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Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Multi-disciplinary creator working at the intersection of sound, immersive tech and wellness. Occasional event organizer and music selector.

BOOKING CONTACT: 

benny@stillhotberlin.com

FOR BOOKINGS IN ROMANIA:
ionut@cyclic.ro // tel:0721381922

You can become a fan here: 
www.facebook.com/mihaipopoviciu1
www.instagram.com/mihai_popoviciu

WEBSITE: 
www.stillhotberlin.com

BIO: 
	
	Every artist has a signature. Mihai Popoviciu is no exception. For over a decade the amiable Romanian producer and DJ has built a body of work characterised by deep grooves, crisp precision, and irresistible energy.
	Mihai's singular vision was born in his home town Sibiu (still his home base) which, at the time, lay on the fringes of Europe's thriving dance scene. It was the early '90s. Electronic music was flooding London, Ibiza, Berlin but only a trickle reached his ears. "We would tape German TV shows onto cassette and listen over and over," he recalls.
	With no clubs, record shops or dance culture to speak of Mihai's dream of being an electronic artist seemed remote. He studied architecture and briefly worked in the field, but it was house and techno, not house-building, that was his true calling . "I couldn't DJ, because there were no clubs," he says with a chuckle. But he could buy software, so he started making records. Lots of records. Sometimes one per day, for months on end. The work of the determined young artist began to catch people's ears. His first track was signed to International Deejay Gigolo in 2005, and dozens of releases followed on imprints including Bondage, Highgrade, Poker Flat, Bedrock, Dessous and also his own label Cyclic, established in 2012.
	This calm determination became Mihai's trademark as his career blossomed from production to DJing. After honing is skills in the studio he learned to DJ (on borrowed decks) and began drawing attention in Romania and across Europe. Playing international gigs was a big move for someone who grew up only seeing clubs on TV but Mihai stepped up with professional aplomb. His CV now includes the best clubs in Europe and around the world, from Berghain and Watergate in Berlin; to London's Fabric and The Egg; to D-Edge, São Paulo; DC-10, Ibiza; and more.
	Mihai's ambition with every track and every DJ set, is to transmit the joy and energy that fuels his dream. "It feels great to see people dancing, smiling, having a good time. No matter what I do, that's the main thing." 
	He is equally at home in underground clubs or on festival stages. The one thing that stays the same is his artistry and irresistible delight in music. "Mihai was on his sound from the beginning," says friend and booking agent Benny Grauer. "It has a unique quality. Any time you hear it you know, "That's Mihai". He's done it for years, and it is perfect."

Bookings Worldwide: ioana@griffith.ro
Founder: https://soundcloud.com/griffith-records

https://mihaipol.com/

OUT NOW: https://orcd.co/fatxxiv003

Just doing our music since 1998 – Freude am Tanzen is an electronic music label from Germany including a sub label called Musik Krause. Our music is available at our local recordstore Fatplastics. Have a good time with our music!

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Mom of @desoner
electro | breaks | techno | experimental

bookings >>> desonerbali@gmail.com

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