Ville Morose / The Devil

Ville Morose

Alexander Ebert - Truth

Phosphorescent "Los Angeles" (Live) off 'Live At The Music Hall' 3XLP live album out 2/17/15, Pre-order: http://smarturl.it/phoslive_scd?iQid=sc.la

Amazon: http://smarturl.it/phoslive_amazon?iQid=sc.la
iTunes: http://smarturl.it/phoslive_itunes?iQid=sc.la
Indies: http://smarturl.it/phos_indies?iQid=sc.la

Phosphorescent Online:
Site: http://phosphorescentmusic.com/
Twitter: https://twitter.com/Phosphorescent
Instagram: http://instagram.com/phosphorescentmusic
Facebook: https://www.facebook.com/Phosphorescentmusic


At the end of December 2013, Christmas looming and the New Year just around the corner, Phosphorescent played a four-night stand at the Music Hall Of Williamsburg in Brooklyn; and for four-nights running, blew the roof off the place.  Matthew Houck, fronting his seven-piece band, plus an auxiliary string trio deployed throughout the set, played for more than 10 hours, all recorded and eventually edited down to the 19 tracks that appear on the new three-album set, Phosphorescent Live At The Music Hall, out 2/17 on Dead Oceans.

Inspired by live albums such as Bob Dylan’s Hard Rain, Houck envisioned an album that, rather than play like a greatest hits collection, would present songs from throughout his catalog in new ways, representative of how the songs have grown and transformed over the years in the live setting. Phosphorescent were coming to the end of almost a year of hard touring behind 2013’s Muchacho before the four Brooklyn Music Hall shows, (one of which was a solo performance by Houck), and the ability of Houck’s songs to morph and expand is showcased here through these revelatory performances. 

Live At the Music Hall spans nearly 10 years and four Phosphorescent albums total, including 2005’s Aw Come Aw Wry, 2007’s Dead Oceans debut Pride, breakout 2010 album Here’s To Taking It Easy, and ultimately, 2013’s transformative Muchacho. The Phosphorescent live line-up here features Ricky Ray Jackson on guitar and pedal steel, pianist Scott Stapleton, drummer Christopher Marine, bassist Rustine Bragaw, percussionist David Torch and organ / keyboards player Jo Schornikow.

“Playing those four shows, it was clear something special was going on,” says Houck. “After eight months of touring, we’d gotten to a really good point where we weren’t quite exhausted yet with the material, but we’d had enough time to really grow with the songs. So we were in that sweet spot where we were pulling something great out of the songs every night.” Without a doubt, Live At The Music Hall is an inspiring document of a band at the peak of their powers.

LIVE AT THE MUSIC HALL TRACKLISTING
1. Sun Arise! (An Invocation, An Introduction)
2. A New Anhedonia
3. Terror In The Canyons (The Wounded Master)
4. The Quotidian Beasts
5. Tell Me Baby (Have You Had Enough)
6. Nothing Was Stolen (Love Me Foolishly)
7. Dead Heart
8. Down To Go
9. Song For Zula
10. Ride On / Right ON
11. A Picture of Our Torn Up Praise (Solo)
12. Muchacho’s Tune (Solo)
13. Wolves (Solo)
14. Joe Tex, These Taming Blues
15. Los Angeles
16. A Picture Of Our Torn Up Praise
17. South (Of America)
18. Wolves 
19. At Death, A Proclamation

Live at the Music Hall

Los Angeles

Pre-order on iTunes

Phosphorescent - "Los Angeles" (Live)

Tracks used:
Whitey - People
Johnny Cash - Personal Jesus

Mixed by: Matina Sous Peau

For more downloads:
http://www.4shared.com/mp3/vDcDBBJMce/Whitey_feat_Johny_Cash_-_Perso.html?

Whitey Feat. Johnny Cash - Personal Jesus People (Matina Sous Peau Mashup)

Now Today (Instrumental)

seasons

© Barbarella Records

Composed & produced by Elvett
Mixed and mastered by Husky Höskulds at Groundlift Studio L.A

US Press Contact: Beth Martinez
beth@dangervillage.com



HOME

Train Song (Vashti Bunyan Cover) [Feist feat. Bon Iver]

Live (avec le Choeur JFP)

Stay Tonight (live avec le Choeur JFP)

Rover - EP
2011 
(c) Cinq7/Wagram Music

Rover - Tonight

“Early spring of 2005 I was teaching myself piano. This song was a meditation on a dream I had the night before. The lyrics were a stream of consciousness to try and shake a sadness over a stagnant place I’d let myself wallow in for too long. Recorded on a four-track in my living room, you can hear the windows are open—buses, kids playing outside and car horns. The main difference between my songwriting now and this time period is having a complete support system in Andy. He really gave me confidence. We grew together in our musicianship. I am forever grateful for how we continue to teach each other.”—Jessica Larrabee

http://www.pastemagazine.com/blogs/lists/2012/10/eight-musicians-share-their-first-demo.html?p=5

Blackout (2005 Demo)

She Keeps Bees