танец діско арабскі ми би в хітпараду нашу теж 👑🎶🎙

Sérieux, vous l'avez trouvé ou celui ci ?

Performed by Bachar Mar-Khalifé
Original song by Georges Moustaki
This version is included in the compilation "Musique de fête, vol 2" released on sept 30th 2021 by Nowadays Records
(p) 2021 Balcoon (c) Paille Musique

"Danse tant que tu peux danser, danse autour de la terre,
Libre comme un poisson dans l'eau, comme un oiseau dans l'air,
Léger comme le vent qui danse dans les arbres
Ou le mât d'un bateau qui danse sous la vague.

Danse tant que tu peux danser sur les pavés, sur l'herbe,
Sur une table de bistrot, à l'ombre des tavernes.
Viens, laisse-toi porter par toutes les musiques
Qui sortent d'un piano ou d'un vieux tourne-disque.

Danse tant que tu peux danser, danse autour de la terre,
Danse dans les bras de Margot ou Julie de Nanterre,
Danse pour retrouver l'amour et la folie,
Danse pour éblouir ton âme qui s'ennuie.

Danse tant que tu peux danser, danse autour de la terre,
Pour ne plus porter sur ton dos la mort et la misère
Et tu verras jaillir les sources souterraines,
Et les torrents de joie qui coulent dans tes veines.

Danse tant que tu peux danser, danse autour de la terre,
Danse pour qu'un printemps nouveau balaye les hivers.
Danse comme l'on vit, danse comme l'on aime,
Danse comme on écrit sur les murs un poème.

Danse tant que tu peux danser, danse autour de la terre,
Danse tant que tu peux danser. Viens, le bal est ouvert !
Danse tant que tu peux danser, danse autour de la terre,
Danse tant que tu peux danser. Viens, le bal est ouvert !"

Danse

PMLI 003 Restless Leg Syndrome - Do You Love Me (Ya Albi)
playable vinylpostcard https://www.youtube.com/watch?v=UjvG5HyzVwg
Original track by Bendaly Familiy 

dabkeh EP: https://soundcloud.com/restlesslegsyndrome-1/sets/dabkeh

Produced & mixed by Restless Leg Syndrome 
Mastered by Buzz 
Bass played by Fabian Schreiber

http://restlesslegsyndrome.bandcamp.com/
http://www.postmanslove-shop.com/

Do you love me (ya albi Rmx) FREE DL!

Ouiness "Avec les filles je ne sais pas" "Maa lab nat" (Version  Arabe)

Enjoy a new Mehmet Aslan edit; for you, for free this Valentines Day.

Follow Mehmet at @mehmetaslan

Ay Lav Yu (Mehmet Aslan Edit)

Al-Khawarizmi

Hamma

Early Releases

Safar Barlik

PURCHASE EP

TootArd: Laissez Passer
Order here: https://goo.gl/JUD97v
www.glitterbeat.com

I do not exist on an ID card
A string and a piece of wood are my gunpowder

A Laissez Passer. Let him pass. That’s the document the stateless carry. It’s all that those from the occupied Golan Heights possess. Since 1967 the area has been part of Israel, but the inhabitants aren’t Israelis. They don’t have any citizenship. They don’t have passports. Just a Laissez Passer. And for the members of TootArd who all grew up in the village of Majdal Shams in the Golan, it’s a very apt name for their new album.

“Laissez passers are special situation papers,” explains singer and guitarist Hasan Nakhleh. “It took us a while to realise the effect. We’re permanent residents in Israel, but not citizens. We have no travel documents. When we travel we need the laissez passer. With no nationality, we’re officially ‘undefined.’”

But in statelessness, the five-piece has discovered musical freedom. TootArd grew up understanding that borders are something imposed by governments, lines that only exist on a map. On a disc, in concert, they can go wherever their imagination carries them. They carry their citizenship inside.

“What we do now is the result of everything we’ve ever done and heard,” Nakhleh says. “We began listening to Tuareg music and we fell in love with it. It resonated with us. North African music is something we’ve heard since we were children. We all grew up with classical Arab music. In finding our own sound, we’ve discovered things from all over.” With Laissez Passer, the past has helped create the future.

