Marem Gökhan Şen - Hakulyash (2022 Al-Jeel Al-Jadeed Club)

Bjedough Islamey - Ahmed aiy

къафэ -Ju Kayhan, Marem Gökhan Şen

Тлецерук Ким - Абрэдж Нухьэ иорэд - Зафак

www.baragunvladimir.com | Vladimir Khatizovich Baragun(ov) (Бэрэгъун Владимир) (31 December 1939 — 13 October 1997), Kabardian singer, musicologist, People’s Artist of the Kabardino-Balkar ASSR (1981), Honoured Cultural Worker of the Russian Federation (1996), and Laureate of the State Prize of the Kabardino-Balkar Republic. In 1969 he graduated from the Sobinov State Conservatory in Saratov. From 1969 to 1977 he was a soloist for the Kabardino-Balkar Theatre. He sang 19 opera-roles. He recorded hundreds of songs, ballades, romances for radio and television and on disc. He was awarded the ‘Golden Hatchet’ (highest grade) at the International Folklore Festival in Poland. He was one of the authors of the 3-volume ‘National Songs and Instrumental Works of the Circassians’, which has become a classic of Circassian musical folkloristics. Soloist and artistic director between 1977 and 1987 at the Kabardino-Balkar State Philharmonia, he served as its director between 1987 and 1997. He was one of the best singers of the 1970s and 80s in Circassia. Although he recorded many fine and memorable traditional and modern songs, his powerful operatic voice was best suited to ancient anthems.

He documented and recorded a number of Pantheonic chants, including ‘Mezguashhe’ («Мэзгуащэ»; ‘Forest-Lady’). His wide Nart repertoire included an emotive rendering of ‘Nartizch Wered’ («Нартыжь Уэрэд»; ‘Song of the Ancient Narts’), which causes tingling sensations in the back of one’s head, ‘Ashemez yi Pshinalhe’ («Ашэмэз и пшыналъэ»; ‘Ashemez’s Melody’), ‘Badinoque yi Pshinalhe’ («Бэдынокъуэ и пшыналъэ»; ‘Badinoque’s Melody’), ‘Sosrique Maf’e Qeih’ («Сосрыкъуэ МафIэ Къехь»; ‘Sosrique Fetches Fire’), and many others. His heroic/historical repertory included ‘Senjeley yi Wered’ («Сэнджэлей и уэрэд»; ‘The Song of Prince Sanjalay’), in which he evokes the heroism of the mediæval prince-warrior.

Бэрэгъун Владимир (1939-1997) Адыгэ уэрэджыIакIуэ цIэрыIуэхуэм я нэхъыщхьэу еплъытэ хъунущ. Абы и макъ гъуэзэджэ лъэщгуэрэм удихьэхауэ уодаIуэ. Абы игъэзэщIат пасэрей нарт уэрэд зыбжанэ, псалъэм папщIэ «Ашэмэз и пшыналъэ», «Нартыжь Уэрэд», «Бэдынокъуэ и пшыналъэ», «Сосрыкъуэ МафIэ Къехь» жыхуиIэ уэрэдхэр. ЛIыхъужьыгъэ теухуа уэрэд куэд зыгъэзэщIа Бэрэгъуным, псалъэм папщIэ Пщы Сэнджэлей (Жылэгъуэт Идар и къуэ Къанкъылыш и къуэщ) зи гугъу ещI уэрэдым «Сэнджэлей и уэрэд».

Махуэщ|э дыгъэпсым и къафэ | Second Version

Bjamiy (Cyrillic: Бжамий) is a Circassian (Kabardian) folk group performing authentic Circassian music and dances of the Cacausus and Circassian Diaspora. It has toured various countries.

The name means "whistle" or "flute" in the Circassian language. It is a wooden instrument that has been used for music and communication since ancient times. Bjamiy is mentioned constantly in the Nart sagas:

“The flute is a musical instrument that occurs in our mythology too. Nart Ashemez’s flute was white on one side and black on the other. If he blew into the white side, there would be prosperity and if he blew into black side there would be famine. Our flutes are white on both sides. They heal patients, and invite healthy people to dance. Our songs & dances excite people. The flute, Shiqe Pshina, Pshina Digkhuakho, and pxhachich with Circassian accordion take our ancient melodies from the past to the future.”

Ансамбль "Черкесия" - Абрэдж Нухь

Shan Jatker