Lost in the Stars

dancing in the middle of nowhere

Loony This Tune

Dj hakan 45-50,Trip Hop 752

B1.Lenta - Your Existence

First release on Archives this year is a reimagined version of Warmth's first ambient album 'Essay', with each one of the original pieces revisited by talented artists, including Alex Humann, SineRider, Wil Bolton, Robert Farrugia, Shaded Explorer, Tobias Hellkvist and Darren Harper.

Mastering by Rob Small. 
Archives31 // ArchivesCD012 
Archives / 2017

Buy CD/Digital

Warmth - Essay (Alex Humann Remix)

Docetism - Potential Natural Vegetation [SSX08]

A1. Dentario enneaphyllidis - Fagetum I (>)
A2. Dentario enneaphyllidis - Fagetum II
B1. Querco - Pinetum I
B2. Querco - Pinetum II

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https://soundcloud.com/docetism

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The Silent Season 10 Year Anniversary compilation celebrates a decade of deeper electronic music. The vinyl series features artists whose music continues to inspire the Silent Season journey (2007-2017)

http://silentseason.com/ssx10/

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info@silentseason.com
www.silentseason.com

Potential Natural Vegetation [SSV08]

Juno Records

Docetism - Potential Natural Vegetation [SSX08]

Danny Scott Lane - Eleven (taken from "How To Empty A Cup")
Format: Cassette / CD / Digital
Cassettes and CD available in limited edition hand made packages, hand numbered. 30 cassettes and 75 CD's available. 

"How To Empty A Cup" was recorded almost entirely in the rain, which is unusual because it was recorded in Los Angeles. The album was organically written & produced by Danny Scott Lane who called upon a few key guests for wind and string features. "How To Empty A Cup" is inspired by the sounds of the artist's immediate surroundings: children playing outside of the window, a teachers strike, the bird's nest above the street sign, crickets in the bush near the parking lot. This is Lane's debut album as a solo artist.

all songs written, recorded, mixed and mastered by Danny Scott Lane
keyboard and field recordings by Danny Scott Lane
flute on ELEVEN by Joseph Shabason
saxophone on FOUR by Joseph Shabason
various cello by Harrison Lee
various flute by Hannah Go
cover photo by Danny Scott Lane
cover design by Andrew Stilkey
2019 Shimmering Moods Records

Soon

Danny Scott Lane - Eleven

More info and buy links: https://asip.me/asipv017
James Clements (https://soundcloud.com/asc) debuts his first full-length album under his Comit alias, titled Remote Viewing.

Born out of his love for music that was often classed as ‘IDM’ during the mid-to-late 90’s, and labels such as Morr Music, City Centre Offices, Merck and Hobby Industries, Comit is a new avenue for James that builds upon his background in drum & bass, his ambient projects for the likes of Silent Season and his admiration for a more nostalgic electronic sound.

It was this appreciation for early IDM that became the impetus for James' infamous Deep Space mix series in the early 2000’s and resulted in a brief output of inspired productions as both ASC and Intex Systems. But this sound never fully evolved until it became a devoted project. The first outing for the Comit alias came as a limited 7” on the Short Trips label in 2016 and is now finally presented in its realized form within Remote Viewing.

Broken, glitchy breakbeats weave amongst emotive and often melodic chord progressions, all stemming from James’ expansive collection of analog synthesizers. It’s a sound that feels distinct and very separate to James' music as ASC, whilst adding a new evolution to the genre we may have previously described as IDM.

Remote Viewing is available as a Transparent Orange Gatefold 2LP and digital download. Featuring artwork by Noah M / Keep Adding and mastered by City Centre Offices vet, Andreas [LUPO] Lubich @ Calyx Mastering, Berlin.

Released: 12th August 2019

Comit / Remote Viewing (ASIPV017) [Previews]

BT Gate X - 138 - Magadan Pylons

Sloclaps

Dragon’s Eye Recordings is pleased to welcome back Kamran Sadeghi for his first release on the label since 2008. On BETWEEN US, Sadeghi explores life in quarantine by directing his listening attention towards the element of our homes that is both sheltering us and giving us a glimpse of the outside world—the window.

BETWEEN US was created using field recordings captured with DIY contact microphones attached to the glass window of Sadeghi’s home in Brooklyn. These protective barriers in the buildings we inhabit operate as a filter from the outside elements. Sadeghi describes the impulse of "wanting to hear the sound outside as it was being transformed to what I was hearing inside." Each recording's tonal slips due to the presence of sonic artifacts such as resonance, noise, low rumble, feedback, and cyclical hum (caused, in part, by the microphones' excessive gain) suggests a gauzy, shifting passage of time at a distance.

B1.Lenta - Your Existence

Shahr Farang