Sherlock - Theme Song

EDIT:
Yes, guys. "I" sang this. Engelbert is wayyyyyyy better. Stll, thank you all so much for the kind words. Glad you liked it.

Inspired to revisit and cover a favorite song because of Moon Knight.
A cover of Engelbert Humperdinck.

Effects are meant to replicate karaoke... Man, I miss proper summer vacation.

Watch Moon Knight. I personally like it very much. Cheers!!!

A Man Without Love (Engelbert Humperdinck Cover)

Sherlock Holmes Main Theme

Frank Sanitra-The world we knew(sped 1,09)

Justin Hurwitz[1] is an American film composer and a television writer. He is best known for his longtime collaboration with director Damien Chazelle, scoring each of his films: Guy and Madeline on a Park Bench (2009), Whiplash (2014), La La Land (2016), First Man (2018), and Babylon (2022)

For La La Land, Hurwitz won two Academy Awards, Best Original Score and Best Original Song (for "City of Stars"), as well as the Golden Globe Awards for Best Original Score and Best Original Song and the BAFTA Award for Best Film Music.[6] He won two more Golden Globes for Best Original Score for First Man and Babylon.

Justin Hurwitz - Planetarium - LA LA LAND

Khachaturian: Gayane, Masquerade, Spartacu, Ippolitov-Ivanov: Caucasian Sketches

Masquerade Suite: I. Waltz

Tchaikovsky – The Swan Lake, Op.20 - Act II, No.14 Scene: Moderato

"Vocatio Abrahae" (The Calling of Abraham) is a two-hour symphonic odyssey, divided into 12 main parts (plus optional postlude), designed for performance or sectional listening. Inspired by the Romantic tradition of programmatic music, it follows the biblical patriarch Abraham as a metaphor for radical faith — leaving home, journeying through trials, receiving divine promises, interceding for others, and ultimately facing the supreme test at Mount Moriah.

The work begins with a brooding Call in Ur, grows into the restless Journey, expands in wonder under the Starry Promise, and erupts into conflict in the War of Kings. A solemn Covenant passage anchors the symphony in sacred ritual, before turning toward the playful Hospitality at Mamre and the tragic shadows of Sodom’s Cry.

The final two sections, The Ascent to Moriah and The Sacrifice of Isaac, are the emotional and spiritual summit of the symphony: an immense meditation on obedience, anguish, and redemption. Here, motifs from earlier movements return, transformed into radiant light as the angel intervenes and the promise of faith is fulfilled.

The Postlude closes the journey with a gentle pastoral benediction, leaving the listener in peace after the storm.

Sherlock Holmes Main Theme

Sha No