Name: It's As If You Want Me To Give Up On Mashiach (2) - Rabbi Shlomo Katz by Rav Shlomo Katz
Duration: 43 min 57 s
Description: Unless I learn how to cry out to you Hashem when I least feel like crying out to you, I don't know how to cry out to you. Open your hearts, and join us for tonight's learning.

This year, 5781, 2021, Pesach begins on Saturday night, opening up the door to many different halachot that we generally are not accustomed to. In this class, we covered many of the possible issues which may come up,

Hilchot Pesach, When Seder is Motsei Shabbat - Rabbi Shlomo Katz

mPEAK 10-Min Mental Noting Meditation by Corrie Falcon

Weekly Dharma Talk with Dr. Cortland Dahl from February 27, 2020. Recorded at Tergar Madison Meditation Center - Madison, WI - The Bardos of This Life; Sleep and the Dream State - Cortland Dahl

The Bardos of This Life - Sleep and the Dream State - Dr. Cortland Dahl [20200227) (TMAD)

Using two brilliant tracks from @meaganjohnson and @sevenism from the 20x20 Project ...

SC won't let me put links to the albums! But check out the 20x20 Project on bandcamp! It's awesome!

More on this 448th weekly Disquiet Junto project, Seamless Bridge (The Assignment: Create a 20-second piece of music to connect two preexisting 20-second pieces of music), at:

https://disquiet.com/0448/

Major thanks to 20×20’s Neil Stringfellow for proposing this project. More on 20×20 at:

https://20x20project.bandcamp.com/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0448-seamless-bridge/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image background for this project is the logo design for the 20×20 series. The logo is by David Barrington.

MFA seashells

halF seamlesS [disquiet0448] - with Mrs Dink & Sevenism

These thirty days of Elul can be quite intimidating. We start off this awesome period with a bracha, that the concept of 'time' should be inviting and not limiting. Here is a wonderful story about the Noam Elimelech and his careful approach to time in the month of Elul.

Entry into Elul (8 minutes) - Rabbi Shlomo Katz

Before last night's learning, we allowed the niggunim of Elul to enter the heart. An old unknown Reb Shlomo tune, Diasora, Breslov, Ben Zion & Noach Solomon.

20 Minutes Of Elul Niggunim - Rabbi Shlomo Katz

What is the secret behind the build up to the first day of Succos?

The Majestic Build Up Toward the First Day of Succot - Rabbi Shlomo Katz

Unless I learn how to cry out to you Hashem when I least feel like crying out to you, I don't know how to cry out to you. Open your hearts, and join us for tonight's learning.

It's As If You Want Me To Give Up On Mashiach (2) - Rabbi Shlomo Katz

Disquiet Junto Project 0469: [Missing in Caption]. The Assignment: Make music that pushes the constraints of descriptive television captions.

In one scene of this old war movie, the man is saying goodbye to go to another well-founded, short and successful war, and his wife is deeply worried.

The bells call to battle, the wife struggles to find parting words, and even the worn-out VHS tape is deeply moved.

Whispering provided by these two CC0 samples:
https://freesound.org/people/geoneo0/sounds/193818/
https://freesound.org/people/LadyImperatrix/sounds/503270/ <- the heartbreaking words!

Image based on David Monies: The Farewell
https://commons.wikimedia.org/wiki/File:Monies-Farewell.jpg

More on this 469th weekly Disquiet Junto project:
https://disquiet.com/0469/
Project discussion:
https://llllllll.co/t/disquiet-junto-project-0469-missing-in-caption/

CC BY-NC-ND 3.0
https://creativecommons.org/licenses/by-nc-nd/3.0/

[overly heartbreaking farewell music] ____ [disquiet0469]

I lived in Houston for 9 months in 1997.  Lived and worked on Westheimer Rd.  I worked near River Oaks at a tech startup.  My wife worked somewhat nearby on Greenway Plaza at what is now Invesco.

The food in Houston was excellent.  One time, Dusty Hill from ZZ Top was behind us in line at a BBQ joint and ordered "a quart of jambalaya".  Yes, he was dressed like he was on stage.  I thought it was the perfect Texas moment.  Although a close second was going out with Ann's co-workers to somebody's horse farm in the country and one her co-workers rode a horse backwards very fast.  Nice people.

There should be more cars on whatever road this is.  I remember the traffic was crazy.  And the air often smelled of gas, the result of being close to oil refineries.

This track is a combination of several pieces of mine:  Aleodeology's "Time Travel Destination in the Past", "Simulated Gravity", "Aleodeological Travel", and "Empty Interstate Due to Microaggressions", along with my side band Vibrating Wires' "The Long Drive Out", "The Path to REM Sleep", and "Southwestern Desert" - and some field recordings of rain that I recorded.

*

More on this 476th weekly Disquiet Junto project — IAH Forecast (The Assignment: Here’s your next single’s cover. Now record it.) — at:

https://disquiet.com/0476/

The image that is the source of this project is by Robert Boyd (www.thegreatgodpanisdead.com) and has been used with his permission.

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0476-iah-forecast/

Westheimer(disquiet0476)

i took this weeks project as an impetus to just cut and paste something together, didn't let the "musical" side put me off, just revelled in the excuse to splice and juxtapose the contents of my recorder - some sounds recorded intentionally for this project, most just what was there; fragments snatched over the past three months or so.

///

... some pink noise, an aubergine being chargrilled, nextdoor's bins, a ventilation system, a brief hydrophone recording, a waterfall, a self-service check-out, various birds, some metal stairs, traffic, rain, ice, snow, various paperbags, a train station tannoy, a malfunctioning videocall, a dehumidifier, gulls, small pieces of plastic, wind, demolition work...

///

it's my age and inclination, i think, but i am deeply enamoured with collage and assemblage aesthetics; the way the world necessarily leaks in to even the most perverse and hermetic project; the way you can sort of synthesise the sheer abundance of the world; a nest of implications and connections; the way things become strange when they're oblided to be in overlap or proximity.

///

i used no effects on the final piece beyond a little panning at times, a little EQ-ing; some of the files and chopped into the thing had been processed, but for the most part - as the relentless bumps of mic-handling shoud indicate, the component sounds are essentially unprocessed.

///

More on this 478th weekly Disquiet Junto project — Collage of Collages (The Assignment: Make a collage that will become part of a larger collage.) — at:

https://disquiet.com/0478/

The project is a collaboration with the radio show Kopfkino, initiated by Margarethe Maierhofer-Lischka. More on Kopfkino at:

https://cba.fro.at/series/kopfkino

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0478-collage-of-collages/

It's As If You Want Me To Give Up On Mashiach (2) - Rabbi Shlomo Katz

Rav Shlomo Katz

Recent comments

rD3@d9JZn65-cth

Related tracks