I make music inspired by late 90s-early 00s racing games, with some other chaotic influences thrown in.

Label: @EvolutionChamberOfficial

Bookings (Solo): tom@esp-agency.com
(EC Nights): bookings@evolutionchamber.audio
(EC Nights): jana@evolutionchamber.audio
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What is a story without a plot? A journey without a destination? A movie without a soundtrack? A song without emotion?

These are the questions that carve Rustam Mansurov and James Peacock’s unique dynamic signature as Magnetude, an act with one of the most distinctive, exciting and dramatic sounds in contemporary drum & bass.

On a much deeper level, these questions are what magnetised the Anglo/Russian duo together in the first place. Born thousands of miles apart - and seemingly kept apart through an array of life complications - they remain kindred spirits connected through a series of shared passions, visions and creative ideologies.

Both sharing rich histories in music – Rustam was playing piano aged 9, James was playing violin aged 12 – they’re both heavily inspired by the importance of detail, orchestral dynamics and story-telling in music. Moved by the works of composers ranging from Ennio Morricone and Danny Elfman to Amon Tobin, John Williams to Ilya Beshevli, no amount of distance can quench the duo’s synergy and energy.

It’s a synergy that began in 2010 when they met on VKontake, and developed when Rustam was signed to Close 2 Death, a label James was A&R for at the time. In 2015 it evolved into a much stronger energy when the pair left Close 2 Death and started to collaborate on their own music. By 2016 the ‘Hyperdrive’ EP was born and Magnetude was ready to reveal to the world. It was delivered by one of most influential, innovative stables in the heavier D&B pastures at the time – Lifted Music.

Quickly appearing on some of the most prominent imprints in drum & bass culture such as Eatbrain, Renegade Hardware, Viper and RAM Records, their music has gone on to appear on games such as Project Cars and Freaked Fleapit, and between them they’ve torn dancefloors apart from Creamfields to Let It Roll, Pirate Station to XOYO. Most recently, they’ve co-founded the exciting forward-thinking, community-minded collective @EvolutionChamberOfficial alongside like-minded fusionists @TaskHorizonAudio and @ReceptorMusic.

Reminding the scene of the importance of strength in numbers and how the best things happen when people come together, Magnetude’s creative signature grows stronger. The plot thickens, the journey continues…

Managment: jay@kompassmg.com 
mouna@kompassmg.com 
neil@kompassmg.com

Bookings: 
USA: mrodriguez@teamwass.com
EU: paul@primarytalent.com
AU/NZ/ASIA: paul@posterchild.com.au
RU: booking@imminent.agency

Rom Di Prisco is a classically trained composer, producer, and remixer who has been creating music for video games, TV, and film for over 25 years.

Some of his game credits include Fortnite, Guacamelee!, Need for Speed, Foxhole, Paragon, Puzzle Fighter, Mass Effect 2, Gears of War, Unreal Tournament 3, and SSX Tricky.

TV and film credits include Gotham, NCIS, Criminal Minds, CSI, Saw II, and The Sopranos.

Producing music for over 30 years, Rom has had releases and appearances on over 35 record labels worldwide, including prestigious electronic labels Bedrock, Nettwerk, Planet Dog, and Hook / Bellboy.

Shivaxi here, I make chunes, and play old video games and stuff

Scandroid, the modern Synthwave project from Detroit based artist/producer Klayton, best known for his multi-genre project Celldweller, is Klayton’s love letter to the 80s.
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Red has scoured the depths of the ancient wasteland he calls home for something lost and buried, something revolutionary. What he unearthed was the New Retro sound of a forgotten era. He formed Scandroid to bring that sound into his world. 

Based in an abandoned warehouse in Old Tokyo, he is surrounded by ancient technology and sound from the era of the 1980's. Beneath the shadow of the elite and unreachable Neo-Tokyo, he plan's a revolution…

For All Bookings Contact  bookings@supasubs.com

Firing up the bassbins and hitting you hard with a dose of raggamuffin junglist energy is what Ed Solo is all about. From Glastonbury to Canada's Shambhala, from dirty Brixton back rooms to Spanish arenas, Ed has travelled the globe throwing down his unique brand of ruffneck bassline bravado for more than a decade. 

Ed's knack for the rudest of hooks is equalled only by his sublime studio skills. He cut his teeth in the mid '90s engineering at the notorious SOUR Records studios, going on to lay down a series of groundbreaking collaborations with jungle kingpin DJ Brockie. In 2007 Ed released ‘Random Acts of Kindness’ alongside Skool of Thought, featuring ‘When I Was A Yout’ and ‘We Play The Music’ among others. A 10th anniversary remix package drops in 2017.

Ed’s partnership with Jungle Cakes partner in crime Deekline has thrown up some of the most memorable tunes of the decade. The pair recently mixed the chart-topping 5th edition of their Welcome to the Jungle series.

Florida based DNB producer. with releases on Offworld, Polyoto , Plush , Default , Cromadiscope

Owner/Manager - @sekai-collective
Bookings/remix requests/inquiries:
resonataofficial@gmail.com

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