I'm a mix engineer/producer based in Philadelphia, PA.

Hi, I'm Nolly. I play bass and occasionally guitar in Periphery. Misha Mansoor and I operate as a production duo - Top Secret Audio. If you're interested in employing either or both of us for production, mixing or mastering work, send an enquiry to topsecretaudio@gmail.com

If you have any questions, I'm most likely to respond if you ask them through my Formspring account here:

http://www.formspring.me/NollyPeriphery

/8-hours/
all reposts are performance, production, or writing credits.

These songs are what keep me creative, I strive to write music that is atypical and interesting, yet retaining groove and melody.

www.DoomedToObscurity.com
www.facebook.com/doomedtoobscurity

Stuck in a world ruled by apathy and fear, somebody has to fuck up the system… That's our mission and we are Doomed To Obscurity. There was a time when shit mattered in music. People played what they wanted and spoke freely about turbulent issues. Music was art, poetic, hardcore, and made the world question its future. That time has come again. The shit has hit the fan! This is a wake up call to those who thought those days were dead.

Doomed To Obscurity is Chris Hunter-guitar, Jason Clouser-guitar, George Kuech-bass, Dave Glass-drums, and Billy Garvey-vocals. They are a collaboration from many bands… Mama Volume, Kitschcao, I.N.R.I., and The Strychnine Babies to name a few. The members of D.T.O. have a sordid history with the real old school punk and U.S. hardcore scene. What comes natural to D.T.O. is revitalizing that passion and angst, while being original and fearless. Influenced by The Stooges, Black Flag, Bad Brains, Dead Boys, minor Threat, and the Philly hardcore scene of the past, D.T.O. will make you stand up and think for yourself again.

The Tracknesss is a duo made up of the producers/composers Daniel Chen and Miles Kennedy. They started as an experimental electronic band, playing shows around downtown Manhattan in clubs and private events. in recent years they have mostly focused on recording rather than live performance, but are still deeply connected to the downtown scene.

Shane G Moore is following