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Que No Se Diga

long-form audio installation
artistic research
booklet in English – containing aural photography, theoretical discourse on the culture of listening, and more...

sound, text, images: Manja Ristić
editor: Sonja Leboš
sound mastering: La Plant Studio, Belgrade
design: Nevena Vasiljević
proofreading: Mark Vernon
production, publishing, distribution: ELL Studio 2023
artistic research in collaboration with the Association for Interdisciplinary and Intercultural Research, Zagreb

water memory is supported by the Ministry of Culture and Media of the Republic of Croatia

read more about the project >>> 
https://manjaristic.bandcamp.com/album/water-memory-mnemosonic-topographies-of-the-adriatic

water memory

Bandcamp

water memory – mnemosonic topographies of the Adriatic

Composer: Shiva Feshareki

Title: The Torus of Revolution  

Year: 2020

Length: 35’

Instrumentation List: Fixed Ambisonic Electronics (or multitrack file) and surround-sound speaker arrangement.

Description: This state-of-the-art 3D sound sculpture is for installation in an exhibition space or concert hall. It was composed live in performance by Shiva Feshareki at Hellerau Arts Centre,  Germany, inside an ambisonic speaker dome,  using her turntables as a unique instrument of sound manipulation. Recordings of her previous acoustic and electronic compositions are used as samples that are spatially and sonically transformed into new perspectives, live in improvisation. The sound sculpture moves within space as intangible objects and spatial patterns, and has since been exhibited as a fixed installation at London’s Southbank Centre. Commissioned by the Hellerau European Centre of the Arts.

Performers in audio example: Shiva Feshareki (ambisonic turntables).

The Torus Of Revolution (2020) [Excerpt]

Format: CASSETTE, Digital
Pre-order date: 14th July 2023
Release date: 21th July 2023

An album recorded at Les Lilas - near Paris - with synths, guitars, tape loops, and some other materials.

A quote heard during the French revolt against pension reform:
"There are three kinds of violence. The first, mother of all the others, is institutional violence. It legalizes and perpetuates domination, oppression, and exploitation. It crushes and eliminates millions of people in its silent and well-oiled cogs.

The second is revolutionary violence, which is born of the will to abolish the first.

The third is repressive violence, which stifles the second by making itself the helper and accomplice of the first violence - the one that causes all the others.

There is no worse hypocrisy than only calling the second 'violence' while pretending to forget the first one that gives it life and the third that kills it."
(Helder Camara, Spiral of Violence)

Copyright © 2023 ROHS! RECORDS, All Rights Reserved

previews. agyt - we know we're right | Lᴏɴᴛᴀɴᴏ Series

Latency marks its 10th anniversary with a special collection of commissioned works by HTRK, Damsel Elysium, and Tarawangsawelas. The three artists have crafted individual soundscapes that were showcased during the label night, held in the picturesque gardens of Villa Medici, Rome, on 26 June 2023. 

Originating from Melbourne, HTRK (pronounced ​“Hate Rock”) is a duo comprising Jonnine Standish and Nigel Yang. With a discography spanning releases on labels like Ghostly, Boomkat, and their own imprint N&J Blueberries, Jonnine and Nigel have crafted a truly unique sound over the past decade. Their performances can be seen at a variety of venues like the Sydney Opera House and Rewire. 

London-based Damsel Elysium is a multifaceted artist who spans the realms of sound, visual art, and performance. Damsel utilises improvisational double bass, violin, piano and original field recordings to explore alternative connections with physical spaces and nature. They have collaborated with artists such as FKA Twigs, Celeste, Cktrl, Matt Maltese and the London Contemporary Orchestra. 

Tarawangsawelas is an Indonesian duo from Bandung. They are masters of the Tarawangsa, a traditional Sundanese instrument from West Java employed in ceremonies celebrating bountiful harvests. By combining the string instrument with a series of effect units, Tarawangsawelas conjure contemplative and hypnotic compositions while making traditional music accessible to a wider audience.

Damsel Elysium - 27 Glass Ceilings (Latency 023)

original song by Chico Buarque & Ennio Morricone

Funerale Di Un Contadino

Simplists offers a dubby wave experiment! More events that simplifies reality here: https://nottebrigante.bandcamp.com/album/nb03t-simplists-over-simplifies-reality-lp

Simplists - Wonderful Girl (A1)

Based in Brussels and Paris, moli del tro is a label that explores a range of genres, from experimental music to pop and sound art. It is also the dj name of the duo of its founders, Laurence Creyf and Gilles Vanneste.


moli del tro @ Kiosk Radio 15.02.2024

TA: Buchla Series 200, Serge Modular, contact microphone.
No plugins or other DSP. 

Recorded at EMS, Stockholm.

Thanks to Mats Lindström, Gabrielle Karlsén, Daniel Araya, Jan Rohlf, Marcus Gammel, Fernando Sixto and Marion Innocenzi.

Serge & Buchla (excerpt, recorded at EMS Stockholm)

Shiva Feshareki feat. Galya Bisengalieva - ZOHRA

Galya Bisengalieva - Violin
Shiva Feshareki - Turntables

Commissioned by Galya Bisengalieva

EP 2

ZOHRA: for Amplified Violin and Live Turntable Manipulation (or electronic playback)

Debut track release on ash koosha's REALMS

Star at Dawn

Star at Dawn (2018)

Buy: https://shop.sarecordings.com/release/143106-shiva-feshareki-vapour?fbclid=IwAR0s9nYtv8eL7AZqmrkWl82kjG8qLbRp-KILYcJXlaxuruy2Yv8YjSBEAQg

Music Video: https://www.youtube.com/watch?v=dta01M7mld0

Art and video by alx.000000

Vapour (2019)

This year London has experienced several weekends of the hottest summer and that moved the Australian sound artist Kate Carr, whose practice is centred on articulating the relationship between people and place through sound, to point her microphone at the city. This volume is based on her recordings during a particularly hot long weekend in a corner of very busy intersection in London, where she resides now. In Heatwave, Carr is interested in both the serious and also the more prosaic aspects of soundscapes related to climate change. She investigated the throbbing summer music from her neighborhood, people’s efforts to keep cool, and the uneasiness which accompanies these everyday activities in this moment of environmental crisis. The way these pieces construct and compensate, with all the tangible sounds that fold into larger moods via multiple instruments, exemplifies her acumen in creating sonic stories that reflect our multi-layered experience of reality.

Humidity - from Heatwave out now via Hasana Editions

The Draughton Light

info: https://www.factmag.com/2020/09/22/fact-live-shiva-feshareki/

Turning Tides (25/07/2020)

Ambisonic work composed live in sound check at Frankfurt LAB, commissioned by the London Sinfonietta (more info: https://www.ft.com/content/8763ca19-3f7c-4925-b82e-87e40c4a5130)

Photo: Igor Shiva (Moscow)

[2020]

ORBIT / Parhelion 360 [Binaural: Spatial for Headphones] (2020)

Shiva Feshareki is an internationally acclaimed experimental composer and electronic artist who works at the intersections between electronic music, contemporary-classical composition and the “cutting-edge expression of turntablism”.
(Ryan Walmsley, Strange Sounds from Beyond) 

All enquiries: info@shivafeshareki.co.uk

ZOHRA: for Amplified Violin and Live Turntable Manipulation (or electronic playback)

Shiva Feshareki

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