Name: Synth and Chain The Reckoning by shdwtek
Duration: 1 min 25 s
Description: Synth sounds from KORG DW-8000 / Processed in Reason.

Dark Days

Synth sounds from KORG DW-8000 / Processed in Reason.

Synth and Chain The Reckoning

Final track from my EP, inspired by the 1974 Alan Clark visionary folk horror film 'Penda's fen'.

The King under the hill

SnaggleToothedSmile

My 30 second submission for the ADAM Audio #soundtrackcompetition2024 thematizing the cover image given by ADAM Audio themselves. The genre of choice is what I would call Science-Fiction-Soundtrack including piano, synthesizer, a choir, strings, orchestral percussion, lots of FX and vocal samples.

Frozen In Time | ADAM Audio #soundtrackcompetition2024

Imagine a world shrouded in eternal ice, where the wind whispers its mysterious melodies and the sounds of footsteps echo on the edge of the known and the undiscovered. In this incredible landscape, where time seems to slow down, you feel the presence of something greater, something that penetrates our essence and unravels the mysteries of the distant stars.

Ethereal Ice - ADAM AUDIO Soundtrack Competition [2024] #soundtrackcompetition2024

I created this for the Adam Audio Soundtrack competition attempting to describe the picture musically in 30 seconds. Thank you for the opportunity! I really NEED those monitors!!

#soundtrackcompetition2024-Contemplating Glaciers

In the cold expanse of a distant, icy planet, an astronaut peers through the transparent visor of her helmet, her gaze focused on the holographic display flickering with vital information. The ambient glow of digital data illuminates her face, reflecting the delicate balance between technology and human emotion.

As she stands alone on the frozen terrain, her breath fogging up the inside of her helmet, the music of "Last Contact" begins to weave its narrative. The piece opens with a pulsating electronic rhythm, mimicking the steady beat of her heart as she processes the data. Synthesized melodies emerge, capturing the sterile beauty of the digital interface she interacts with.

Strings and orchestral elements gradually layer over the electronic foundation, symbolizing the emotional weight of her mission. The astronaut's mind races through memories of home and the people she left behind, each note a reminder of the human connections that drive her forward in this isolated environment.

As the music swells, she deciphers a critical piece of information on her display – a signal from another human, a potential last contact. The intensity of the composition builds, mirroring her rising hope and anxiety. The climax of the piece aligns with the moment she realizes she is not alone in this vast, desolate place. The digital and the organic blend seamlessly, much like her existence in this advanced yet lonely frontier.

Finally, the music gently descends, the rhythmic pulses softening as the astronaut prepares for what comes next. The orchestral tones fade, leaving behind the persistent hum of the electronic undercurrent, a reminder of the ongoing mission and the ever-present connection between humanity and technology.

Thanks to ADAM Audio for this opportunity.

Last Contact - Alejandro Maciá | #soundtrackcompetition2024

Breathe #soundtrackcompetition2024

doomscrolling w/ feet pics

Title track... "Irene & The Sea" from Envy for Eden's first album 'Irene & The Sea'.

Synth and Chain The Reckoning

shdwtek

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