So love that period instrument sound. The oboe exuded a lamentation that nearly struck me dead (would've died happily). In your voice, I think I might be hearing a worthy successor to Emma K., yet not a clone by any means.

Michel Lambert - D'un Feu Secret

Aimai (Michelle O'Rourke, voice)

Ethan Hayden performs Dmitri Kourliandski's "Voice-off" (2008) live at 'null point 3: impossibilities' (November 15, 2014).

Program note:
The idea of the piece is the voice birth. It borns out of "side" noises produced by the vocal, breath and articulation systems. "Voice-off" means voice behind the screen. However, in this piece I was interested in overlapping different voice/sound layers. The vocal apparatus is divided into several independent lines/parts - sounds produced by lips, tongue, teeth, cheeks, gutter, vocal chords etc. Normal singing appears to be just one of many elements. All these elements are independent like instrumental parts in a chamber ensemble. Their counteraction forms a multilayer structure within which the "lips' part" can form a duo with the "gutter part", and the "vocal part" solo can rise over them.



Kourliandski - Voice-off

ELECTRA cd/dvd (2006), Attacca 27111 & 27112

The New Math(s) - Louis Andriessen

Vidi l'angelo nel marmo e scolpii fino a liberarlo 
(Michelangelo)

Performed by Nina Guo and Eddie Kass (Departure Duo)

Vidi l'angelo nel marmo

2 - DADA (from "On the Nature of Thingness") performed by Tony Arnold and ICE

Cages (2013)

Performed by Sharon Harms (soprano) and Mila Henry (piano)
Poetry by Gregory Mahrer

Glossolalia

performed by Departure Duo (Nina Guo & Eddie Kass), recorded, Engineered, Mixed and Mastered by Nick Tipp at Soniferous Studios

Phrases mov. IV

Phrases mov. III

For voice and amplified chamber ensemble

Performed by Madeline Healey and the Refugee Orchestra Project, conducted by Lidiya Yankovskaya

Premiered at National Sawdust, 06.12.18

Constellations

Praised in the New York Times “as graceful vocally as she was in her movements”, “consistently stylish” (Boston Globe), and as a “cool, precise soprano” (Chicago Tribune), Carrie Henneman Shaw is a two-time McKnight Fellowship for Performing Musicians winner (2010, 2017). She has premiered major works by such Minnesota composers as Jocelyn Hagen and Abbie Betinis, whose annual Christmas carols she records for Minnesota Public Radio, and sung American premieres by such composers as Georg Friedrich Haas, Hans Thomalla, and Augusta Read Thomas. In addition to her work as an interpreter of contemporary works, Carrie specializes in music of the 17th century and has performed operatic roles with one of America's leading Baroque opera companies, Boston Early Music Festival. Carrie is a member of Chicago's Ensemble Dal Niente, Quince Ensemble, and uluuul. She holds degrees in English and voice performance from Lawrence University and a doctorate from the University of Minnesota. She teaches at the University of Washington in Seattle.

Michel Lambert - D'un Feu Secret

Carrie Henneman Shaw

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