Amateur producer from Montreal. I record all my own instruments with frequent collaborations with my friend, Jared Snape.

Panther Matumona, in his short time on the hip-hop scene, has honed a live show that combines the power of a full, sonic experience with the energy of an iconic one man show. Taking elements from both electronic music and live instrumentation, Panther Matumona prides himself on being at the cutting edge of modern music production. 

With many performances across Canada, ranging from the Shambhala Music Festival in BC, to Pop Montreal in Quebec, Panther has performed with such notable artists as Freddie Gibbs, Ab- Soul, BTSM, Joey Bada$$, Snak The Ripper, The Beatnuts, Apashe, Snails and ONYX

Songs from the edge of somewhere. A place that doesn’t announce itself. You step in and can’t tell if you’ve walked into a protest, a party, or the end of something.

Conil’s music comes from the blues and from the life that followed it. A voice marked by the places it’s been.

People heard it early.
Danny Thompson said, “You don’t sound like anyone else.”
Tchad Blake still plays Strange Part of the Country.
Peter Green walked into the studio one afternoon and cut a track.

The record didn’t arrive with noise. It surfaced—four stars in Q Magazine, a Blues Matters cover, a single reaching number three on the U.S. Alternative Radio Chart.

The early years were England. Then came New Orleans, New York, Berlin, the Himalayas, Kilimanjaro.

The second album is close now. Marc Ribot on guitar. Danny Thompson’s final sessions. Tchad Blake in Wales.

Some things reveal themselves only at the end.

My hebrew name

catch me making $hmusic 🗿

Uploading sound bytes every once in a while that capture my attention, more than the usual.

Shady Black Cat is following