dalton alexander - Please Take Nothing But Memory

12" lathe cut vinyl release
this is osc lc 26

A3 Chadburn And Meadowood MASTER

This mix is an expanded recording of a set I created for the Adera event. The idea came out of a therapy session where I was asked to create a "grief box"—a space to hold what felt too big to process. That assignment helped me realize that sometimes, it’s impossible to feel everything at once. To survive, we have to learn how to set it aside.

When I first played this live, I designed the set to move through different emotional arcs: dissociation, confession, tenderness, and clarity. But during the performance, I found myself looping back into devastating sounds. Healing is not linear. It didn’t feel finished.

I re-recorded the set alone in my apartment, hoping to reach catharsis. But even then, I couldn’t quite scratch the itch. So for now, I’ve decided to close the grief box again—stow it away until I’m ready to return.

This is my most vulnerable, earnest work to date. It’s not just a set—it’s a narration, a composition of memory. I hope it serves something for you, too.

Grief box

Official music video: https://www.youtube.com/watch?v=glFa8i6wlhg

Bombay Delay

IN THE FIELD LIKE DUSTY (DEMO)

brighting a mind

¡Perfecto! Empezamos con una excelente prueba para el Fostex FR-2LE. Un entorno con alta presión sonora como el arcén de una carretera es ideal para demostrar la limpieza de los previos y la capacidad de manejar dinámicas.

Aquí tienes la propuesta:

Título: Tráfico en carretera nacional desde el arcén [Fostex FR-2LE - AT4022]
Subtítulo: Grabación Estéreo Inmersiva de Alta Fidelidad
Texto Explicativo para SoundCloud:
Sitúate en primera línea, justo en el arcén de una carretera nacional, y siente la velocidad. Esta grabación de campo, realizada con el grabador profesional Fostex FR-2LE, está diseñada para probar la capacidad del equipo en un entorno de alta presión sonora y gran dinámica.

La configuración estéreo (micrófonos omnidireccionales Audio-Technica AT4022 en una disposición espaciada de 30 cm) crea una imagen sonora amplia y ultra-realista, permitiendo percibir el movimiento y el efecto Doppler de cada vehículo al pasar de un lado a otro. Los previos limpios y de alta calidad del FR-2LE capturan la potencia del tráfico sin distorsión, revelando con una claridad excepcional la textura del asfalto, el rugido de los motores y el silbido del viento. Una demostración perfecta de la fidelidad y el rendimiento profesional del Fostex en condiciones exigentes.

+Info: https://paisajes-sonoros.com/equipos-tecnicos/fostex-fr-2le-un-caballo-de-batalla-profesional-de-la-era-compactflash-en-el-campo-sonoro/

Tráfico Fostex FR-2LE - AT4022 NOS 30CMT

pendulum

the smell of concrete

drunk nap

ice cream man (ft. Ilù Seydoux)

mutation

shards

intrusion

Label: Semi Delicious
Artist: Midas Field
Format: Digital
Release Title: SEMIDD003
Support it: https://semidelicious.bandcamp.com/track/midas-field-dance-machine

Midas Field:
https://soundcloud.com/midasfield
https://www.instagram.com/midas.field/

Semi Delicious:
https://soundcloud.com/semi-delicious
https://www.instagram.com/semidelicious/

---------------------------------------------------------------------------------------------------------------------------------------------------------------

House Six :
https://soundcloud.com/house-six
https://fb.me/HouseSix.yt
https://instagr.am/housesix_
https://spoti.fi/3pHAj7J
housesixyt@gmail.com


PREMIERE: Midas Field - Dance Machine

i went to the flower field

Part five of the Time Traveller series.
A place beyond tempo.
A space where structures dissolve and only sound remains.

Every Order Trembles is not a destination – it is a state. A gathering of transient frequencies, in-between layers of bass, noise, and temporal displacement. This mix doesn’t follow a line – it drifts. It decays into resonances, draws contours through emptiness, traces forms only to let them tremble the next moment.

Where others try to hold on, this sound begins to shake.
Not out of fear – but from the knowing that all solid things eventually become porous.

This is perhaps the most fragile, quiet part of the series.
It opens slowly, almost reluctantly – like mist hovering above an old bridge, like light behind a thought never spoken.

The tracks stem from different times, places, moods.
They’re not just mixed – they’re set in motion.
Like memories overlapping.
Like voices whispering across frequency bands.

What remains is a state.
Nameless.
Breathing.
Organic.
Unmapped.
Only sound remains.

Best experienced with:
Headphones.
Late hours.
Still surroundings.
Open perception.

Part of the ongoing “Time Traveller” series.

TIME TRAVELLER V EVERY ORDER TREMBLES A nameless state. Only sound remains.

https://oklarecords.bandcamp.com/album/six-compositions-for-whistling

Wysocki / Jaśniewski - Spectral Study of Slurping (okla records 2025)

D!storted freestyle

Sound Archive is an independent label focused on immersive sound and its expressive potential.

🧠💪thaofficialrayray 
Head$trong Since 2016

Contact Info 
Gmail - thaofficialr@gmail.com



[Free Download] Just click more...
And [Download] your favorite Head$trong tracks and listen offline on your device 


When you download Soundcloud App on google play you can scroll through all your favorite Apps while playing your Music on Soundcloud in the background

https://www.instagram.com/yakin_mj/
https://ra.co/dj/preachersdaughter

Always learning 
Always evolving 

Here you will find functional electronic sounds that bend rules, build tension, and reward close listens — with just enough pressure to keep it moving and weird enough to keep it interesting.

it’s just not that serious

realtrisx@gmail.com

⑥

Premiere requests to housesixyt@gmail.com

▪ Deep Tech ▪ Deep House ▪ Jazzy ▪ Funky ▪ Disco ▪ Dub ▪ Lo-Fi ▪ Minimal & More..

Paisajes Sonoros es un proyecto de recopilación de efectos de sonidos singulares que se reproducen en nuestro entorno, o que son producidos para proyectos audiovisuales. CEO: Rafa Monllor

Slow Mons is the recording project of Melbourne musician Michael Zubreckyj. 

Blending organic and electronic sounds, Slow Mons is an attempt to process artificial memories through warped tape.

English Version-👇🏼​- 

RhythmXp ist kein DJ-Projekt. Es ist ein Zustand.
Ein auditiver Zwischenraum zwischen dem, was war, und dem, was sich nicht greifen lässt.
Meine Mixe sind keine Produktionen – sie sind Spuren.
Von Verlust, von Struktur, von Erinnerung.
Ich arbeite mit Resonanz, nicht mit Funktion.
Wer zuhört, bleibt. Nicht aus Neugier, sondern weil etwas ruft. 

----------------------------------

RhythmXp is not a DJ project. It is a condition.
An auditory in-between space –
between what has passed
and what refuses to be grasped.

My mixes are not productions –
they are traces.
Of loss, of structure, of memory.
I work with resonance, not with function.

Those who keep listening
do not stay out of curiosity –
they stay because something calls.



📍 DJ RhythmXp
🔗 linktr.ee/rhythmxp

New tracks tagged #Field