Toronto’s own and Chicago transplant, Demuir, is a rare breed in the world of electronic music. With a passion for music that runs deep in his veins, Demuir has risen to the top of the underground house scene with his soulful, funky, and unapologetically authentic sound.
Following the sold-out success of his 2023 album Visions, Demuir has only continued to push boundaries. In 2024 and 2025, he’s released standout projects on his Purveyor Underground and Purveyor Underground Limited imprints, curated exclusive vinyl-only EPs, and dropped highly regarded sample packs like YYZ Underground on Beatport Sounds / Loopmasters. His output remains in demand across respected labels including Hot Creations, Rawthentic, Desolat, Kaoz Theory, Heist, and Nervous. All this has amounted to unwavering support from top DJs including: Jamie Jones, Kerri Chandler, Honey Dijon, Derrick Carter, Seth Troxler, DJ Minx, Jimpster, and others.
On stage, Demuir’s DJ sets are a feast for the senses—eclectic, funky, and deeply soulful, radiating the kind of sexiness that keeps dancefloors moving until sunrise. Whether headlining Jamie Jones’ Paradise parties, making repeated Boiler Room appearances, or rocking venues like Elrow in Barcelona, Space Miami, Halcyon in San Francisco, House of Yes in New York, or Chicago’s Spybar, he continues to cement his reputation as a must-see performer.
Beyond the decks, Demuir runs his acclaimed Purveyor Underground label, a platform that champions underground artistry with both digital and vinyl releases. Artists like DJ Sneak, Carlo Lio, Mark Farina, Phil Weeks, Kenny Dope, and rising talents such as Farouki and Pinto (NYC) have all found a home on the label. In 2025, Demuir is expanding this vision further with projects like the Purveyor Underground All-Stars vinyl series and educational initiatives through his Patreon, now boasting over 200 episodes of his weekly production stream.
Demuir’s drive goes beyond the music—he’s creating ecosystems for producers and DJs to thrive, from remix contests to mastermind sessions, while continuing to evolve his Patreon community, a forward-thinking summit blending music, mentorship, and community.
A true innovator with global reach and local roots, Demuir shows no signs of slowing down. With new projects, label events, and music lined up, he continues to inspire both fans and fellow artists around the world.

https://linktr.ee/jnagproductions

PRODUCER, BEAT MAKER & ENGINEER IN PHILADELPHIA

Worldwide Bookings
Abel Reynolds 
E: abel@fingerlickin.co.uk
T: +44 (0) 20 7255 2660 
http://fingerlickinmanagement.co.uk/krafty-kuts

VIBES FOR THE RIDE
DSR Chris & XL Middleton - archived sets.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Connecting club culture to the wider world, on screen and irl through parties, film and video.

A middle aged guy that refuses to get rid of his turntables. Mixes recorded as often as I can. Been cutting it up since 1992 but Hip Hop since 1975!

Official member of Workinonit, DJ League & Summer Vibes DJ Crews

Here's a link to all of my accounts, socials, etc. 

https://linktr.ee/djds1975

"Mixes are time capsules of sound.  Each capturing a moment in time that will not be repeated the same way.  Each mix is meant to transport the listener in their own time machine to their own destination.  These are soundtracks for daily living..."

Management: charlie@cgimusiconline.co.uk

Jaguar Skills. A DJ. Producer. A freak. Details of his real name, age and home town left largely unconfirmed…

shmoozel is following