I m afraid

製作│實踐大學高雄校區時尚設計學系
　　　盧泠晴、王靖涵、葉家語、陳安沂
作曲│楊易修

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辦桌是福建、台灣、潮汕等地區的民俗筵席活動，為外燴的一種。想當然在台灣長大的我們對於辦桌再熟悉不過，出生的滿月宴，到長大成人的結婚喜宴，再到生命盡頭的圓滿桌，甚至新居入厝、謝師餞行、尾牙春酒、廟會慶典、地方選舉等，都可以舉行辦桌，邀請親朋好友及鄰里一同就餐慶祝。辦桌通常是以在馬路邊搭棚架、寺廟廣場、學校操場或地方民眾活動中心作為場地，現場搭起爐灶與備菜的桌檯，現場烹煮食物，之後上桌，在指定時間內讓受邀參與者共同享用。

對於這項文化我們有很多的想法，現在這種傳統的辦桌，慢慢看不見了，多由宴會廳、西式教堂、戶外莊園形式的婚禮地點跟方式給取代，因此我們想製作辦桌為主題的服飾創作，來保留我們記憶中的辦桌文化。

我們主題名稱之所以取作「十日前，八日後」因為它是一句辦桌俗諺，形容的就是辦桌事前浩大的準備功夫及事後龐大的收拾工作。

對於傳統辦桌我們直覺會出現紅桌、紅椅、棚架等等元素，我們以我們對於辦桌的記憶，融合進服裝、影片創作，藉由這個主題希望也喚起你記憶中的台式辦桌，引發共鳴，一起重溫這項美麗文化。

"Bando" is a traditional banquet activity in regions such as Fujian, Taiwan, and Chaozhou, and it is a type of catering. As someone who grew up in Taiwan, we are very familiar with Bando. From the full moon banquet after birth, to the wedding banquet after growing up, to the complete table at the end of life, even for events such as housewarming, farewell to teachers, year-end parties, temple fairs, local elections, etc., Bando can be held to invite relatives, friends, and neighbors to dine together and celebrate. Bando is usually held in a venue such as a roadside shed, temple square, school playground, or local community center. A stove and food preparation table are set up on-site, and the food is cooked on the spot before being served on the designated table for invited participants to enjoy within a specified time.

We have many thoughts about this cultural activity. Nowadays, this traditional Bando is gradually disappearing and being replaced by wedding venues and styles such as banquet halls, Western-style churches, and outdoor estates. Therefore, we want to create clothing based on the theme of Bando to preserve our memories of this cultural activity.

The reason why we chose the name "Ten Days Before, Eight Days After" as our theme is because it is a Bando proverb that describes the tremendous preparation and cleanup work involved before and after the event.

Our intuitive thoughts about traditional Bando would include elements such as red tables, red chairs, and sheds. We have incorporated these memories into our clothing and video creations. Through this theme, we hope to evoke memories of Taiwanese Bando and resonate with others to relive this beautiful culture together.

十日前，八日後 Ten Days Before, Eight Days After

為白蹈場舞作《萬物長生》創作

馬利的波隆（Bolon）開始爬行，大提琴（Cello）與中國管子試圖從更高維度的視野解釋所有重複的尋覓與攫取，每一次的重擊都是一世輪迴。

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製作 Producer｜楊易修 Sherwin Yang
作曲 Composer｜楊易修 Sherwin Yang

笛樂 Flutes｜林小楓 Lin, Hsiao-Feng
大提琴 Cello｜Jonathan Miranda-Figueroa（Argentina）

錄音工程師 Recording Engineer｜王維剛 Aimie Wong
錄音室 Recording Studio｜浩世錄音室 HMP Studio
混音工程師 Mixing Engineer｜楊易修 Sherwin Yang
母帶後期處理工程師 Mastering Engineer｜Xavier Collado（Spain）
母帶後期處理工作室 Mastering Studio｜Hill House Studio（Spain）

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《萬物長生》舞作團隊名單
主理人暨編舞家｜戴啟倫
製作人｜李昀芷
燈光設計暨技術總監｜鄭智隆
音樂設計｜楊易修
執行製作｜林巧翎
平面設計｜李治達
舞者｜黎偉翰、張瑀、陳怡廷、謝知穎
主辦單位｜白蹈場
贊助單位｜國家文化藝術基金會、財團法人菁霖文教藝術基金會

生死不渝 Eternal Reincarnation

Wayang Kulit In Kraton (Yogyakarta, Indonesia)
Recorded in Kraton Ngayogyakarta Hadiningrat on 2024/06/06

Wayang Kulit In Kraton (Yogyakarta, Indonesia)

作曲｜林宜臻、楊易修
編曲｜楊易修、林宜臻

北部綜藝能工作室主題曲

乘風破浪 ride the waves

識別 Discern

I take my grief
To the open waters
And let the waves
Carry away
What I cannot bear

哀 Grief

Mirrors
3 channel HD video projection with audio, 2025
Duration: 11’15”

Artist｜Lu Wei
Director｜Lu Wei
Poem ｜Lu Wei
Photographer｜Liu Yao Jun
Editor｜Liu Yao Jun
Perfomer｜Sun Shih Min, Tuan Tsang Tsang (Pino)
Sound Designer｜Chen Lin Shuang
Vocal/ Moon Guitar/ Igil｜Lee Chi Chen
English Translator｜Wang Aymei

Artist Website:
www.instagram.com/luwei_artist/
www.artsy.net/artist/lu-wei

盧芛《重屏》LU WEI "Mirrors" feat. Chi Chen LEE 李紀辰 - Original Sound Track Part II

Recording of the Easter ceremnoy of the Bahnar people in the Central highlands of Vietnam. Many of the Bahnar people in Kon Tum are Catholic. When they celebrate Easter, the singing of hymns is accompanied by playing of the gongs, wooden xylophone, electronic organ, and other instruments.

This is a track from "Music of the Bahnar People from the Central Highlands of Vietnam" Sublime Frequencies 2016 (SF107)
http://www.sublimefrequencies.com/products/576940-music-of-the-bahnar-people-from-the-central-highlands-of-vietnam

Bahnar Easter

Usually, the Bahnar gong ensemble consists of three bossed gongs and seven to ten flat gongs. Each of the gong players holds and hits a gong tuned to a different pitch, including octaves, repeatedly with variation of timing to create an interlocking pattern. This produces something akin to melody and rhythm. Generally, the players of the flat gongs are responsible for the melody, while those playing the bossed gongs handle the accompaniment. In addition, one ensemble member plays a large, double-sided drum to lay down the basic beat.

In funeral rites, the sound of gongs functions as a bridge connecting the land of the living to the world of the dead, and they play gongs at the house of the deceased all through the night.

This is a excerpt from "Music of the Bahnar People from the Central Highlands of Vietnam" Sublime Frequencies 2016 (SF107)
http://www.sublimefrequencies.com/products/576940-music-of-the-bahnar-people-from-the-central-highlands-of-vietnam

盧芛《重屏》LU WEI "Mirrors" feat. Chi Chen LEE 李紀辰 - Original Sound Track Part II

陳臨霜

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