|{:}|

examine-plain-133-2023-07-28-premiere(xin-rotter(seln006)).wav

taken from "The Last Londoner(SELN006)"
Out 28th may 2023
https://selnrecordings.bandcamp.com/album/the-last-londoner

@xxxiiinnn
@selnrecordings
https://selnrecordings.bandcamp.com
www.instagram.com/selnrecordings

london, UK

133-2023-07-28

bela - Living In Fear And Hatred

Berlin-based label Post Hoc presents their eighth release, “Summer’s End Vol. 3”, featuring 8 young artists from various musical backgrounds. Forming the third edition of a soundtrack as the summer comes to a close, the compilation explores the combination of various sentiments: Of nostalgia, passion, and melancholy, a visceral passage traversing morning breezes and hazy nights. “Summer’s End Vol. 3” recollects a memory, paying tribute to a feeling that is no more, but is sure to return once again.

Buy via: https://post-hoc.bandcamp.com/album/v-a-summers-end-vol-3-ph008

https://soundcloud.com/evitceles
https://soundcloud.com/posth0c

Premiere: Evitceles - I Want To Be Eternal [Post Hoc]

rough cutz mix

https://youtu.be/nSovm9iXvgk

@3sam3clarke3
nyc US

examine-mix-54-w-sam-clarke-2023-11-01

Club music culture necessarily shifted gears in many ways during and after the course of the pandemic. Older participants found their way into other interests and younger participants took new reigns to orient spaces they felt good inside of. The agenda for the music, and the cultural industry surrounding it at large, took a more frivolous and “fun” turn. Clubs needed to recoup lost money, people needed more refreshing catharsis for their nightlife escape, and in some pockets scattered around the globe a newer and younger cadre of producers/promoters/DJ’s pulled optical cues from a scattering of “darker” influences to give an alternate aesthetic to the aforementioned “vibes” culture. In the midst of this, a large polarization of conceptual energy shifted within the compositional and utilitarian machinations of the club music culture leaving behind the brooding and cerebral placeholders for a different kind of enjoyable hedonism. Terrestrial Paradise’ “Artificial Hell” harkens to another prescient time before that shift occurred. “Artificial Hell’ might just be an illustration of what all of this fun escapism encapsulates.

Terrestrial Paradise is the latest moniker from Montreal come Los Angeles based producer Jaclyn Kendal. Having developed and cemented her sonic positionality with releases on North American labels like Ascetic House and Summer isle over the years, as well as a series of monolithic live sets, Bank is pleased to announce Kendal’s Terrestrial Paradise first full length album “Artificial Hell”. Over the course of nine recordings, “Artificial Hell” gives a master class in pressurized industrial techno of the slower variety. Fitting with the legacy of Bank’s output since it’s inception, Terrestrial Paradise’s aesthetic sensibilities sit within the canon of a certain tinge of club music imbued with a sense of natural grit, sans pretense.

“Artificial Hell” nods to artists like Scorn, Regis, and 400 PPM while maintaining it’s own territory in the landscape of cerebral and brooding rhythmic techno. Ominous, mechanistic drones sit above succinctly exacted percussion composition and sound design. Throughout “Artificial Hell”, Kendal shows her proficiency with the push and pull of building and releasing tension. On tracks like “Salvation” and “Relativity” she melds her synth wash wallscapes with driving percussion, serving as both a hint and counterpoint to the the entirety of the latter part of the album taking on spartan ambient compositions as a way to keep the listener in a subdued stasis. This album is a statement piece from a long time participant in the North American underground music sectors. It reminds the listener through perilous, considered rhythms and darker drone impositions to cement themselves back into a place where not everything is always a good time.

Terrestrial Paradise - Western Ave (BNK-042)

examine-mix-58-w-0018-2023-12-22

@o0one8 is collab, @user-485730640, administration des ventes x @time-consumers + @nadjasky

GE

examine-mix-58-w-0018-2023-12-22

A special back-to-back session of heatseeking techno tinged with acrid noise and hazy soundscapes.

http://www.instagram.com/3sam3clarke3

Sam Clarke and S.P.T. @ The Lot Radio 01-04-2024

Premiere of the track "The Night Has Passed Already" by Vanity Productions, taken from his upcoming album on Northern Electronics.

"...Recorded during the weeks after Christian's sister’s passing, it resonates internally as the maelstrom of melancholy, transforming grief into distorted tunes. Minimalistic and bleak at the core, yet possessing vague and undeniable romanticism, morbid intensity and density, a tangible memo filled with love unexpressed, a ride through a tunnel drowning in light."
-
Artist: Vanity Productions
Track: : "The Night Has Passed Already"
Album: "The Night Has Passed Already"
Label: @northernelectronics
Format: CD + DL
Release date: January 26, 2024
Pre-order: https://northernelectronics.bandcamp.com/

Music by Christian Stadsgaard
Mixed By Malthe Fischer and Christian Stadsgaard
Mastered by Giuseppe Tillieci at EnissLab Rome
Artwork's photo by Christian Stadsgaard

꒰ঌ ໒꒱

Premiere: Vanity Productions - The Night Has Passed Already [NE99]

Eternal Delight: guinta vs. Lost Helmet - 19/01/2024

encrypted voicemail w/ Silicia & Giugno - 06/03/2024

I WOULD TEAR OUT MY EYES

Here I Find My Self

A1. INTRODUCTION
A2. RENAISSANCE
B1. CEREMONY
B2. SAINT-BARTHELEMY
BONUS. TORTURE

Produced by USELESS POSITION
Distributed by COMMITTED AMENDMENT

Useless Position - Genesis I

SHFTD

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