her
oh yes sir, gonna meet her

forever days or forever nights
will it fade to black or will it fade to white
will it fade to black or will it fade to white

what you are, what you believe
what will you take, what will you give
what will you take, what will you give

Your Time

HA HA!  I can't believe I found these.  I thought (and kind of hoped) they were gone forever.  These are from 1998 I think, during the Monica Lewinski congressional hearings, this is the actual vote that impeached Bill Clinton,  21 to 16 in some congressional committee.   I was listening to a lot of Squarepusher back then...  since then i kind of swore off breakbeats, although i eventually returned to them with 'The Story of Hip Hop'  more than ten years later...

21 eyes and 16 nos

Veryone

My Dog's Eyes

Ambient dub explorers Space Afrika move into transcendental realms on this gusty blend of abstract, bass-heavy moods and textures.

For more info and tracklist head here: http://www.factmag.com/2018/07/24/space-afrika-fact-mix/

FACT Mixes

FACT mix 663 - Space Afrika (July '18)

Order 'Thousands of Eyes in the Dark' at: https://ghostly.com/products/thousands-of-eyes-in-the-dark
Or at the retailer of your choice: https://Ghostly.lnk.to/thousands-of-eyes

Thousands of Eyes in the Dark

Space Afrika - Canu

Brin - Alone Jazz On Safari

MIKI YUI, Aperio!, LP
Release date - Sept 25th 2020
Catalogue nr. - HG2007
Format - Vinyl/digital

hallowground.bandcamp.com

Tracklist:
1) Listening (oneness) 10:03 
2) Dancing (swamp) 04:00 
3) Chanting (afar) 03:57 
4) Dreaming (now) 05:25
5) Rhyming (colours) 02:58
6) Breathing (buds) 04:10
7) Babbling (mono) 04:45

Credits:
Music and Mix Miki Yui at MY Studio Düsseldorf
Mastering Giuseppe Ielasi
Drawing Excerpt Miki Yui 
Cover Design Ruth Stofer

///
The title of Miki Yui’s seventh solo album “Aperio!” is derived from the latin origin of April, "aperire" meaning “to open” or “to reveal”. Hinting at the way her music unveils another reality which is hidden beneath the surface. The title also reflects the aperiodic character of the music, its irregularity. Like a magic word to reveal the mysterious cosmos, each song opens up another intimate world of wonders.

„All my work emerges from my physical experience, the inspiration often comes much later though, after the experience is digested and almost forgotten, then it crystallises and becomes a source for my music.“

It is indeed no accident that the first track of „Aperio!“ is entitled
„Listening (oneness)“: it vibrates for ten full minutes with and within us. It reflects the art of Miki Yui coming into existence. The Düsseldorf based Japanese artist approaches the world around her from a sensual perspective rather than in an analytic-logical way, still both paradigms of art production manifest their influence on the process.
Miki Yui says: „In my music, I play the game of turning the abstract into concrete and vice versa.“

This is obvious in all of the compositions on „Aperio!“. Her music combines otherworldly and dream world experiences, creating environments of multiple atmospheres, both warm and inviting but at times irritatingly cold and airless. They stimulate all kinds of feelings in us: astonishment, sadness, yearning, wondering, and hope.
For her it does not matter where the elements of her cobweb originate: from field recordings to abstract and artificial creations to electroacoustic sounds. She remarks, “revealing the source would only limit the imagination of the listeners. My sounds exist to trigger their own imagination“

Miki Yui is born in Tokyo, based in Düsseldorf. Crossing the boundary of music and fine art, she is known for her unique minimalistic and organic approach towards music since 1999 exploring the grey zone of our perception and imagination.
Since 2008, parallel to her own work, she is in charge of the Klaus Dinger Archive, who was her partner.

- Text by Thomas Venker

MIKI YUI - Dreaming (now)(HG2007)

TR095 - Nemeton / Rafael Anton Irisarri - '...spin into nothingness'

Track from:
Simon Whetham "Forced to Repeat Myself" CD

“When performing with a limited set of resources, through choices in materials to work with and the constraints of being nomadic, there can be a tendency to repeat actions and scenes that 'work', even when improvising and having to respond to each new situation in a unique way.”

One characteristic aspect of the touring experience that is not discussed often enough is the dilemma of repetition. Not repetition as a mechanism of the work itself, but as a tedious consequence of being obligated to perform night after night in quick succession. Generating a completely unique performance for each stop, even with the assistance of improvisation,  is a laborious undertaking that consumes too much time and sanity, while adhering to a rigid set of rules leaves one open to both burnout and diminishing returns. Is there a way to split the difference so that both performer and audience are always engaged to the highest standard?

“I set these constraints on myself. The need to produce something (at least a little) different in each event of a tour was fierce, especially when traveling with other musicians.”

Explicitly within the title itself of his latest CD, Forced To Repeat Myself, UK sound artist and composer Simon Whetham tackles these questions with both a sly wit and sincere inquisitiveness. The tracks, all collected from recordings documenting a 2018 tour, utilize analogous source material and means of execution.  Whetham paid particular attention to the contour and character of each venue when deciding how to best put the pieces together, offering a customization that subverts pure deja vu for a sharp observance of the unfamiliar.

“In each situation objects and materials unique to the space were incorporated into the performance setup and structure, generating sounds or resonating with them. And yet I could hear similar scenes, movements, even spaces. This repetition determined the dynamic of the composition, working with it and against it.”

By the very nature of their disseminating sparseness, the tracks of Forced To Repeat Myself demand from the listener an attentiveness fixed on nuance and variation. The amplified cracks and static of ethereal currents and anonymous electronics infer the works of others who’ve made it their mission to attune our attention toward sounds outside our natural perception, including Christina Kubisch’s electrical walks, Toshimaru Nakamura’s no-input mixer excursions, and Jason Zeh’s experiments with blank tapes and the mechanizations of his cassette players. Whetham’s shaping of the album’s source material to highlight certain exclusivities of each live performance emphasizes how the inherent dynamics of time and chance guide his self-imposed constraints into pathbreaking spectrums. 

“The title references a phrase many of us will have heard in our formative years, ’Why do you force me to repeat myself?’ I have no answer to this question. I never forced anyone to do anything. But with this work, I did.”

One inherent paradox of Forced To Repeat Myself is that each listen naturally manifests a distinct, individual experience. The way sounds are received and processed in one instance to the next each forget their own entryway into transcribing meaning from this abstraction. And Whetham is keenly aware of this as the sounds of Forced To Repeat Myself find consistent, unique ways to perpetuate themselves, ensuring any repetition to be delicately understated.

Forced to Repeat Myself

Forced to repeat Myself

Simon Whetham "08-11"

http://smarturl.it/Anchor-iTunes

zammutosound.tumblr.com

When you're home
just wind on water
just do your job and let it go
you made your feelings known
and what else can you do or say

when you call
we'll talk about your pets
a play of light and shadow fair and generous
it underplays, it overplays
keep it simple
you've fallen down this hole before 
you always want a thousand more
we all become our opposites in time

your the anchor
the sinker on my line
you hold me to the river bed
a time to wait expressionless
don't care anymore
there is is no sleep there is no pleasure
I always want a thousand more

when your home
don't blame the lack of oxygen
don't blame the sugar
don't blame the yeast

Zammuto - Sinker

Electronic music label based in Manchester, UK.