Bookings : 

pieter-jan.vandentroost@fkpscorpio.be


Bio : 

It’s possible that you might not know the name Luuk Cox, aka Shameboy, yet but it’s more than likely you’ve heard his work as the Belgium based multi-instrumentalist producer and electronic music artist has had a hand in more than 30 albums over the past decade.
Whether racking up production credits for the likes of Stromae, Marco Z and Girls in Hawaii, playing on releases by artists such as Arsenal, or remixing everyone from underground house heroes Booka Shade to pop stars such as Kelis and Nicki Minaj, Luuk’s reputation in the business is second to none.

Now though it’s time for him to fully emerge from the shadows as his Shameboy project, originally a ‘playground’ for him to ‘mess about’ with electronic sounds, finally takes center stage. Though with three acclaimed Shameboy albums, including 2010’s hit ‘808 State of Mind’, already under his belt it’s clear he’s long passed the ‘messing about’ stage no matter what he says.


SELECTED DISCOGRAPHY

Shameboy Albums :

Hi, Lo And In Between [Sputnik Records] - 2006
Heartcore [541/N.E.W.S] - 2008
808 State Of Mind ‎ [East Records/N.E.W.S.] - 2010

Remix Credits :

Kelis
Will Iam
Booka Shade
Niki Minaj
Stromae
...

Production Credits :

Girls In Hawaii
Stromae
Ostyn / Absynt Minded singer solo album
Arsenal
A.N.D.Y.
Mickey
Tim Van Hamel / Milionaire singer solo album
Novastar
Team William
Intergalactic Lovers
Admiral Freebee
Chibi Ichigo
...

Music enthusiast, Curator & DJ

Booking: info@athtmusicaldiscoveries.org

Ambient | Trance | House | Techno
Drum & Bass | Downtempo & sub-genres

Available sets:
- Techno Peaktime/Driving

- Progressive/Melodic House

- Deep House

- Neurofunk/JumpUp/Dancefloor 

- Tech House


Bio:

I like to walk the roads less taken, looking for hidden gems that were left in plain sight.

My music curation is mostly based upon two factors: feelings and data. It's sometimes a sort of meditative process, because there are tracks igniting the spark of decades of dancefloor muscle memory or a moment so splendid I felt like ascending. It's about feelings, memories and collective potential. I also pay particular attention to the structure of music and how it fits the narrative of one or several specific sub-genres.

About data? Well, I won't lie I mostly look at followers and play counts. But it's only to dig bottom-up and focus on what might be another splendid comet flying with less than 1000 plays just under everybody's nose... You know, it's exactly like life, if I pay attention to both the details and the big picture, I find marvels everywhere.

Big whales won't mind me not paying too much attention to them, but I listen to their movements. (I hid a reference to a classic track of electronic music in the previous sentence. Send me a dm if you know which one)

Through ATHT, I wish to craft journeys that elate and connect like-minded souls through music— whether it's the entrancing mixes under the alias RAVE HOLT or the playful and energetic sets as the DUD DUDE. 

Cool isn't it?

Peace,

Raphaël 
Founder & Main Curator @ATHT
Co-Founder, PR and distribution manager @ Sub Blast 

Ps: To see what has been done so far, check https://www.tiktok.com/@atht.musical.discoveries?_t=8quFxf85wFU&_r=1

Techno isn't a style, it's a philosophy!!!😛😜🤪

Followers of SHΛMEBOY