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Lighter machis

LP "this is the place" 
Release 5.Sept 2014 
on hancrafted limited 150 Vinyl.
Tour Novemebr 2014: 
➔ Video: https://www.youtube.com/watch?v=VGRzRmn8zfM
➔ Booking: http://www.mongkong.com/wp/booking/
Follow:
➔ Facebook: https://www.facebook.com/dashobos/
➔ Tumblr: http://dashobos.tumblr.com/
➔ Spotify: http://open.spotify.com/artist/0s1Rrr...

03 Whitelines

Sueños Sencillos - T2MM Edit (Magic Wand - MW 012, 2016)

♬ Click for more and download ☞ http://trndmusik.de/2014/08/i-am-from-india-vom-mannheimer-niju/?lang=en
 
⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2

“I am from India” – that’s the title of Mannheim DJ and music producer niju‘s newest production. As we provide the song as a free download we talked to the young musician about the concept, development and release of the track.

trndmusik: Your new track is titled “I am from India”. When did you first think of producing the track?

niju: That was absolutely spontaneous. I was watching this documentary picturing an Indian farmer as he talked about his life when I realised that not only the content matter, but also the sound of the farmer talking were inspiring and actually usable for the vocals.

//

♬ Klick für mehr und zum Download ☞ http://trndmusik.de/2014/08/i-am-from-india-vom-mannheimer-niju/

"I am from India" - so heisst ein neues Werk von niju - @niju-1. Der Mannheimer DJ und Musikproduzent bietet das Stück über trndmusik als kostenfreien Download an. Welches Konzept hinter dem Track steckt, wie er entstanden ist und wieso er auf keinem Label veröffentlicht wird, erzählt der junge Musiker im Interview.

trndmusik: "I am from India" heisst dein neuestes Werk. Wann kam die Idee zur Nummer?

niju: Die Idee zu dem Track kam mir komplett spontan. Ich habe in einer Dokumentation einen indischen Bauern gesehen, der ein Interview gegeben hat, in dem er über sein Leben und seine Biographie erzählte. Das hat mir sowohl inhaltlich, als auch sound-technisch so gut gefallen, dass ich die Vocals in dem Track verarbeitet habe.

Free Download

Niju - I am from India

Available at https://www.junodownload.com/products/zyron-rte-001/2859933-02/ and https://retouchedit.bandcamp.com/album/rte-001
De-constructed, re-edited & re-produced.
https://zyron.c64.org | https://facebook.com/djzyron | https://facebook.com/retouchedit

RTE-001

Healed

Healed [Zyron Retouch]

Runway

.carafe liquid

Derrok & Vruno - Remisión Espontánea (Rodrigo Gallardo Remix)

Confluencias I - Selva

DOWNLOAD

Vanguardist - Amazonia

Andi Otto: "VIA" 
PINGIPUNG 53 2LP CD DIGITAL
@andiotto

Buy 2LP / CD / DL

Andi Otto: Kyoto Pebbles

For this our sixth Botanas single series we have the pleasure to present two stunning original tracks and one beautiful edit from Canadian producer Oonga (who you might have spotted on our Mare Insularum compilation). Oonga is a DJ/producer from Montreal who works with Stonetree Records. 

Opener El Caracol is one of the most personal tracks the artist has ever made. It is based on a poem written by Eli´s (Oonga) dad and dedicated to him. It was written after the two of them had a really deep conversation about hidden pain and then months later his dad showed him the words, and he was extremely moved and so created this beautiful track. 

This inspiration came at the same time as Oonga's exposure to the neo-folkloric slow cumbia tech sound while travelling. He put the two together and this special Botanas was born. His dear friend Ana adapted the words into Spanish and sang the melodies (as well as doing the art). 

Oonga´s music captured our ears right away and these three tracks are the perfect soundtrack to the end of the summer for those of us in the norther hemisphere or to welcome the end of the Winter and brighter times for all those down south! 

More music and info: 
soundcloud.com/ungunga 
www.facebook.com/ungunga 
twitter.com/oongoonga
credits
released August 21, 2017 

Lyrics and vocals on El Caracol: Ana Arias 
Based on an original poem by Zav Levinson 
Produced by Oonga 
Artwork by Ana Arias 

Mastered by Rob Small

Download

BKO Quintet Feat. Piers Faccini - Donsolu (Oonga Espera Edit)

Ausencia de Rio con Luna (El Remolon Remix)

An interest in ancestral Latin American cosmology has always run right through the music of Ecuadorian music producer Nicola Cruz. His creative process involves an attentive, careful search for the living roots and rituals that are part of South American identity—its Andean and African origins in particular—valuing its rhythms, its oral traditions, its instruments and the energy they transmit. His first record, Prender el Alma (2015) explored the development of the consciousness and spirituality, and how they connect with music. In Siku, his most recent production, Cruz continues this exploration, expanding his vision towards new stories and other cultures as sources of inspiration. A crucial aspect on this journey is his collaboration with other artists from around the world.

