My first free download! hope you enjoy this one click buy for free download.
Big up:)

Free Download

JAKAR-BURN THE RAVE (FREE DOWNLOAD)

to celebrate hitting 5,000 followers on instagram i am releasing one of my favourite dubs for free! this ones been doing the rounds on the Bristol club circuit over the past year, featuring a rig popping bass and catchy vocals.

Rollin - ZIMMA Refix

Huge new tune from Radini remake of the massive original classic by Mampi Swift!

Mampi Swift - The One (Radini Bootleg) [FREE DOWNLOAD]

DJ Hybrid - Badboy (Toby Ross Remix)

The long awaited Missy Elliot bootleg you've all been waiting for. Che Mac brings the heat again! 

R#041, 08/06/2024

FOLLOW CHE MAC
SOUNDCLOUD | @chemac
INSTAGRAM | @che_mac_dnb

MISSY ELLIOT - GET U FREAK ON (CHE MAC BOOTLEG) [LINK FOR FULL FREE DOWNLOAD]

Mastered by Eleven One Mastering: 
https://www.elevenoneonemastering.com/

Check out my remix of an iconic dance track "Superstylin" from none other than Groove Armada. This project was lightning in a bottle and could've went many ways but i'm delighted to showcase this final result and hope you enjoy!

Groove Armada - Superstylin (Future Error Bootleg Remix)

Adam Y brings the bassweight in this monster of a track called 'Only One'.

Adam Y - Only One (Free Download)

Murderville

Vault Machine

Warum die alten Kicks? Ganz einfach, mich nervt es dass man sich viel Mühe geben kann aber es trotzdem Leute gibt die sich beschweren dass es sich mit dem und dem ähnlich anhört oder sogar geklaut sei. Genauso wie bei den Kicks. Mir ist es inzwischen Wurscht was gesagt wird, denn nur weil man fähig ist Kicks zu bauen heißt es nicht gleich dass alles geklaut ist. Soll mir hier sonst wer was sagen aber diese Kicks kann ich jederzeit bauen und brauch sie deshalb nicht klauen. Und das betrifft nicht nur mich. Es gibt viele andere die unter dem selben Problem leiden, deshalb dieses Statement ✌️

Wenn du mich kennst RMX

Shapta is a rising jungle producer with a sound that’s fast, heavy, and forward-thinking. Influenced by artists like Noisia, Napes, Seppa, and Samurai Breaks, his music blends the raw energy of classic jungle with a modern edge.

He began producing at just nine years old and, now at 16, has already developed a deep understanding of rhythm and sound design that defines his style. His tracks combine sharp percussion, deep basslines, and layered atmospheres—music built for both underground raves and close listening.

Murderville

SHAPTA