6.- Andy Martin - Selva Lacandona

Sciahri and CONCEPTUAL team up for the first time with this excellent, banging, deep incursions for non series white. Including a lethal LDS Remix too.

*Including also the last design by our beloved friend Juan Mendez.

Sciahri & CONCEPTUAL - Ritmo Oscuro [nwhite016]

Supported by Kia, Ben UFO, Nastia, Batu, Soraya, DVS1, Sister Zo,  Akanbi, CCL, Pariah, Jon Hester, Yushh, French II, Gigi FM, Jurango,  Doctor Jeep, Madam X, Dj Rolando, Sybil, Sunju Hargun, Om Unit, among others.

"La creación de las aves," the third release from Andy Martin's own imprint, Diaspora Echoes, takes inspiration from the surrealist vibes of Remedios Varo's artwork. This EP dives deep into rich, textured sounds that are perfect for getting lost in. It's got those deep beats that pull you in, layered with intricate sounds that echo a mysterious and fantastical vibe. Each track feels like a journey, making this release a unique and immersive experience.

4.- Andy Martin - The Observer Is The Observed

Applications

UFO2

Mohem 04

Solute

@tommylewisdj:
instagram.com/tommylewisdj
https://tommylewisdj.bandcamp.com
https://ra.co/dj/tommylewis

Mastering: Tommy Lewis
Artwork: Tommy Lewis
Released From: Berlin, Germany

support

Fakeness, Mutual Respect

Two years after releasing the acclaimed Crash Recoil, Anthony Child aka Surgeon returns to Tresor with new LP, Shell~Wave. Retaining the minimal equipment list and studio-version-of-live-show-sets approach of the previous album in order to focus on the work itself, Shell~Wave is a deeply personal document of both where Surgeon is and has been, converging three decades of experience with a continued curiosity in the untested.

"To make this project, I had to dig really deep in terms of what my relationship was to techno; I've been involved with it for a really long time and there's a lot about it I feel dislocated from, so I had to really think hard about what techno is to me. I often get asked "what is techno to you?" but I can't answer that with words; this album is the answer."

From the complex, twisting track Infinite Eye to the caustic Soul Fire, the eight tracks that make up the body of the album are single-take explorations of the vast, hard yet minimal techno Child is synonymous with. 

Neatly dividing the record in two, the emotional centre of the record comes in the form of Dying, a vibrating, beatless piece that with a mantra-like vocal loop steeped in reverberating effects.

Further echoes of dub production appear throughout the record as tracks like Divine Shadow, and Empty Cloud have an almost ever-present mist of reverberation, driven by the appearance of a new delay unit in the equipment list; while much of the philosophy of Crash Recoil's creation is present, the process and the instruments have changed as Child again switches up his approach to studio work.

This insistence on trying novel techniques doesn't preclude returning to old ones, as this use of modern digital machines with live, hands-on takes that are as inspired by 60s producer Joe Meek and 70s reggae as they are by this year's synthesiser expos.

"For me, it's an interesting experience returning to old techniques again after 30 years. [I'm] always exploring and finding myself back at the beginning. Connecting the present with the past."

This philosophy of 'time travel' is inherent to the music itself as the synchronised loops repeat while the delay and effects branch out, forming unique eddies; distinct quantum moments within the circular whole; the future leaking through the spaces between the sounds. All of the concepts on the album are perfectly communicated through the painting by Taiwanese artist Jazz Szu-Ying Chen which suggests the movement of water, sound waves, and the chitinous shells of sea creatures.

BANDCAMP

Surgeon - Soul Fire

April 26th, 2025 is my birthday!  
So I'd like to send a thank-you gift to all of you from me.

My mother used to say, “Your birthday is the day to return gratitude to those around you,” and I truly resonate with that.  
Over the past few days, I’ve had some especially amazing experiences through my music activities, and I feel incredibly happy.  
And it’s all thanks to your support that these moments could happen—thank you so much 🙏  
That’s why I wanted to express my gratitude and have prepared this gift for you.

It’s a track I really love—please accept it.  
Thank you always for your support!

LOVE 🫠

Toru

【FREE DOWNLOAD】

【FREE DOWNLOAD】Tears of Moonlight - Toru Ikemoto MyBirthdayGift

A. Kat Race
B. Alarms Cyclone

Overview
Jeff Mills’ “The Bells” is one of the most iconic tracks in techno history, often called the genre’s anthem. Known for its hypnotic bell melody, driving kick, and euphoric build, it became a staple in DJ sets worldwide. The track was first played live by Mills in 1995 (e.g., at Liquid Room in Tokyo), but it wasn’t officially released until 1997 as part of the Kat Moda EP on his Purpose Maker label. This EP is the original record pressing you’re asking about—no standalone “The Bells” single exists from that era. It has since been repressed multiple times due to massive demand (over 500,000 copies sold across versions).


Original Pressing Details
* Release Year: 1997 (though the track dates to 1995 performances and test pressings)
* Format: 12” vinyl EP, 33 ⅓ RPM
* Label: Purpose Maker
* Catalog Number: PM-002
* Country: US
* Pressing Notes: First pressing on standard black vinyl. Matrix runouts indicate a repress or variant: A side - PM 002-A (RE I) NSC; B side - PM 002-B (RE I) NSC (etched, with NSC circled). The mastering has been criticized as “shit” by some collectors for its raw, unpolished sound—typical of ’90s techno but quieter than modern represses, often requiring gain boosts in DJ sets. Sold out quickly at shops like Cisco in Tokyo upon release.

Tracklist
Side	Track	Duration
A1	The Bells	4:46
A2	Kat Race	4:22
B1	Alarms (aka “Masterplan” in later compilations)	5:32
B2	Cyclone	4:48


* 	•	Production Credits: Written, produced, and edited by Jeff Mills. Published by Millsart/BMG-Ariola.
* Why Buried on an EP? Mills reportedly avoided hype-sticker promotion to let the track’s organic popularity (from crowd reactions) drive sales. Purpose Maker was for floor-focused material, contrasting his experimental Axis label.

How to Identify an Original Pressing
* Visual Cues: Gold-on-black label design. No “10th Anniversary” or remix mentions. Check for wear from heavy club play—originals often show it.
* Sound Cues: Raw, dynamic mix with prominent kick and bells; lower loudness (not -5 LUFS like some digital remasters). Test pressings exist but are rare and unnumbered.
* Value (as of Oct 2025): $20–$50 USD for VG+ condition on Discogs/Reverb; mint originals can hit $100+ due to collector demand. Recent sales: Median $30–$40.

Later Versions and Represses
The track exploded in popularity, leading to reissues. Key ones:
* 1999 Repress: Same EP format (PM-002), minor matrix tweaks. Often mistaken for original.
* 2006 (10th Anniversary): Standalone 12” on Purpose Maker (PM-020). Includes reworked B-sides (“Gift of the Hills,” “Circus”). Louder mastering; promo versions exist. ~$15–$30.
* 2006 DVD Edition: Axis (AXDV-002). Enhanced with visuals from 1997–98 footage; limited audio/video hybrid.
* 2019 Remaster: On Sight, Sound & Space compilation (Axis). Cleaner, higher fidelity; first vinyl appearance of orchestral “Blue Potential” version.
* 2025 Remaster: Digital-only (e.g., SoundCloud edits); no new vinyl confirmed.

If you’re hunting for an original, check Discogs for verified sellers—avoid fakes by matching matrix numbers. For audio, stream the 1997 version on Beatport or Spotify. Got a specific copy or need value check? Share details! 🔔

UFO2

Shed