fiebre trópical, escucha tu tierra !!!! ///

Juego Selvático (Jungle Game) is a sound project that simulates the experience of a game set in the jungle. It begins with a playful and organic soundscape, full of vitality and rhythm, before suddenly twisting into a sonic bad trip: the jungle turns hostile, chaotic, and disorienting, evoking the fragility of perception when pushed into altered states. Eventually, the atmosphere returns to its initial calm, as if the rupture had never occurred.

The piece not only plays with contrasts between harmony and distortion, but also reflects on our current hyper-digital world. In an age where virtual environments often replace direct encounters with nature, Juego Selvático highlights how distant we have grown from our roots, and how easily our mediated experiences can distort the way we perceive what is organic, wild, and real.

Juego Selvático

Senescent Helix is a sound exploration of Autumn and Winter—not as they are, but as they feel. These seasons stretch and compress time in strange ways; days move slowly, heavy with cold and darkness, yet suddenly, weeks have disappeared. It’s not stillness; it’s movement in disguise, a slow collapse.

The piece captures this contradiction. It isn’t about stability or comfort—it shifts, layers build up and fall apart, textures expand and contract, like the seasons themselves. There’s no perfect rhythm; it’s raw, dense, overwhelming, always in flux.

Rather than simply evoking Autumn and Winter, Senescent Helix lingers in how they distort time—how it slows, holds on, then vanishes all at once. Where everything feels infinite and fleeting at the same time.

Senescent Helix (spatial)

This project involved field recordings at Potsdamer Platz, capturing the present-day acoustic environment of the site. Using these recordings as raw material, I created an immersive sound piece that reconstructs the industrial and urban atmosphere of the area in the period before World War II, when Potsdamer Platz was a bustling hub of trains, trams, factories, and urban life.

By processing and layering contemporary sounds, the work allows listeners to travel back in time, imagining how activity and industry resonated through the square during its transformation into a modern city center. Through spatialization and sonic manipulation, the piece bridges past and present, creating a sonic environment that invites listeners to experience the site not just as it is today, but as it might have sounded in its industrial heyday.

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