TAKE THE FORCE POINT NOW

Agua Fresca

El otro día pensando en cambiar
esta rutina de tanto esperar
tomé la ruta y me fui a manejar
lejos de esta gran ciudad

llegué a un pueblito y me puse a mirar
un cartel dice aquí no hay un hospital
pregunto como no hay enfermedad
Es el agua del lugar, y me das.

Agua fresca de un canal,
que viene de un manantial,
quien la toma no se enferma,
no se muere, no se va.

Los de este pueblo no tienen maldad
no hay campo santo, si hay vitalidad
vivir mil años es lo más normal
es al agua del lugar,
y me das.

Agua fresca de un canal
que viene de un manantial
quien la toma no se enferma,
no se muere, no se va.

No hay policías, no hay autoridad
no hay papeleos, si no hay tribunal.
y si hay conflictos se van a brindar
con agua del manantial.
Y me das.

Agua fresca de un canal
que viene de un manantial
quien la toma no se enferma,
no se muere, no se va.  

Letra y música:
Pichy Sotomayor

Original song 2011 / Reversion 2023

Agua Fresca

Forgotten

If I had to choose two or three of my compositions out of all of them, this would be one of them.

Like every composition, this one has a story...or rather two.

The first tells how it was done.

The advantage of making music with an iPad is that you can take your "studio and instruments" anywhere. Thanks to that, I started composing it in France, a country that, as many know, I visit frequently for family reasons.

The main instrument that defines the melody is a bell-type synthesizer and was taken from the defunct Alchemy.

It was 2015 and I was still not able to equalize properly (And I think today, although I have improved, neither).

So in 2019 I decided to improve it, but I discovered that I had accidentally deleted the master.

I didn't know very well what to do and finally decided to recompose it from the beginning, but looking for the most similar sounds on another synthesizer (kv331).

The second story has to do with what I want to convey.

Where I live there is a nursing home. I see the families who come to see the people there.

I remember my grandfather, with whom he spent entire days and showed me all the books he read... I remember it as if it were yesterday (My other grandfather died when I was very young). What I learned most from him was respect and discovering the wonderful stories behind them from which you can learn authentic life lessons.

This composition is for these people who suffer and do not have the love and respect they deserve.

Today I also dedicate it to all these wonderful musicians of a certain age who are in this community and to anyone who suffers for any reason and believes that no one remembers them.

Merry Christmas to all the people.

Paco.


FORGOTTEN.

=================

Cover art. Pixabay by Sabinevanerp
Hardware. iPad 
DAW. Music Studio 2 
Mix. My car.

20 Tracks native instrument and taken from the xewton forum.

1 Track XPad.

4 Tracks kv331 Synthmaster.

Forgotten (2023)

Powerful Force

Powerful Force (Original Mix)

Played on a Tom Doerr (RIP) Legacy- LS Redwood/Cocobolo. 
This little tune gradually grew on me over some time period ahead of the final recording including little changes on the evening it was recorded. Sometimes that's the way things work!!
 Played in CGCGCD tuning capo #1. 
The melody seemed to convey to me a hopeful, thoughtful day ahead where good things might happen! 
The picture is of my son in law looking out over the harbor on a fabulous summer evening sunset!
Thanks for taking time to listen!

MAYBE TOMORROW

60s Hip hop soul ambient classical pop psychedelic rock Art & music. D k A Spencer

Day trip

https://soundcloud.com/stevesoundcoombes?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing Coombes on the Saxophone.
I think this should really be Steve Coombes....featuring tHE bLUE rOOM as he brings this to life & gives it the soul it needed.
I originally had a little place that I had started & just left..waiting to develop. I heard some songs from Steve's profile & really hoped he would be interested & put his thumb print on this...he certainly did.
What an amazing result!
Thank You Steve

Dusk Till Dawn feat Steve Coombes

I Feel It Now

- This AI picture has been created via Leonardo AI

Messengers in my Dreams

Originally composed by Koji Kondo (1991)
Arranged and Performed by Brian Butts
Image generated by http://hotpot.ai

Overworld (Kondo 1991)

The Wings Of Time

The image used is a guitar player figure made by a Vietnamese craft person out of old tools. My Dad brought this back from there after returning from a job  in Vietnam years ago.

