Buck

Howling Around My Happy Home

BOUZOUKI, BEATS SAMPLERS playing and writing by Pessin Yvan
ACCORDIONS  /arrangement and composition Christophe Sabatier

NOMAD FREQUENCIES URBAN DUB SKATT

Deyosan - No puede ser
Nouveau Morceaux PROMO 2014
www.deyosan.fr
https://www.facebook.com/deyosan

Illustration : Florent Espana

No puede ser

7" available now from www.sofrito.co.uk

Originally from the island of Boa Vista, Abel Lima was part of a large wave of Cape Verdean migration to Europe in the late 60s – fleeing the political turmoil that accompanied the end of Portuguese colonial rule. Settling in Paris, he recorded several albums with ‘Les Sofas’ a multinational group featuring musicians from France, Senegal, Cameroon, Angola and Guadeloupe.

Arranged by Camerounian star Eko Roosevelt Louis, Corre Riba Corre Baxo (what goes up must come down) is taken from the 1977 album ‘Cantam nos Bida‘ and combines a rock-solid bassline with a hypnotic guitar riff.

Nos Maos – arranged by Guadeloupean pianist Roland Louis – has more of a Caribbean feel, bringing elements of Cadence in to the mix. The politically-charged lyrics – half in French and half in Portuguese – deal with European complicity in economic and social problems in the developing world

Combining the Morna and Coladera styles of Cape Verde with Jazz, Cadence, disco and West African styles, Abel Lima’s output reflected the rich mixture of musical styles and cultures that was (and still is) present in Paris. Both tracks are dancefloor classics.


Sofrito Island Series // Abel Lima e les Sofas 7" // Cape Verde

http://shazalakazoo.com

“Have you played at the Guča Trumpet Festival?” they keep asking us everywhere we go. Well, last year we finally did it. Actually, we played each and every night at one of the many makeshift bars set up in ordinary houses and yards during the festival week. This kept us quite busy but we still had more than enough time to listen to various brass bands: you simply cannot avoid them in such a tiny overcrowded village. At any given moment, we could hear at least two Serbian bands playing nearby at the same time. And guess what? One of the most curious things we observed there was the fact that roughly every fourth or fifth track played there was not Serbian, Romany or even hailing from the Balkans at all! These tunes came from somewhere else. They were a diverse mix of well-known hits from across the world.

However, not all foreign hits make their way into a Serbian brass band repertoire. This is reserved for the greatest of the greatest hits, for those which entered the World People’s Music Hall of Fame, those which became the pristine evergreen unspoiled by the music industry of today. We all know these tunes. We’ve known them all our life. These are the melodies which are deeply rooted in their geographic and ethnic origin yet they are so international and global that they are no longer just Russian, Mexican, Jewish, Greek, Peruvian, French, American, Serbian or Egyptian tunes. In fact, they could correspond with similar ease with any kind of worldwide audience anywhere. They make the world music heritage which operates on a metanational level independent of their national lyrics.

Well, this album is our take on those metanational tunes. Performed by the traditional Serbian-style brass, they are set to ShazaLaKazoo’s electronic dance rhythms, basslines and synths. This is our homage to the true music of the people.

ShazaLaKazoo - Kalinka

Their Routes (Remixes)

Gypsy Hill - Afrita Hanem (Kosta Kostov Remix)

Frais - Besame Mucho (Mariachi Version)

Kormac - Wash My Hands (Phil Mac Remix) (FREE DOWNLOAD!)

CONFINESH SERIES 008 II INVITE ALIZARINA

Alors que le temps semble s'être arrêté annonçant un dimanche interminable, la terre tourne toujours, les 'essential workers' nommés pour l'occasion n'ont jamais été aussi essentiels, et les artistes bouillonnent.

Le Bateau Louche invite ses résidents et amis artistes rencontrés en route pour partager une sélection matinale enregistrée avec les moyens du bord. L'occasion pour eux de partager pépites et trésors, raretés et préciosités, parfois juste un prétexte, pour remettre le nez dans les vieux dossiers, sortir au jour les unreleased, les sides-project, ou tout simplement révéler d'autres facettes de leur projet pour le plaisir.

tracklist

Saraiman - Romica Puceanu
Comely - Imam Baildi
Opa Hey - Kottarashky
Cumbiamor - UFe
El Raton (Peter Edit) - Los Invasores
Sârbă la cimpoi - Romanian Traditional
Un Poulailler à la Bastille - Tony Gatlif & Valentin Dahmani
Anywhere On This Road (MiRET Edit) - Lhasa de Sela
Saint Saens - Mooryc
Le Temps Des Moissons (Frederic Papa's Remix) - Ariel Kalma
Le Piroguier (Be Svendsen Remix) - Henri Texier
Ciocârlia - Romanian Traditional
Le sei menu nu quartu - Zimbaria
Chaje Shukarije - Esma Redzepova

FB : https://www.facebook.com/alizarinamusic
SC : https://soundcloud.com/alizarinamusic

CONFINESH SERIES 008 II INVITE ALIZARINA

"Taneghil N'Aïr" is our collaboration with the great Omar Ezza, a tuareg singer and guitar player, who sings the story of Agadez Cross, over a nice, groovy and organic house production. 
This track is part of the famous "SummerSol V" VA, by Sol Selectas Recordings

https://www.facebook.com/ezzaband/
https://www.facebook.com/SolSelectas/
https://www.facebook.com/wtfxofficial/

Summer Sol V

Watt The Fox featuring Omar Ezza - Taneghil N'Aïr (Sol Selectas Records)

Vocals by Caballo, violin by Uroš Petković.

Sonidera Popa (ShazaLaKazoo Remix) - The Binary Cumbia Orchestra ft. Caballo

People often think of the Balkans as a crossroads. With their busy trade and cultural routes, the Balkans have been linking the East with the West, the North with the South throughout the centuries. Now can you imagine someone setting up a tent in the midst of that bustling roundabout, in a place where all those roads converge in a swirling mix? Can you imagine, out of the blue, a tent with a wild illegal wedding party inside springing up in the middle of that crossroads, a jamming makeshift shelter which blocks the traffic until the break of dawn? Well, the loud music that would be played beneath the tent cover – this is the sound of the ShazaLaKazoo.