Name: Flock/347 by Robert Sharl in Four Field Recordings
Duration: 3 min 47 s
Description: Field recordings, improvised electronics, processed guitar. Recorded August–October 2023.

Now available on Compact Disc. Limited to 100 copies, with brand new artwork featuring location photography by Hong Kong-based photographer Kwan Chun In, and including a signed and numbered photographic print of the original streaming artwork. Comes in a plastic-free gatefold 4-panel digisleeve. This is the fourth physical release on Futurilla Sound. FUTUR004

https://robertsharl.bandcamp.com/album/four-field-recordings

Field recordings, improvised electronics, processed guitar. Recorded August–October 2023.

Buy on iTunes Store

Four Field Recordings



**Copyright Notice:** 

All rights reserved by Shira Greenwald (Aka Shira green) and Tamir Maor. Unauthorized copying, distribution, or use of this track is strictly prohibited. Please contact us directly for licensing inquiries or if you wish to use this music in any project. 

**Credits:** 

Music by Shira Greenwald (Aka Shira green)  
Produced by Tamir Maor  

**Usage Instructions:** 

You may use this track in non-commercial projects with proper credit. For commercial use or other permissions, please reach out directly. 

**Find us on:** 

Instagram:  https://www.instagram.com/its.shira.green?igsh=MTRqcmg3ZWlmd2hrYw== 

Tiktok: https://www.tiktok.com/@shiragreenwald?_t=8r8oKgeUA6S&_r=1 

Mail: Shiragreen2022@gmail.com 



You hit me like the 90s rock like the 40s blues I'm on my four, knees they rub against the floor big news you left me for someone else
These nudes didn't send themselves 

On our way to the big concert trying to convert chemicals Why she headed to the passenger seat first ain't she aware of the dynamics sculptured faces in ceramics seems like I'm thin air to her 


I said I wouldn't lurk on you 
But underneath the solid ground I'll wait for you my love 
I've been trying to wrap my head around it
Looked for something but I can not find it 
Oh no oh no here we go
It's been tearing apart me for ages 
Wish that I could flip right through the pages of our lore 

And I would travel across the globe bloody knives pierce my frontal lobe my sorehead forehead forwarded the mail the ship's about to sail I paid the bail 

It was the deed for the all the wrongs you did all the places where you peed the continuity of your fucking breed 

So you could say this is a miracle what a fucking bore a life that was formed just to adore those of us who have a word I could afford buying teeth from the angels underneath the crumbling land the scratchy sand the catchy latest brand-rneath the solid ground 

I'll wait for you, my love 
I've been trying to wrap my head around it
Looked for something but I cannot find it 
Oh no oh no here we go
It's been tearing apart me for ages 
Wish that I could flip right through the pages of our lore



our lore ((unreleased)) ♤♤♤

Field recordings, improvised electronics, processed guitar. Recorded August–October 2023.

Flock #1

Flock/347

Field #2 (Drone)

Flock/528 (Drone)

Field # (Improvisation)

Field/340 (Improvisation)

Field/447

Field/445

Painted Time

Paul Amlehn - Lyrics, composition, arrangement, production
Frances - Vocal
David Lynch - Visual art

Lyrics:

"Of course I’m jealous
More human than ever
I stand on the giant ant too.

You’re not alone anymore.
Whispers in the dark.

You wrap yourself in light
And walk outside 
Nobody’s running after you now 
No more tears on the phone.

It’s something new
This feeling.

Why can’t the morning bring 
The night of our best dreams?

Don’t ask me why."

Don't Ask Me Why

Don't forget to check out the music video i made for this track:
https://www.youtube.com/watch?v=0WRuWlw3qO8

I had an idea in April. I wanted to create a chord progression where some notes of the chord were only present in the background synths, and some notes were only played in my usual delayed arpeggio patterns. I had no idea how it would sound. Well, it instantly blasted me away. This time, I loved my main theme so much that every other melody and riff felt lame right next to it. I had this 30-second loop of synthwave awesomeness, and I had no idea how to continue it. So it took me a while to finish and polish it into a whole piece. Fortunately, I got some help from my friend and great, great guitar virtuoso, @jonas_tamas.

