This is a recording of some interactions on a black grouse lek in the highlands of Scotland. 

It was recorded with a Sony M10 and a matched pair of Clippy EM172 mics.

AVIEMORE  - BLACK GROUSE LEK - EARLY MORNING - VERY CLOSE COOING AND HISSES 2.0 M10

Fokus 1 Helkropp

Het leven kent altijd plezier en pijn, succes en verlies. Als we dit accepteren, is dit ook geen probleem. Maar zolang we het persoonlijk opvatten, denken dat we erdoor bepaald worden.
In deze meditatie/Dharmatalk reflecteren we op de 'acht wereldse winden' van pijn en genot, winst en verlies, roem en schande, lof en kritiek. En gaan zien dat we in feite nergens door bepaald worden; we zijn van nature vrij.

Acht Wereldse Winden

The Forêt des Cedres (cedar forest) is one of the most unusual of the forests and green spaces of the Luberon massif, given the oriental origin of these large trees. At an altitude of 727 metres, the cedar forest was originally planted with seeds from the Algerian Middle Atlas, back in 1861.

Due to it's altitude and distance from major towns and roads, the forest is very quiet and makes for a perfect recording location. I arrived an hour before sunrise intending to record the spring dawn chorus. As I approached the entrance to the forest I heard a nightingale singing so I slowly approached, getting as close to the bird's song post without disturbing it. I setup my mics using the "tree ears" technique: spaced omnis with the tree trunk acting as a natural baffle. 

Sony PCM A10 + 2 x Lom Mikro Uši (tree ears technique)
02.05.2022

Common Nightingale - Forêt des Cèdres du Luberon, France

What is the theme that unites the careers and psychological profiles of Maximilian Robespierre, Trotsky, Steve Bannon and Miles Guo across the ages?

The fact is that all four men were used as controlled opposition to national power structures which were were targetted for self-induced destruction and civil war by a supranational oligarchy.

In this episode of The Great Game, Matt unpacks Bannon's connection to fascist supranational intelligence operations associated with the highest echelons of the black nobility including Lord Nicholas Windsor, and the late Count Otto von Hapsburg.

This story takes us into the real story behind the fascist Pan European Movement which Hapsburg managed for over 40 years and which was founded by leading fascists like Count Coudenhove-Kalergi, Mussolini, Alexander Helphand, Eric Warburg, Walter Lippmann and Hjalmar Schacht in 1922.

This organization designed to promote a system of "benign feudalism" served as counter-gang to the supranational League of Nations founded in 1919. We took an additional look at the deeper subversion of the french state and the murder of Ben Franklin's leading collaborators during the dark years of Jacobin terror which opened the floodgates for pseudo fascist Napoleon Bonaparte by 1795 and the replication of this strategy in the fomentation of the jacobin terror operations of the late 19th-early 19th century led by Trotsky and Lenin who Steve Bannon used as role models for his current strategy of uniting the right around a peculiar brand of Samuel Huntington's Clash of Civilizations ideology.

This entire story helps us understand the true nature of the Jesuits and earlier splintering of the church into warring factions after the League of Cambrai of 1508-1512

This context additionally helps us better understand the role of Miles Gao, Falun Gong and the Epoch Times

Buy the Clash of the Two Americas here:
https://canadianpatriot.org/untold-history-of-canada-books/

Controlled Opposition, Jesuits and Countergangs

On the shore of the Lac du Der at night, a talkative Red fox meets a pack of responsive Common cranes.

Recorded with Mélia Roger on November 5th 2022 around 9:30pm.

Lom Usi Pro AB in PCM M10
Drop rig excerpt.

Illustration : Grues trompettant, Robert Hainard

Cranes and Fox dialogue - Mélia Roger & Grégoire Chauvot

On Saturday, 12 November 2022, South Australia, including the whole Adelaide region, experienced an uncharacteristic extended storm of unusual intensity. Several storm fronts, arriving from the NW over St Vincent's Gulf, hit Adelaide and the Fleurieu Peninsula. The storm has been described as "one of the strongest thunderstorms in recent memory",* causing flash flooding, wind gusts exceeding 100 km/h that tore down huge gum trees (many of which crushed houses, cars, and electricity lines), as well as flattening giant electricity pylons, leaving around a hundred thousand people without power. 

This recording, made in the Adelaide Hills (near Norton Summit), captures a sample of the first and mildest storm wavefront that day. (The recording begins at 10:30 in the morning. This abridged version selects two excerpts from the longer recording, chosen because of the poignant presence of bird calls audible between the peals of thunder. The highlighted parts of the spectrogram in the track image indicate the passages from the longer recording that were selected for this abridged version.) The microphones sheltered from the fairly light rain underneath a 'sweet pittosporum' or 'native daphne' tree (Pittosporum undulatum), native to southeastern Australia, but a 'declared plant' in South Australia ('a woody weed invading native local vegetation', due to widespread ornamental planting).

