This track list feels like a journey, smooth from start to finish

airshade - suicide year (mage bootleg flip)

Casa Voyager welcomes back one of Cairo’s most innovative musicians @hassan-abou-alam for his debut EP on the label: Tarnished. A raw, percussive and bass-heavy body of work that pushes electro and breaks into dystopian terrain while keeping feet firmly on the dancefloor.

Out late october 
pre-order >> www.casavoyager.net


CVX02 - HASSAN ABOU ALAM - TARNISHED

SCALD (Free)

Artist: IFS meets AGF
Title: East-West Logistics
Label: guides
Release date: 10.10.2025
Format: digital / cassette (edition of 60)
Mix & mastering: IFS
Artwork: Marta Sieczkowska

IFS meets... is a series of three releases in which the IFS duo (Krzysztof Ostrowski @kook-on, Mateusz Wysocki @fischerle) produce, curate and host guest vocalists. The first publication in the series was an album recorded with Japanese artist MA. The next is a record created with activist, sound artist and vocalist @agf-antye-greie known as AGF. The last album planned in the series will be a release featuring Wojciech Kosma - @spalarnia.

The impulse to record the album with AGF was a project as part of the Bydgoszcz Experiment Studio, during which the three of them - Ostrowski, Wysocki and Greie-Ripatti - met for three working days in Bydgoszcz, with their final event being their performance together at the cult club MÓZG. The material recorded during the rehearsals and concert was what the artists used to create the album. East-West Logistics is a release that focuses many different strategies and experiences. Such as the fact that Greie-Ripatti, Ostrowski and Wysocki are all artists who come from Eastern Bloc countries, whose memory goes back to the regime changes of the 1990s. Another common fact is that all three live far from urban metropolises, in small towns. This is worth keeping in mind when you start listening to East-West Logistics. 

On a musical level, the artists used every possible excuse to transform their time spent together into verbal and sound material. Recorded junk sounds were incorporated into the album's audiosphere, fragments of conversations between AGF, Ostrowski and Wysocki became part of the lyrics, and the artists' city walks proved to be an important framework for AGF's poetic stories. Antye Greie-Ripatti, returning to outlines after her 2017 instrumental EP, this time focuses primarily on her voice, which becomes the focal point of the compositions created by IFS. 

East-West Logistics can be read as a horizontal movement of meanings: between subject and object, between world and individual, between present and past, between voice and sound, between east and west. On the one hand, AGF leans into psychogeographical intuition – she creates spaces for herself, inhabits them and sets new borders for private experience (the title tracks East-West Logistics and Semi-periphery). On the other hand, there is a touching and personal reflection (Limits and Force to feel). There is also room here for a more abstract and experimental formula (Neuro.logical and C– operator). In terms of sound, IFS try not to interfere with the field of view created by AGF. Although the musical texture is sometimes dense, it provides a well-balanced complement to Greie-Ripatti's voice.

While the first album in the IFS meets... series was a combination of an atomised language and post-footwork rhythms, East-West Logistics operates more sparingly. In contrast to MA's frenetic and jittery expression, AGF's voice oscillates between spoken word and singing, on the one hand being calm and attentive, and on the other precisely describing the observed world. IFS, by contrast, has managed to produce a soundscape that simultaneously complements the Greie-Ripatti narrative, but can also function as an independent sound story.

IFS meets AGF - East-West Logistics

Bandcamp: https://fastatwork.bandcamp.com/album/up-too-late-2

Digital + physical preorder: October 8 2025
Release date: October 30 2025

Fast At Work returns with another statement EP, this time from the label’s own Carré (@carreo) and her closest collaborator Danny Goliger (@dannygoliger). Navigating through textured atmospheres, rhythmic explorations, and immersive landscapes, they allowed their music to unfold naturally—an organic process shaped by curiosity and intuition. Each track was born from sampling its predecessor, creating a recursive dialogue that guided the creative flow. A commitment to a tension-building groove in ‘Up Too Late’, the warped dub throughlines of ‘Tricky One’, the intricate, delicate uptempo delight that is ‘Exit Plan,’ and the bridge between all four tracks ‘Don’t Keep Me In Suspense’ — each reflect different moments in this journey. An expert in textural exploration, the Dutch DJ and producer Konduku (@kondukukonduku) brought out the true hypnotic potential of the title track. Their influences ripple outward, yet the sound remains inherently theirs—fluid, unbound by singular genre or label.