The siku is a wind instrument of Andean origin, highly symbolic in ancestral rituals, made up of two separate, complementary parts, the arca and the ira. It is a representation of duality, an essential element of the indigenous world view, associated with involvement and complementarity, far from the binary thinking typical of western societies. That duality is reflected on this record in the coming together of sounds, whether electronic or organic, past or present, local or global. On Siku, Nicola Cruz combines instruments with symbolic, spiritual connotations, such as the sitar, the siku, and the balafon with hints of electronica. Studies of the samba, cumbia and rhythms of African, Andean and Hindu origin are combined with Cruz’s characteristically unpredictable, mystical style.

Composición, Mezcla y Producción por Nicolá Cruz. 
Mastering: Mathieu Savenay

Bomba: Sebastian Schmiedl
Blofeld: Juan Diego Illescas

Dirección de Arte: Orly Anan 
Fotografia: Jesus Zabala 
Diseño: Ventral is Golden

Nicola Cruz - El Diablo Me Va A Llevar

Derrok - Age Of Empires

Buy/stream 'Otun' now: montoya.lnk.to/otun

While the internet’s universality means once-inaccessible traditional and indigenous styles of music across the planet can be appropriated, sampled, and commodified with ease; it also means they can be integrated and celebrated, reflecting humanity’s idiosyncrasies as well as our shared communality. Montoya, recently signed to ZZK Records, personifies the very best of this musical globalism.

Montoya, who grew up in Colombia and now resides in Italy, entered music as a classically trained violinist. He’s keen to stress his gratitude for this adolescent education, not only in how it exposed whole new worlds of music, but permitted him travel places and sample different cultures from a young age, including playing at such renowned orchestra theaters as Gran Teatro de La Habana in Cuba and the Musikverein in Vienna. This classical upbringing naturally informed his inclusive, and methodically exacting, attitude to songwriting and production.

The pan-international musicality of his Montoya project is rooted in the musical diaspora of his native Colombia. This diaspora is vast; indigenous folk music hailing from Amazonian and Andean tribes; the cosmopolitan synthesis of modern reggaeton and traditional salsa taking place in Bogota and Medellin, and the Afro-Caribbean stylings of Cumbia and Champeta. Fusing the multi-layered precision of his classical education, his innate curiosity for Latin and “world” music, and affection for melodic electronica; his discography is at once ambitious and comfortingly familiar, as desirous of a catchy harmony as conceptual melding of Latin folk and modern electronics.

So far, under the moniker Montoya, he’s produced the stirring 2015 album Iwa and 2016 Ep Lux, where you can detect him refining his cooking skills of the indigenous and the electronic. He’s also remixed the gifted Ecuadorian Nicola Cruz’s pleasantly plodding “Cumbia del Olvido”, adding another layer of melody with a soothing string arrangement. Moreover he’s played Sonar Bogota and Musicbox Lisbon, and various European venues, but his latest album Otun looks set to both break him properly on the continent, and produce his best work so far; a fiery and flavourful gourmet dish, with British expat producer Richard Blair providing refinement as a proverbial sous chef.

On Otun, the breadth of Montoya’s influences and tastes is at its most striking; the dulcet techno hum of “La Pastora” is perforated by sprightly flutes and percussion, while lead single “Solo Quiero” deploys a languid reggaeton pattern beneath Bogota rising star Pedrina’s distorted, wilting croon anticipating a euphoric synthesiser-lead climax. The title track, featuring a sultry guest vocal from Nidia Gongora, is a fierce and vigorous club anthem, amplified by hissing synth pads and sordid breakbeats. Even a more straightforwardly techno track like “Tatacoa” is stylized with intoxicating Indian vocal samples, and more traditional folk selections like “Orun” still use an inobtrusive bassline drone. Montoya’s palette is simultaneously expansive and curious, yet coherent, with a steadily melodic electronic through-line running through Otun’s duration.

Montoya absolutely sustains ZZK’s pedigree of platforming the most exciting and inventive electronic artists from Latin America, joining the storied legacy already built by the likes of Nicola Cruz, Chancha Via Circuito, and King Coya. Whether it’s through the intricate patterns of his synthesisers or the analogue beauty of his violin, what unifies his instrumentation is the candid expression of Montoya’s experiences, ideas and dreams: “I want to feed me of all these emotions, composing and putting into music all that I’ve lived.”

Otun

Montoya - Tatacoa

Cosmovisión

Animales De  Costumbres - Sirenas (Feat. Niños Indigo)

Shika Shika is a global collective without owners for music without borders. 

We are inspired by nature, by tradition, by the past and by the future. Our direction is fresh, different, genre hopping organic-electronic-digital-folk.

Vanguardist - Amazonia

Shika Shika

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