8BALL SEASON 2

rastikayas

percussive

Charlotte Gainsbourg - Paradisco (Monkey Money Remix)

Vcs3 sound scape 3

END OF SUMMER TAPE / ARCHIVE 001

Live performance from the 2nd Annual "Bach To The Future" All-Night J.S. Bach Marathon - - April 4th, 2014 at Brown University's Manning Chapel.

A live "spatialization" of Bach's "Musical Offering" - - consisting of 2 portable, vari-speed cassette players with recordings of Charles Rosen playing the Ricercar on the piano, as well as a roving iPhone playing Webern's orchestration of the Musical Offering, BWV 1079.

Performed around 5am after an evening (all-night) of both traditional and non-traditional interpretations of Bach. The sun was rising, people can be heard slowly falling asleep, the heaters turn on, etc.

Organized by Sakiko Mori, and recorded by Brown Student Radio's Erik-Dardan Ymeraga.


The Theme Given By the King, With Additions, Resolved In The Canonic Style

Alan Hilario - "showdown" (2008) for solo percussion and super 8 film

Vandals 
out now
http://openmouthrecords.blogspot.com/2015/10/jake-meginksy-vandals.html


Jake Meginsky \\\\\Vandals///// Three Naga Uta (last Loop First)

Recordings from a performance at the Music Gallery in Toronto in March of 2015, along with a more recent performance at Le Laboratoire in Cambridge, MA. This piece is an ongoing "collaboration" with old records and new spaces.

Contains samples from many LP's released by the Music Gallery in the 1970's and 80's, re-imagined in the Church of St. John the Martyr on John St. (current location of the Music Gallery).. later re-performed in Cambridge, MA during a concert with David Grubbs & Bruce McClure.





GMMG - Live In Toronto, Cambridge...

ZEB MK percussionist from the duo free/primitive/psychedelic/ritual E.T.O.L 
Live recording








Bedlam (percussion solo)

Night Noise prides itself on giving a platform to new artists with fascinating and left of center sounds, and Middle Sky Boom is exactly that. The opener ‘Souvenirs’ is a fantastic brew of jumbled drums and tripped out synths. They step up through the scale and will send hands skyward as freaky vocals and layers of filter add kaleidoscopic colour to the grooves.

https://soundcloud.com/nightnoisemusic
https://soundcloud.com/middleskyboom

Out on April 22nd!

Souvenirs

Pre-Order

PRÉMIÈRE: Middle Sky Boom - Souvenirs [Night Noise]

Bored with both rock and roll and his own name, ex-drummer Steven Ford released his debut 12", a techno single titled Read Me/Silver City, under the pseudonym Bruno Pronsato in 2003. The response to that release, though overwhelmingly positive, was dwarfed by the critical praise heaped on its follow-ups: 2007's Why Can't We Be Like Us, which effectively established Pronsato as one of the most innovative and vital producers in dance music, and 2009's groundbreaking The Make Up The Break Up, which further cemented his credentials as a visionary. NDF combines Pronsato's talents with those of Sergio Giorgini – one half of Benoit & Sergio, whose rose-lensed debut EP, What I've Lost, was released through Pronsato's thesongsays label. On their auspicious first outing, Since We Last Met, NDF offer music almost perfectly summed up in their own words as "dance music twilit by…melancholy."

The A-Side track, which begins nearly fully formed – with handclaps, keys and a sparse, bassy percussive loop – is a roomy, wide-open construction of electronic pop. Sergio's languid vocals echo outward into whispered descriptions of familiar post-romance scenarios: "One day I'll see her on the street/And we'll greet with casualness/And discuss the flow beneath the bridges/Since we last met/And that'll be all..." There are ghostly voices that hang ephemerally in the background, and a rippling percussive build through the song's middle, but not a lot more. Instead of filling the track to its brim, NDF's minimal, but studied, arrangements leave plenty of room for every element to breathe – and listeners to swoon.

Side-B, notably, is a remix of the title track from superstar Ricardo Villalobos. The famed producer elongates the single to nearly three times its original length. Villalobos's rebuilt track starts as a nearly naked beat, with Sergio's vocals layered into a haunting procession of blank-eyed repeated mantras. Villalobos adds here and there – carefully and slowly – a steady, unerring hand keeping things just so. Perfection through precision and subtlety. 

- Kali Holloway

NDF - Since Last We Met

More noise for your pleasure and delight. Most of these samples are snippets from longer  recordings so get in touch if you want more... All analogue sources mostly Korg MS20 with beats patched through. Also Lell UDS, DR-55 and VCS3.

Aaron Dilloway 1/26/2013 Brooklyn, NY [Excerpt]

sharedshapes