A1 Carré & Danny Goliger – Up Too Late
A2 Carré & Danny Goliger – Tricky One
A3 Carré & Danny Goliger – Don’t Keep Me In Suspense
B1 Carré & Danny Goliger – Exit Plan
B2 Carré & Danny Goliger – Up Too Late (Konduku remix)

Written and Produced by Carré & Danny Goliger
Mastered by Nikolaj Jakobsen 
Vinyl production R.A.N.D. Muzik
Artwork & CD by Studio Balcony
Distributed by One Eye Witness

FAW004: Carré & Danny Goliger - Up Too Late EP w/ Konduku Remix

Analogical Force welcomes back @moy for his third outing on the label. ‘Ghostware EP’ delivers four tracks that push his hybrid of braindance, acid and electro into bold new territory.

Side A opens with Kernel Panic, a pacy cut that flips between breakbeats and 4/4 drive, punctuated by TR727 whistles and percussion, before Megazone dives into chopped breaks, thick bass and a conversation between a 303 and FM-modulated 101. Together they form a high-energy pairing that refracts rave DNA into something sharper and more futuristic.

On the flip, the title track Ghostware goes widescreen with heavy bass, intricate breakbeat manipulations, the unmistakable Korg M1 piano and soaring melodic acid, all tied together by wistful pads and sudden reverbs. Voidwave closes the EP on a darker, twisted note, with slithering AFX Station basslines, constantly evolving acid, and breaks chopped into timing flips that constantly disorient the rhythm.

With Ghostware, MOY refines his sound while embracing new techniques and sharper contrasts. It’s his most progressive and fully realised work to date for Analogical Force, reaffirming both artist and label’s place at the forefront of modern braindance.
—
PREORDER 12" BLUE MARBLE VINYL + DIGITAL: https://tinyurl.com/4nmdvru8
—
A1   KERNEL PANIC                              05:13  
A2   MEGAZONE                                  04:18
B1   GHOSTWARE                                 05:26
B2   VOIDWAVE                                  04:35
—
C+P Analogical Force 2025. All rights reserved. 
Written and produced by Jonny Moy in Norwich / UK
Mastering by Carlos Koschitzky at Koschitzky Studio, Gijón
Design by Geometric Love, UK
Distributed by Clone, Rotterdam 
—
www.analogicalforce.com

Preorder Now

[AF064] MOY 'GHOSTWARE EP' [2025]

Daniel Salaghi
Instagram; https://www.instagram.com/daniellsalaghi
SoundCloud; https://soundcloud.com/danielsalaghi
Spotify; https://open.spotify.com/artist/3ELNkb7O1dlc2mfO1hysXI?si=k8YNzn7JRAeVfY14NIR9-w

Hex Cougar, Pauline Herr, So Sus & Sejo - East Bridge (Daniel Salaghi Extended Mix)

READ > https://inverted-audio.com/premiere-synalegg-computer-series-14

French producer @synalegg returns to @ooh-sounds with Computer Series / Last Run - the final chapter in his radical generative music experiment. Built in Pure Data, Synalegg’s system composes autonomously, creating immersive, unpredictable sound worlds that blur the line between human design and machine logic.

The result recalls Autechre’s algorithmic precision, Jimmy Edgar’s Michaux project, and the mechanical curiosity of Aphex Twin’s Computer Controlled Acoustic Instruments Pt2 - yet feels entirely its own. Glitching rhythms, fractured harmonics, and fleeting human cadences emerge from the code, forming an uncanny balance between control and surrender.

A bold statement on authorship, automation and abstraction —-Computer Series / Last Run closes Synalegg’s exploration of machine-driven composition.

