By William Blake, ‘Spring‘.
Sound the flute!
Now it’s mute!
Bird’s delight,
Day and night,
Nightingale,
In the dale,
Lark in sky,—
Merrily,
Merrily merrily, to welcome in the year…


Faru (@faruambient) is a Berlin-based musician, designer and explorer. He is crafting Drone and Ambient music from his nature recordings from around the world. His works have been described as a natural orchestra in a dream-like manner. Exploring movements of nature, noise and harmonics.

https://bandcamp.com/gubenhinden
https://twitter.com/FaruAmbient

Hocast #109 - Faru

Moor Thoughts is a series of musings between two old friends, Inspired by time passed and futures unfolding. The album was born out of several improvised sessions recorded in the final months of 2022. Recorded on the outskirts of Dartmoor national park Moor Thoughts is inspired by the beauty of everyday life. 

Tomosla is the alias of UK artists James Osland and Thomas Hoey.

Available on Slow Tone Collages: 


W&P by James Osland and Thomas Hoey 
Mastered by Andrea Porcu 

Slow Tone Collages 2023 
STC 035

Tomosla - Moor Thoughts

Zone Farmer Mix for Consensus Unreality 8/23

https://5amcabana.bandcamp.com/album/cover-crop

{#1} Zone Farmer - Hearing New Worlds

Prins Emanuel - Year–End

Tape available directly from Important Records: www.imprec.com 

On ‘Fluorescent Standard,’ guitarist Anthony Vine and clarinetist Gareth Davis present two luminous and serene worlds of harmonic sound. 

The duo entwine sustained tones, glowing with the resonant hues of their instruments, into enveloping and expansive atmospheres. Clarinet sonorities, swelling guitar chords, and tumbling elegiac piano fragments drift quietly through time in elusive cycles that subtly change and expand with each return. 

Every vibration is interconnected, aligned and fused attentively, causing the instruments to dissolve into themselves and emit residual vibratory energies, like fluorescence. What emerges is a music that invites quiet contemplation and rewards deep listening.
 
While Vine and Davis met through the world of modern classical music, ‘Fluorescent Standard’ finds itself in the realms of drone, ambient, and new age. The music is grounded in early minimalist aesthetics of composers like La Monte Young and Phill Niblock, but also shares the sensibilities of contemporary artists like Fennesz, Sarah Davachi, and Stars of the Lid.

Fluorescent Standard A

To Calm your Mind

composer : Alexandre Lepoutre
Gear 
Orange crush Amp
Yamaha Revstar guitar
memory man with hazarai pedal
EarthQuaker Devices Afterneath Pedal
Plugin : reapitch , valhalla supermassive, Blackhole eventide...

Five o'clock in the morning

Bandcamp

OASIS of Calm

Re-mastered and issued by Incidental Music on vinyl for the first time ever. Ambienti Coassiali's Vol. 1 is a missing link in the world of 1980's Italian electronic music. A parallel project of Capricorni Pneumatici, Vol. 1 was conceived in and around Milan in the late '80s and released only on an incredibly limited cassette. Recorded solely with a Yamaha DX7 and two track Revox A77 tape machine, Vol. 1 is composed of 6 "rooms" (stanze), each their own world of meditative & ethereal FM synthesis.

Ambienti Coassiali - Room 3

Luke Williams is an artist of many monikers - Quinoline Yellow, Tatamax and Tap Throw are just some of the titles the @skam / @uchelfa producer has gone by in the past. Now residing in Lisbon and moving under the name Mantle Of Gets, Williams delivers a unique and arresting set of generative excursions, abrasive abstractions and elaborate note tampering in this exclusive Bleep mix, released to accompany Mantle Of Gets’ upcoming album trilogy (Sba Per, Puffing Like An Adder and Vanity Board). Stalwart and long standing collaborator; Vaseem Bhatti (Bhatoptics)resumes defacing duties for the three LPs, to provide the finishing hydrophobic polyurethane varnish. 

For nearly thirty minutes here Williams leads us into a hinterland beyond the tropes of techno, IDM and industrial music. Stylistically it probably comes closest to the glitchiness of Tatamax, but the self-renewing quality of these squelching soundscapes also has one thinking of Powell and Renick Bell. In the hands of other artists this could all be rather difficult listening, but Williams actually manages to conjure some rather inviting sounds here - particularly in the mix’s final third, when bleeping synths nod to Zomby and Lorenzo Senni.

Bleep Mix #118 - Mantle of Gets

Submersion - Inward

Track 6 of 8

01 Inward I
02 Inward II
03 Inward III
04 Immerge
05 Angles
06 Inward IV
07 Oblique Motion
08 Eight

W/P by Justin Francazio
August - September 2020
Mastered by A.P at GS Mastering & Post

1:09:20

http://audio.submersion.info
http://submersion.info/store

Inward

Listen / Purchase

Inward IV

*S O U N D S C A P I N G*
Contact: Shimmeringmoodsrecords@gmail.com

Other projects:
Slow Tone Collages 
https://soundcloud.com/analogue-chat

*Monthly Radioshow @ Resonance Extra: First Wednesday at 8pm / 21:00-23:00 CET www.extra.resonance.fm

Tomosla - Moor Thoughts

Shimmering Moods Records

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