The song peruses a future where we may use frequency and resonance more for physically healing the body and mind.


Lyrics

Let's try to figure this out
Lets not waste what we say
Gone up this time
We skirt controlling brain waves
Got your tribe
Don't call me no king
Let's just see our DNA dancing

Let's figure this out
They say it's old and it's free
Screw in the want to embrace what we please
Siren go release that pain
Out of tune? Well oh well we are free

Could it be that simple
From a tablet to a signal
I'm feeling a bit of a rush
Sure shake shivering
Let that back blush

Let's try figure this out
Siren release that pain
Gone up this time
But fuck our body brain waves I guess I'm sorry
Feel the peaks and troughs
Deep thought you got your DNA roughed

Tuned to batch control
From brain to soul
\These waves 'been walking with Nazi tones
Belligerence Extended through our times
Hooked on broken glass
Old frequencies to find

Roughed...

Daddy got you roughed
A surfing banquet
We’re white lightning tough
Daddy got you roughed

Frequency

Six lions move through a landscape of broken lights and fading circuits, where silence is crowned with static and the horizon dissolves into chrome. The collapse becomes a whisper, the bass retains the memory of echoes, and the oceans tremble with an infinite hum. Shadows stretch endlessly, revealing forgotten names carved into the void. Beyond the distance, beyond the silence, a new sonic language emerges, where Luntheris, Veydael, and Sorynth remain as living fragments of eternity.

Cold Distance

slice

one for PDE

Track shows a very delicate theme and a quite hard-riffed part, both alternating and finally flowing up to an endless symphonic dream (words are half a poem I wrote previously (not these, but lyrics below)).

Letra  /  Translated lyrics:

No despiertes (Sólo un sueño)  /  Don’t you wake up (Only a dream)

No... despierta... no... no despiertes  /  No ... wake up ... no ... don’t you wake up
no, cuidado... no despiertes, na na na na na...  /  no, take care ... don’t you wake up, na na na na na…
... despierta al fin y date cuenta  /  ... wake up at last and realize
de que todo ha sido un sueño, na na na na na...  /  everything has been a dream, na na na na na...

Una vez más, nervios y resentimiento,  /  Once again, nerves and resentment,
todo en mi vida es sueño, sólo ha sido eso.  /  everything in my life is a dream, it has only been so.

Y de nuevo, con el tiempo,  /  And again, with time,
incubando un nuevo sueño,  /  incubating a new dream,
me voy hundiendo en mis propios brazos,  /  I am sinking in my own arms,
me acuno, me canto y me voy acostumbrando...  /  cradle myself, sing to myself and get used...

Otro escenario, otros personajes,  /  Another stage, other characters,
la misma historia, na na na na na...  /  the same story, na na na na na...
que durará un día, un milenio,  /  which will last one day, a millenium,
toda mi vida, na na na na na...  /  all my life, na na na na na...

Pero sin duda vendrán a despertarme  /  But undoubtedly the laughs of people
las risas de la gente, alguna tarde.  /  will come to wake me up, any evening.

Y entonces, con miedo...  /  And then, fearfully...

No... despierta… no… no despiertes (…)  /  No ... wake up ... no ... don’t you wake up (…)

No despiertes (Sólo un sueño)

Shabboo Harper began producing her works, including writing lyrics to hers and other musicians' songs, in 2016. She is the author of hundreds of texts and poems. In addition to her own productions [singles and EPs], released on prestigious labels, she also recorded and published some successful collaborative tracks, albums and unique remixes. The variety of genres is immense from Ambient, Chillout through Dark Techno, Hardcore, Witch House, Electronica, Progressive House, Psytrance and Downtempo. In all artistic projects she always uses her own vocals. Shabboo's favorite styles are: Ambient, Chillout, Neo Soul, Industrial, Experimental and Techno. Her creation is strongly associated with dark, gloomy soundscapes full of mystery and sensuality. Often enriched by captivating melodies and differently shaped background. Music inspires in its diversity, while lyrics encourage to deeper reflection...

(Don't follow me here, best on my main page ;)

Powerful Force (Original Mix)

Shabboo Harper

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