Bookings - http://esp-agency.co.uk/artist/commix


Starting out as a duo, the Commix name has graced some of Drum & Bass’ leading labels since coming to prominence in the early 2000’s, and the debut album, ‘Call To Mind’, holds the honour of being the first solo artist album for historic label Metalheadz. The lead single, 'Be True', has long since cemented its place in Drum & Bass history as an anthem on the grandest scale, and the album itself was incredibly well received across the electronic music spectrum and is widely regarded as one of the best D&B LPs of all time.

As a DJ his focus is on the deep, the experimental and the musical. Drawing on his wealth of experience in both Drum & Bass and 4x4 based genres, he joins these styles together in a mesmerising weave, defying genre and categorisation, that cements his reputation as one of the most respected artists in the scene today.

Praised by Phoenix Classical for “deeply poetic playing, precise intonation and technique” Dr. Oleg Bezuglov enjoys international career as a concert violinist, chamber musician, music educator and composer.

The graduate of the Rostov State Rachmaninoff Conservatory and the Michigan State University College of Music in United States, Dr. Bezuglov represents both cultural traditions. During his studies, he collaborated with the pianist Natalia Bezuglova to form the ensemble Class&Jazz Duo, which had become known for their interpretations of classical and jazz music.

In the recent years Dr. Bezuglov has been serving as an Associate Concertmaster of the Battle Creek Symphony, Assistant Concertmaster of the Kalamazoo Symphony, Principal Second with the Southwest Michigan Symphony and Assistant Principal Second of the Midland Symphony Orchestras. He is also a tenured member of the Traverse Symphony Orchestra.

With his various solo and chamber music projects Oleg Bezuglov was featured at such prestigious musical festival as the Festivalensemble Stuttgart, Salzburg Festival, Lucerne Festival, Festival of Ensemble Duos “Odessa Dialogues”, Festivals of Contemporary Music “Rostov Premieres”, and the Cello Plus Annual Festival. He performed in famous concert halls throughout Asia, Europe, and America, including KKL Lucern in Switzerland, Beethovensaal in Germany, Großes Fesfspielhaus in Austria, Gyeonggi-do in South Korea, Merkin Hall and Jordan Hall in United States, Rachmaninoff Concert Hall in Russia, and Stolyarsky’s School Hall in Ukraine.

In his concert appearances Oleg Bezuglov has shared a stage with such renowned artists as Lang Lang, Bobby McFerrin, Jackie Evancho, Sarah Chang, Ilya Kaler, Michel Legrand, Ruggero Allifranchini, Suren Bagratuni, Chad Hoopes, Leon Fleisher, Conrad Tao, Richard Sherman, Amy Porter, Cameron Carpenter, Edisher Savitski, and Al Jarreau. He collaborated with conductors Helmuth Rilling, Saulius Sondeckis, Enrique Diemecke, Stilian Kirov, Raymond Harvey, Bohuslav Rattay, Kevin Rhodes, Yuri Tkachenko, Scott Speck, Anne Harrigan, and Suren Petrosyan.

For All Bookings Contact  bookings@supasubs.com

Firing up the bassbins and hitting you hard with a dose of raggamuffin junglist energy is what Ed Solo is all about. From Glastonbury to Canada's Shambhala, from dirty Brixton back rooms to Spanish arenas, Ed has travelled the globe throwing down his unique brand of ruffneck bassline bravado for more than a decade. 

Ed's knack for the rudest of hooks is equalled only by his sublime studio skills. He cut his teeth in the mid '90s engineering at the notorious SOUR Records studios, going on to lay down a series of groundbreaking collaborations with jungle kingpin DJ Brockie. In 2007 Ed released ‘Random Acts of Kindness’ alongside Skool of Thought, featuring ‘When I Was A Yout’ and ‘We Play The Music’ among others. A 10th anniversary remix package drops in 2017.

Ed’s partnership with Jungle Cakes partner in crime Deekline has thrown up some of the most memorable tunes of the decade. The pair recently mixed the chart-topping 5th edition of their Welcome to the Jungle series.

Shadow Drummer, a Drum and Bass DJ and producer.

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