Vuelo Nocturno

Fluja Suave

Prender el Alma

Sanación

Dreamy Lofi Hip Hop

Caracol (from the album ¨Viajante¨ 2008) Los Años Luz Discos
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myspace.com/thesoundoftremor
tremormusic.com


Tremor - Caracol

Mix: Nicolás Bruschi & Nahuel Berneri en camaronbrujoMúsica
Mastering: Daniel Ovie
Arte: Estudio Famas
https://www.facebook.com/Sidirumusic
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iTunes
https://itunes.apple.com/gb/album/intercambio-ep/id1061048989

Bandcamp
https://sidirum.bandcamp.com/album/intercambio-ep

Soundcloud
https://soundcloud.com/sidirum/sets/intercambio-ep

Spotify
https://play.spotify.com/album/28MPgHLbQ50GJIZBKgqYG1

Amoeba
http://www.amoeba.com/intercambio-sidirum/albums/3780039/

Amazon
http://www.amazon.com/Intercambio-Sidirum/dp/B0189CGR7K/ref=sr_1_1?s=dmusic&ie=UTF8&qid=1448979570&sr=1-1-mp3-albums-bar-strip-0&keywords=sidirum

SidiRum - La Sin Futuro

Chancha Via Circuito's new album, Rio Arriba is an exploratory voyage beyond time and borders.  

Only available in Argentina, for now. 

Catch Chancha all summer long on the ZZK Northern Hemisphere tour!  http://www.zzkrecords.com/zizektour

Miriam Garcia & Alicia Solans - Pintar el Sol (Chancha Via Circuito remix)

MULTI CULTI 038 - NICOLA CRUZ - INVERSIONS

Multi Culti brings the spirit of the mountains into the club with the latest release from Ecuadorian folklorica cryptid Nicola Cruz. Featuring colossal remixes by Bawrut, CAIN, and Matanza.

The EP’s title track is a deeply spiritual chugger that realigns your joints, organs and central nervous system so as to reorient you for the bold reimaginings of the past Cruz triumphs to follow. “Espíritu de Protección” takes on two new earthly forms, one a breaks mix by Cruz himself that can, in good conscience, be described as “banging,” and the other a remix from Madrid-based Italian producer Bawrut that shows why he’s been touted by such eminently droppable names as Jackmaster and Erol Alkan. 

Meanwhile, former pro bagpiper CAIN turns in a remix of “Mantis,” transporting the original from the highlands of Quito to the highlands of Scotland and adding more of whatever fills your brain when oxygen won’t. The probably deliberate mountain connection continues as Chilean birdsong interpreters Mantanza provide a trippy rework of their fellow Andean’s “Tzantza.” 

This particular selection is intended to invoke the experience of encountering a shaman-type loitering outside the club with a grab bag of herbs and ointments to ease the lifelong process of learning to grind up on your highest self, who even now through time and space is sending you the wisdom you need to grab ahold of that bag and never let go.

Convert your $

Nicola Cruz - Tzantza (Matanza Remix)

original music -https://www.youtube.com/watch?v=5A0VXjKwYHs  The Touré-Raichel Collective is a musical group led by Malian singer and guitarist Vieux Farka Touré and Israeli singer and pianist Idan Raichel. The group's debut album, The Tel Aviv Session, was released on Cumbancha in March 2012.
In 2008, after a chance meeting at an airport terminal in Berlin, Germany, Raichel and Touré forged a friendship with an intention to perform together in concert. This came to fruition in November 2010 with the duo performing at the Tel Aviv Opera House. The following day they entered a recording studio in Tel Aviv. Joining Vieux and Idan in the studio were Israeli bassist Yossi Fine and Malian Calabash player Souleymane Kane. According to Raichel, the group "recorded a mix of Malian rhythms mixed with Israeli melodies — all originals, but very influenced from both our cultures." This spontaneous and improvised acoustic recording session lasted for three hours and marked the birth of The Touré-Raichel Collective. The group's debut album, The Tel Aviv Session, was released by Cumbancha on March 27, 2012. The group toured in North America, with Amit Carmeli on bass, in March and April 2012. The Touré-Raichel Collective completed a European tour in Fall 2012 and another European tour is planned for Spring 2013.

The Touré-Raichel Collective released their second album, The Paris Session, in Fall 2014. This album was supposed to be recorded in Mali, but political and religious unrest prevented this from happening. Instead, they recorded in Paris, France, informing the name "The Paris Session". Songs on this album are sung in French, Bambara, Songhai, and Hebrew, blending the two men's traditions.
https://soundcloud.com/thetoure-raichelcollective

Unofficial remix
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The Touré - Raichel Collective - Azawade (jack Essek Edit)

An interest in ancestral Latin American cosmology has always run right through the music of Ecuadorian music producer Nicola Cruz. His creative process involves an attentive, careful search for the living roots and rituals that are part of South American identity—its Andean and African origins in particular—valuing its rhythms, its oral traditions, its instruments and the energy they transmit. His first record, Prender el Alma (2015) explored the development of the consciousness and spirituality, and how they connect with music. In Siku, his most recent production, Cruz continues this exploration, expanding his vision towards new stories and other cultures as sources of inspiration. A crucial aspect on this journey is his collaboration with other artists from around the world.

The siku is a wind instrument of Andean origin, highly symbolic in ancestral rituals, made up of two separate, complementary parts, the arca and the ira. It is a representation of duality, an essential element of the indigenous world view, associated with involvement and complementarity, far from the binary thinking typical of western societies. That duality is reflected on this record in the coming together of sounds, whether electronic or organic, past or present, local or global. On Siku, Nicola Cruz combines instruments with symbolic, spiritual connotations, such as the sitar, the siku, and the balafon with hints of electronica. Studies of the samba, cumbia and rhythms of African, Andean and Hindu origin are combined with Cruz’s characteristically unpredictable, mystical style.