I guess sooner or later I have to create a new musical project to separate my ambient and my more aggressive ideas. We’ll see.

Drifting Through


☆lyrix☆
I know you said that these are voices in your head
We've dunken many but we didn't make a penny
Now I'm moving on my own 
Finished another song
Albums hours long 
I'm in the swimming pool just sippin on anise 
Come here a second
give me just a kiss
But you're troubled all the time
Words that never rhyme 
Spice it with some thyme 

I'm a ride or die baby but you try to fight lately 
Eyes full of lies open them ties its a goodbye maybe you forgot what you got 

I Come from the Olympus 
Cloudier than nimbus 
Only Golden eggs from this goose 
But you can call me the arena queen
Fresh from airport 
But this is only sport 
so you can call me serena will
Will you stick around you know you can't beat me
Played in many fields in those shoes they fit me 
Don't you run around, boy don't piss me 
When i get to the top we both you'll miss me 

Don't say this was my fault cigarettes eyebolt you were chasing brands losing all your friends
Maybe it's the time to amends shout it from the benz you just watch your morals sinking in the sands 

No offense but you can't give me nothing can't say you tried your best, make room for the next 
But lemme tell you something, I don't hate the rest it's just that I can't rest knowing that at last you were bluffing 

I Come from the Olympus 
Cloudier than nimbus 
Only Golden eggs from this goose 
But you can call me the arena queen
Fresh from airport 
But this is only sport 
so you can call me serena will
Will you stick around you know you can't beat me
Played in many fields in those shoes they fit me 
Don't you run around, boy don't piss me 
When i get to the top we both you'll miss me


**Copyright Notice:** 

All rights reserved by Shira Greenwald (Aka Shira green) and Tamir Maor. Unauthorized copying, distribution, or use of this track is strictly prohibited. Please contact us directly for licensing inquiries or if you wish to use this music in any project. 

**Credits:** 

Music by Shira Greenwald (Aka Shira green)  
Produced by Tamir Maor  

**Usage Instructions:** 

You may use this track in non-commercial projects with proper credit. For commercial use or other permissions, please reach out directly. 

**Find us on:** 

Instagram:  https://www.instagram.com/its.shira.green?igsh=MTRqcmg3ZWlmd2hrYw== 

Tiktok: https://www.tiktok.com/@shiragreenwald?_t=8r8oKgeUA6S&_r=1 

Mail: Shiragreen2022@gmail.com 


arena queen ((unreleased)) ☆☆☆

Ho lavorato principalmente sul pianoforte e la sua timbrica.
Con EQs e Compressori vari ho "schiacciato" il timbro sulle frequenze medioalte/alte.
Ho usato le prime battute del pianoforte per creare un loop, dove velocità e timbro vengono modificati.
Il loop si alterna tra i canali ed è l'elemento portante e caratterizzante del pezzo.
 Dopo circa un minuto appare una fascia con funzione di bordone.
Altri elementi percussivi e di disturbo.

Dimenticavo.... remake/remix del brano dell'illustrissimo Marco Lucchi.

La Confessione (R/R "Soliloquy" by Marco Lucchi)

'Catherine Fariba Rose' is a sound installation composed of multiple, layered renditions of Romani folksong 'Shilaly Baval' ('Cold Wind'). It portrays the subject’s intersecting cultural identities as a Russian-Roma of Anglo-Iranian descent and, as a trained singer, the central role that music plays in her life. (“I have music running through my head all the time.”)

Catherine Fariba Rose

Trauma ft Robert Sharl

A late night drive through an 80’s cyberpunk city. Come along for the ride . 

Big difference from my darker stuff.

Neon Nights .wav

"If Only Tonight" (J Dulva)
J Dulva
2019 Cenote Music

If Only Tonight

A sketchbook for some audio explorations. Ambient experiments, minimalist melodies, and filmic soundscapes. Electronics, processed guitar, and analogue synthesis.

Flock/347

Robert Sharl

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