BΔSTILLE

For more information please visit:

http://www.bastillebastille.com


Label and Artist Page by AKA AKA from Berlin, Germany.

Adventure Club is:
Christian Srigley &amp; Leighton James

www.WeAreAdventureClub.com

Management: <a href="mailto:robbie@stndrdgrp.com" rel="nofollow" target="_blank">Robbie Sabato at The Standard Group</a>

Always one step ahead, Bart Skils stands as a defining force in the global techno movement. Celebrated for his dynamic, driving DJ sets, he crafts seamless journeys of rhythm and energy—each performance marked by his unmistakable rolling groove and intuitive connection with the crowd.

A cornerstone of Adam Beyer’s Drumcode Records, Bart has produced some of the most iconic releases. Tracks like “Your Mind,” “Roll the Dice,” and “Universal Nation” have become modern techno anthems and staples of the genre cementing his reputation as one of the scene’s most consistent and forward-thinking producers.

His remix work for electronic pioneers including Underworld, Moby and Sven Väth showcases his versatility and deep understanding of the dance floor and essence of electronic music.

From underground basements to the world’s biggest festival stages, Bart Skils continues to push boundaries and evolve his sound. With an ever-expanding tour schedule and a catalogue of impactful releases, he remains at the forefront of shaping the future of techno worldwide.

Producing/Songwriting/Mixing


Anfragen unter: joel.gasser@bluewin.ch

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


DJ, producer and label head.
@musiconofficial 

Marco Carola is a global ambassador of techno. From Napoli in the south of Italy, Marco was instrumental in the development of the electronic scene in the early 90s, he took the flourishing techno Napolitano scene to the rest of the world. Over twenty years later and Marco is still one of the most respected artists amongst the techno scene, widely regarded as one of the key factors in driving the genre towards worldwide recognition within electronic music.
 
As a revered producer and successful label head, Marco has spearheaded imprints such as Design Music, Zenit, Question, One Thousands and Do.Mi.No whilst releasing music on a selection of the words finest labels such as Minus, Plus 8 2M and Primate Recordings. In addition to five critically acclaimed albums, including his most recent Play It Loud, Marco has also been responsible for a clutch of seminal mix compilations. In 2006, his mix for legendary London club Fabric’s series was a lesson in sleek, future-facing minimalism. That was followed up by well received compilations for Time Warp in 2009. In 2010 Cocoon label boss Sven Väth asked him to mix the Frankfurt based label’s Party Animals CD alongside Nick Curly, which took Carola's dj taste and skills to new heights.
 
Famed for his energetic and impressive three-deck style of mixing and long journey set, Marco has remained one of the most in demand DJs on the planet throughout the last two decades. Favoring mammoth eight hour plus sets, Marco is predisposed to a subtle working of the crowd that has made him a favorite among fans from Ibiza to New York, South America and beyond.

Seaside – About us 

 Speyer. Idyllisch in Mitten von Weinbergen, Alt-Rhein Armen und Gemüsefeldern lässt es sich schön leben, aus musikalischer Sicht wird dort aber leider nicht viel geboten außer Kirchenchor und Dorfkappel. Was also tun als junger DJ und Produzent? Und das auch noch im Genre der elektronischen Musik. Genau: raus in die große Welt, raus in die große Stadt! Schnell das Fahrrad gesattelt und die 26,3 Kilometer nach Mannheim 
 geradelt. So haben sich das auch die Jungs von Seaside gedacht und sind heute da angekommen, wovon ihre Großeltern niemals zu träumen gewagt hätten. Sie sind eine feste Größe im elektronischen Nachtleben des Rhein-
Neckar-Deltas. 

 Der musikalische Stil von Kevin & Mirco ist eine Mischung aus House und Techno, ein schmaler Grad den die zwei Musiker aber immer wieder perfekt ausbalancieren. Es geht ihnen nicht einfach nur um bpm oder den Track den jeder jetzt unbedingt hören will, Musik ist Emotion. Das Publikum wahrzunehmen um diese Emotion in den eigenen Tracks wieder zu geben, das ist das Talent der beiden.

 Mit regelmäßigen Shows am Mannheimer Hafen 49 oder dem Zimmer, in der Heidelberger Halle02 oder ihrer Homebase Speyer, zeigen die Künstler immer wieder wie ausgereift ihr musikalisches Verständnis doch ist und wie viele Möglichkeiten die Genres Techno & House bieten können. 

 Und auch auf persönlicher Ebene lassen sich Seaside nichts nachsagen, sei es der gute Gin-Tonic am Abend oder der erste Kaffee morgens bei der 
 Afterhour, ehrliche Musik und eine grandiose Nacht werden immer garantiert. 

 Aber niemals werden die Wurzeln und die ersten musikalischen Schritte der 
 Beiden vergessen, wie sagen Kevin & Mirco so schön: „Home is where the Dom 
 is!“

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