Composición, Mezcla y Producción por Nicolá Cruz. 
Mastering: Mathieu Savenay

Aerófonos: Esteban Valdivia (Antara de plumas de condor, Flauta nativa norteamericana doble, Mamaquena)
Percusión: Pablo Vicencio

Dirección de Arte: Orly Anan 
Fotografia: Jesus Zabala 
Diseño: Ventral is Golden

Siku

Nicola Cruz - Arka (Con Esteban Valdivia)

An album of music inspired by the song of endangered birds with 100% of the profits going towards organisations working to protect them.

"A Guide to the Birdsong of Mexico, Central America & the Caribbean” is the second Volume in the series following on from "A Guide to the Birdsong of South America", originally released on Robin's label Rhythm and Roots. Volume I raised nearly 15,000 USD for two birding organisations and featured artists like Nicola Cruz, Dengue Dengue Dengue and Chancha Via Circuito.

For this second edition we have shifted focus north of the equator and to the vulnerability of bird species like the Momoto Carenado (Nicaragua), Ferminia (Cuba) and the Jamaican Blackbird (Jamaica), birds who have dwindled in numbers as a result of the environmental repercussions of climate change, deforestation and trapping for the pet trade.

For the album we chose 10 endangered or threatened bird species and challenged 10 of our favourite producers or musicians from the region. Working with the Xeno Canto birdsong community and the Macaulay Library, we sourced a recording of each bird’s song. Each artist was then asked to create an original piece of music inspired by the bird and its song.

In line with out vision at Shika Shika the curation of artists is specifically geared towards those bridging connections between traditional music and modernity, or between organic and electronic sounds. There are contributions from artists in eight different countries, ranging from Jamaica’s organic dancehall trio Equiknoxx, to Dj Jigüe, one of the leaders of Cuba’s burgeoning electronic scene. Belize’s critically renowned Garifuna Collective have been bringing the unique Garifuna culture and language to a global audience for many years, while Tamara Montenegro has quickly become one of Nicaragua’s leading female electronic producers.

The project would not have been possible without the support of an incredible Kickstarter community, helping us raise £12,599 in August 2019.

Once the costs of production have been covered, all of the proceeds from this album will be donated to Birds Caribbean, La Asociación Ornitológica de Costa Rica and Fundacion TXORI in Mexico. All profits from the sales of the record, music streaming, poster and t-shirt will be shared between these organisations who focus on engaging local communities to help improve and grow the bird tourism sector, create awareness of vulnerable birds with young people and crucially, provide rescue, rehabilitation and breeding programmes.

To find out more visit: linktr.ee/shikashika  
credits
released June 26, 2020

Mastering by Yosi Horikawa
Artwork & cover design by Scott Partridge
Bird song recordings provided by the Macaulay Library & the Xeno Canto community.

A2 Composed by Al Ovando, arranged and Performed by The Garifuna Collective, Produced and Recorded at Stonetree Studios in Belize by Al Ovando, Published by Stonetree Music (BMI)
A3 Composition & vocals: Ximena Obregón
A5 Instrumental parts: Teresa Gabriel
B3 lyrics & vocals Majo (María José Marín), Quijongo y Ocarinas: Luis Porras (Proyecto Jirondai), Mixdown: Nathan Hall

A Guide to the Birdsong of Mexico, Central America & the Caribbean_MSTR

Jiony - Cotorra Serrana Occidental

The first single from "A Guide to the BIrdsong of Mexico, Central America & the Caribbean" comes from Belize's Garifuna Collective who interpreted the song of the Black Catbird.

This is the first single from an album of music inspired by the song of endangered birds with 100% of the profits going towards organisations working to protect them.

"A Guide to the Birdsong of Mexico, Central America & the Caribbean” is the second Volume in the series following on from "A Guide to the Birdsong of South America", originally released on Robin's old label Rhythm and Roots. Volume I raised nearly 15,000 USD for two birding organisations and featured artists like Nicola Cruz, Dengue Dengue Dengue and Chancha Via Circuito.

For this second edition we have shifted focus north of the equator and to the vulnerability of bird species like the Momoto Carenado (Nicaragua), Ferminia (Cuba) and the Jamaican Blackbird (Jamaica), birds who have dwindled in numbers as a result of the environmental repercussions of climate change, deforestation and trapping for the pet trade.

For the album we chose 10 endangered or threatened bird species and challenged 10 of our favourite producers or musicians from the region. Working with the Xeno Canto birdsong community and the Macaulay Library, we sourced a recording of each bird’s song. Each artist was then asked to create an original piece of music inspired by the bird and its song.

The project would not have been possible without the support of an incredible Kickstarter community, helping us raise £12,599 in August 2019.

Once the costs of production have been covered, all of the proceeds from this album will be donated to Birds Caribbean, La Asociación Ornitológica de Costa Rica and Fundacion TXORI in Mexico. All profits from the sales of the record, music streaming, poster and t-shirt will be shared between these organisations who focus on engaging local communities to help improve and grow the bird tourism sector, create awareness of vulnerable birds with young people and crucially, provide rescue, rehabilitation and breeding programmes.

A Guide to the Birdsong of Mexico, Central America & the Caribbean

A Guide to the BIrdsong of Mexico, Central America & the Caribbeam

The Garifuna Collective - Black Catbird

Shika Shika is a global collective without owners for music without borders. 

We are inspired by nature, by tradition, by the past and by the future. Our direction is fresh, different, genre hopping organic-electronic-digital-folk.

Jiony - Cotorra Serrana Occidental

Shika Shika

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