On the title cut, Nakhleh notes, “the first verse is the reality, the second is our solution. Our people are stateless. We have no flag, no sense of belonging. It also reflects our emotions. We feel undefined, we don’t know where we belong, when everything in the world tells us we should belong. People always want you to say who you are.”

With its insistent riff that evokes the space of the desert, glorious driving, funky percussion, and an electric guitar that Nakhleh modified with extra frets to sound like an oud, the song builds a manifesto that bonds West Africa and the Maghreb to the Levant. It’s a thrilling opener; more than that, it’s a very catchy one, with the subtle reggae flourishes adding a very organic, international feel. But those were a natural touch for the band, a nod towards their musical beginnings.

Laissez Passer is the sound of a band that’s found its voice. The songs seemed to be pulled from the air, to have found them, whether it’s the catchy optimism that transports “A’sfur,” the biting groove that propels “Oya Marhaba,” or the flickering shadows-and-light shifting guitarscape of “Sahra.”
The album closes with the yearning “Syrian Blues,” a gaze across the Golan Heights into the distance and history of another country.

“It’s something calm to finish, a very emotional quality. Our region used to be a part of Syria. Historically we’re Syrians, but I’ve never been to there. I feel the music has an emotional quality, and sadness in the harmonies. I even wrote it in the Rast scale, the one that’s most used in Arabic music. I thought it would evoke Syria.”

The result is an Arabic blues, the quiet, sad music of people who have a home but no nationality.

With music I become a flying bird
I change my feathers, I change my strings.

TootArd are not ‘undefined’; they’ve fashioned their own identity in their music, creating a bond of the stateless that reaches from the Levant to the Tuareg – another people without a real home - and reaches out far beyond. Let them pass.

Laissez Passer

TootArd - Oya Marhaba

Order new album on Bandcamp : https://bachar-mar-khalife.bandcamp.com/album/the-water-wheel-a-tribute-to-hamza-el-din
On all other platforms : https://bacharmarkhalifefr.lnk.to/TWW
Website : https://www.bacharmarkhalife.com/

Follow Bachar Mar-Khalifé on :

Facebook : http://bit.ly/2PUB1wy
Twitter : https://bit.ly/2NYtrDB
Instagram : https://bit.ly/2prHV17
Soundcloud : https://bit.ly/2sm5vfK
Youtube : https://bit.ly/2KN2Ggz
Newsletter : https://bit.ly/2O0r0jR

"El Hilwatu" concludes Bachar Mar-Khalifé's new album "The Water Wheel, tribute to Hamza El Din" on a rhythmic and heady note, which flirts with trance.

To remix it, Bachar immediately thought of the techno producer Sama '. Their meeting took place in 2016 in Paris, during the festival Palest'in & out, where they were invited to play, alongside the Jazar Crew.

By proposing to work on this remix, Bachar prolongs this unique encounter, with, in the end, the dream of one day to perform himself in Palestine.

Sama Abdulhadi is an emblematic figure of the Palestinian electronic scene. His productions mix house, techno but also dubstep and experimental. She is the first techno DJ to have imported the genre in Ramallah more than 10 years ago through the organization of parties.

Written by Nur El Din Abidin,
Composed by Hamza El Din

Lyrics : 
الحلوة وعدت وأهلّت في الموعد تخطر كالبال 
لهفت روحي حين أطلّت نستقبلها بالاحضان 
وبفرحة أسعد إنسان وبقلب يرقص نشوان 
 
الحلوة ينبوع حنان يقصده قلبي الظمآن 
فتذوب شجوني وهمومي بحديث باقة ألحان 
يبعد عن قلبي الأحزان ويحيل فؤادي نيسان
 
الحلوة تقترب خطاها أعرف مشيتها وشذاها
تهمس بالبسمة عيناها ويحلّ الأنس محياها
ما أعظمها ما أحلاها ما أعظمها ما أحلاها

El Hilwatu - (Sama’ Remix)

Mazouni - Ecoute moi camarade

attab cheb abid الشاب عبيد

Want to dance with us? 
Send us an email : sheitanbrothers@gmail.com

LOVE

Breaking Trad EP is available !!
Vinyl > https://chezemile-records.com/release/1520002057292
Digital > https://sheitanbrothers.bandcamp.com/album/breaking-trad

Ouiness "Avec les filles je ne sais pas" "Maa lab nat" (Version Arabe)

Sheitan Brothers

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