Travelling farther south immediately after this recording, I was able to intercept the next two storm wavefronts, which were far more intense. Although the storm was utterly awesome and spectacular (lightning bolts plunging into fields, exploding thunder tearing the atmosphere apart), it was impossible to find any spot from which to record the storm, because it brought with it an abundant lashing downpour of rain and wild tree-tossing winds. All the shelters in the state forests had iron rooves: the rain battering the rooves was deafening, drowning out even the peals of thunder.

In the end, I could only just sit and experience it. Which, after all, is the very best thing to do, with Nature. (Most of the time, at least. Not recommended when it gets this violent. Although I have to say that this was truly a very beautiful and awe-inspiring experience; and, personally, I'm very glad to have been out there to witness it. I'm also contemplating possible recording solutions, in case this ever happens again... Enraptured by thunderstorms as a spatial music of nature. All that I have said, here, is the simple truth.)
__________________________________________
*https://www.weatherzone.com.au/news/why-the-adelaide-storm-was-so-intense/925471
https://www.sapowernetworks.com.au/data/313806/12-november-storm-update-from-sa-power-networks/
https://www.aljazeera.com/news/2022/11/18/australias-indigenous-people-call-for-seat-at-table-at-cop27
__________________________________________
Recorded with respect upon the land of the Kaurna people.

@Bandcamp

2022.11.12 Storm above the Hills. Late Spring. (Excerpt)

Early morning. I went to see if it would be possible to record moor frogs in a place where I know they are. I didn't see any frogs, but I did meet a capercaillie. I tied the microphones to a tree and left to record. The picture shows the same bird that appears in the recording.

Equipment:
Zoom F3 digital recorder
An Azden microphone pre-amplifier/mixer
Primo Microphones with EM172 capsules. Recorded 32 bit 48kHz

Western capercaillie makes vocalizations in early spring forest

Atacama Desert is a collection of stereo and quad soundscapes recorded in the barren but amazingly beautiful desert plateau of Western Chile. Get it at https://mindful-audio.com/atacama-desert

MAFX027 Atacama Desert Demo

This longish recording focusses on First Light rather than Dawn (Second Light and Sunrise), although it includes the beginnings of the latter. It ought to be listened to with good quality headphones, or good quality speakers, at a mid-range volume of around fifty to sixty per cent. The recording is unedited: one of the things that particularly interests me, and that I especially enjoy, about this early spring First Light forest soundscape (and other similar early spring forest Dawn recordings that I made during this road trip to Tasmania) is precisely its very gradual, slow, minimal, and spacious development. This sounds nothing like an overly-busy tropical rainforest. The 'silence' never completely disappears.

In this rich, dense, moist, cool-temperature southern forest of Tasmania, at the time that this excerpt begins, it is still fairly dark to the human eye. The first First Light call is (as usual) from a Black Currawong (Strepera fuliginosa), a species of Currawong that is found only in Tasmania. Its call is quite unique, very unlike any mainland Currawong, and I grew to adore it, and to recognise it as the main Tasmanian forest sentinel of dawn.

We also hear the final few night calls of Ninox novaeseelandiae leucopsis, which I would prefer to refer to as the 'Tasmanian Boobook', rather than its more common and familiar name, 'Morepork'. Both names are, of course, onomatopoeic labels provided by Europeans. But the name 'Morepork' suggests, to me, an image of radically displaced Europeans in an unfamiliar landscape, craving pork meat, and hearing this beautiful owl call as though it were expressing their own cravings: 'More pork!" (Interestingly, DNA evidence has suggested that Ninox novaeseelandiae is more closely related to the New Zealand Boobook (also commonly known in NZ as the 'Morepork') than to the mainland Southern Boobook (Ninox boobook).)

The other early caller, here, is the Yellow Wattlebird (Anthocaera paradoxa), also found only in Tasmania.

Gradually, the 'Dawn Chorus' stirs and unfurls into a more richly-populated wakefulness. Thankfully, the introduced and now feral Superb Lyrebirds, which have seriously infested this region, seem to be late risers that enjoy sleeping in: somewhat later in the original recording, they pretty much take over most of the forest soundscape.

Recorded with meditative respect upon the land of the Nuenonne tribe of the Palawa people. The recording was made with a pair of MKH 8040s in ORTF into an F3 recorder.

2023.09.23 First Light. Huon Valley. Early Spring.

Soft sand being blown over a hard crust of sand on a dune in the Namib desert. Read about my expedition to Namibia at https://mindful-audio.com/blog/namibia-sound-recording-2020

Skeleton Coast - Sand Dune In Moderate Wind

Andere meditaties op SoundCloud: https://soundcloud.com/kanzeon-2
Meditations in English: https://soundcloud.com/meditation-with-ciska
Kindermeditaties: https://soundcloud.com/kleineboeddha
Meditaties voor jongeren : https://soundcloud.com/KidKanzeon

Acht Wereldse Winden

Shizuka

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