Synalegg - Computer Series 14 [OOH-sounds]

* FULL INTERVIEW:  https://boltingbits.com/mixed-by-sha-ru

Blending spoken word, heavy bass and club-driven experimentation into something raw, physical and deeply immersive, Sha Ru have carved out a sound that is as cerebral as it is visceral — one that uses low frequencies, texture and space to question how music is felt, not just heard. Their sonic world thrives on contrasts: poetry and pressure, intimacy and intensity, narrative and noise. It’s a language built from the ground up, tuned as much to the body’s response as to the ear’s perception.

With their brand-new self-released EP Vibra Vibra (out October 23), Sha Ru push this philosophy even further. Each track explores how sound ripples through the body and transforms space: sub-bass compressing the chest, subterranean frequencies grounding the gut, buzzing waves pulsing through the skull. It’s a work that positions bass as architecture — a tangible force shaping bodies and rooms alike — and in doing so, it reimagines the dancefloor as a deeply physical environment.

To mark the release, Sha Ru join our MIXED BY series with both an exclusive mix and an in-depth conversation. Across the interview below, the duo dive into the sonic science behind Vibra Vibra, the collaborative dynamic that powers their work, and the political and poetic dimensions that run through their art. Then, in the mix, they extend that exploration into a hypnotic, body-centric journey — a sonic landscape built to be felt in every cell as much as heard in every ear.

INTERVIEW.

MIXED BY/ Sha Ru

Release date: October 23rd, 2025
Released by: Self-released
Written by: Sha Ru
Mastered by: Ten Eight Seven
Artwork by: Sha Ru, BUBU

Vibra Vibra is a new series by Sha Ru, a duo perpetually in nomadic motion, renowned for their deft blend of spoken word and bass-heavy electronics. This first release turns inward on music’s physical pulse, tracing how frequencies ripple through bodies and spaces, shaping the way sound is felt as much as heard.

Low-end waves move like invisible currents — compressing the chest at 50–60Hz, sinking through the gut and legs at 20–40Hz, buzzing in the skull at 60–100Hz. Each track maps these zones, treating bass as a tangible force that sculpts both body and room.

Sha Ru - Above, Below, Around

https://theorytherapy.bandcamp.com/album/were-here-all-the-time

@whatdotjp
@theory-therapy

Theory Therapy is pleased to present ‘we’re here all the time’ by jp (aka J.P Wright) – the New York producer behind one of last year’s shinetiac remixes on the OST label, and a member of Housecraft Recordings’ trip-bient group Ahem.

Compiling several years of well-worn material, the Brooklyn artist’s debut solo LP was the result of many hours of hardware jams and happy accidents, later meticulously edited down into these seven arrangements. Blending first-thought-best-thought spontaneity with extended DAW labouring, Wright delivers some of the most immediate music yet on Theory Therapy.

The album is reminiscent of ’90s and early-’00s IDM. Syncopated rhythms and atmosphere swirl into a mutable whole, as hardcore breakbeat, ambient trance and acidic electro bleed together into a liquid mélange. The sequencing drifts from gauzy, ethereal openings into tensile, club-ready pressure before swerving toward moments of stillness – like lingering in an emptied club hours after the crowd has gone.

There’s a distinct physicality to the music too. Kick patterns jitter like loose live wires, delays ripple through the fog-soaked air, yet the album’s finest moments lie in its more subtle textures and tonal shifts. This is proper braindance that keeps you suspended in its pulse, caught in non-linear time. Wright lets the music wander in unpredictable arcs, moments folding back on themselves, stretching in multiple directions at once – tracing and retracing a memory that refuses to settle. 

pi premiere: jp - perf (Theory Therapy)

Booking: gb@nightshift-agency.com
Other inquiries: info@sharu.xyz
~
@monkeytownrecords
@jupiter4records
@woozydublin
@pressuredome 
@infinite-machine 
@GimmeABreakRecords
@progressivefuture
@inveterate
@kindergartenrecords 
@sorry-records 
@shubzin

Sha Ru - Above, Below, Around

Sha Ru

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